Jeffrey Brown has had an interesting career. He shot to (relative, in the comics world, at least) stardom with his raw, emotive autobio work in “Clumsy,” “Unlikely,” etc. but now he’s mostly known for his work on all-ages comics, including a high profile gig in the Star Wars universe. In that light, his Bighead comics represent a sort of transitional period in his career. A loving homage to the frankly ridiculous concept of superheroes, this collection of the titular character’s mini-comics and assorted other stories demonstrated that Brown was able to tackle more mainstream work with his wry sense of humor and subversive wit intact.
Boasting an ill-defined set of superpowers and a high emotional intelligence, Bighead could very easily be mislabeled as a beta-male poseur. I mean, more often than not, he uses his sensitivity and psychology to defeat inane villains like Girlhair, The Brit, Temptationress, and other baddies that sound like rejects from James Kochalka’s similarly loony “Superfuckers” series. Brown expertly sends up the whole ass-whupping-macho-superhero trope, revealing - but also reveling in - the silliness of a big dude in his underwear punching other dudes in their underwear. It’s laugh-out-loud funny and Brown proves once again that his creativity is nearly limitless. Art-wise, “Bighead” represents the end of his more amateurish drawing style; looking like the free, impromptu no-pencils-just-straight-to-ink work he used in his early autobio memoirs, its sloppy charm works perfectly with the ragged nature of the adventures. His work is much more polished now, as well as his storytelling, and I miss the rawness of his work like “Bighead.”
For a sensitive comic artist who freely aspired to work for Marvel, Jeffrey Brown’s “Bighead” perfectly straddles both worlds. With a penchant for using his brains and his ears more often than his fists, Bighead has a heart as big as his head. This collection is a treat for superhero- and indie-comics fans alike.