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Valoa vasten
Uteliaisuudesta virinnyt, joutilas unikuva avaa oven pimeyteen.
Kun kertoja saa kuulla esivanhempansa teloitetun noituudesta 1500-luvulla, häntä kehotetaan tutkimaan tämän historiaa. Tutkimusten epäonnistuttua hän turvautuu maagisiin keinoihin ja paljastaa pahantahtoisten voimien joukon, joka on aikeissa tunkeutua Maahan.
Hylätyiltä raunioilta Walesista hän löytää grimoiren, joka tuo esiin vieraiden entiteettien ja niiden maanpäällisten edustajien välisen kanssakäymisen. Huhujen mukaan eräs skottilainen klaani on pitänyt kirjaa hallussaan vuosisatoja, mutta sen olemassaolosta tietävät vain harvat. Heidän joukkoonsa lukeutuvat suuret okkultistit, kuten Aleister Crowley ja Phineas Black, jäljittävät sitä epätoivoisesti. Yksin grimoirella on hallussaan avaimet – ja suojeluksen merkki. Khimaira? Allegoria? Ennemminkin varoitus. Sivilisaatio syöksyy kohti tuhoaan: se saattaa löytää merkin – tai sitten tuhonsa sinetin...
”Valoa vasten” toimii jatkona Abraxasin aiemmin julkaistuille Arthur Machen ja Algernon Blackwood -suomennoksille ja tuo näin päätökseen okkulttisen weird-kirjallisuuden trilogian. Teos alkaa Grantin, Machenin ja Blackwoodin tuotantoihin perehtyneen väitöskirjatutkija Antti Litmasen kattavalla johdantotekstillä ”Veli Aossicin maaginen maailma”, joka avaa niin Grantin henkilöhistoriaa ja okkulttisia teorioita, Tyfonisen OTO:n ja Uusi Isis -loosin varhaisvaiheita, kuin Grantin kirjallisia vaikuttimia. Teoksen on suomentanut englantilaiseen kauhu- ja weird-kirjallisuuteen perehtynyt kääntäjä Ronja Erkko.
Kun kertoja saa kuulla esivanhempansa teloitetun noituudesta 1500-luvulla, häntä kehotetaan tutkimaan tämän historiaa. Tutkimusten epäonnistuttua hän turvautuu maagisiin keinoihin ja paljastaa pahantahtoisten voimien joukon, joka on aikeissa tunkeutua Maahan.
Hylätyiltä raunioilta Walesista hän löytää grimoiren, joka tuo esiin vieraiden entiteettien ja niiden maanpäällisten edustajien välisen kanssakäymisen. Huhujen mukaan eräs skottilainen klaani on pitänyt kirjaa hallussaan vuosisatoja, mutta sen olemassaolosta tietävät vain harvat. Heidän joukkoonsa lukeutuvat suuret okkultistit, kuten Aleister Crowley ja Phineas Black, jäljittävät sitä epätoivoisesti. Yksin grimoirella on hallussaan avaimet – ja suojeluksen merkki. Khimaira? Allegoria? Ennemminkin varoitus. Sivilisaatio syöksyy kohti tuhoaan: se saattaa löytää merkin – tai sitten tuhonsa sinetin...
”Valoa vasten” toimii jatkona Abraxasin aiemmin julkaistuille Arthur Machen ja Algernon Blackwood -suomennoksille ja tuo näin päätökseen okkulttisen weird-kirjallisuuden trilogian. Teos alkaa Grantin, Machenin ja Blackwoodin tuotantoihin perehtyneen väitöskirjatutkija Antti Litmasen kattavalla johdantotekstillä ”Veli Aossicin maaginen maailma”, joka avaa niin Grantin henkilöhistoriaa ja okkulttisia teorioita, Tyfonisen OTO:n ja Uusi Isis -loosin varhaisvaiheita, kuin Grantin kirjallisia vaikuttimia. Teoksen on suomentanut englantilaiseen kauhu- ja weird-kirjallisuuteen perehtynyt kääntäjä Ronja Erkko.
217 pages, Hardcover
First published January 1, 1999
3 people are currently reading
153 people want to read
About the author
Kenneth Grant
68 books196 followersLibrarian Note: There is more than one author by this name in the Goodreads database.
Kenneth Grant was the head of several important Thelemic orders and author of the influential “Typhonian Trilogies” series (1972–2002) that includes The Magical Revival, Nightside of Eden and Aleister Crowley and the Hidden God.
In 1939, Kenneth Grant chanced upon Crowley’s Magick in Theory and Practice and a few years later began a correspondence with the author (see Remembering Aleister Crowley, Skoob Books, 1991) that would lead to him joining the Ordo Templi Orientis. In 1946, he was initiated into the Argentum Astrum and was confirmed as an IX° in the O.T.O.
Shortly after Crowley’s death in 1947 Grant met David Curwen. Also member of the O.T.O. Sovereign Sanctuary, a keen alchemist and a student of tantra, Curwen initiated Grant into “a highly recondite formula of the tantric vama marg.” This experience further deepened Grant’s interest in oriental mysticism and he detailed his work with the Advaita Vedanta in a number of essays for Asian journals in the early 1950s (later published as At the Feet of the Guru, Starfire, 2006).
In 1948, Kenneth Grant’s wife Steffi (they were married in 1946) wrote to Austin Osman Spare and the couple began an eight-year friendship with the artist. The bookseller Michael Houghton had already introduced Grant to Spare’s opus, The Book of Pleasure, and Spare elucidated his theories with letters and enclosures of manuscripts, with Kenneth acting as amanuensis. In 1954, Spare and Grant co-founded the Zos Kia Cultus: not a cult in the objective sense, but a designation given to the creative nexus of personal magical experience (see Zos Speaks!, Fulgur, 1999).
In the same year Grant founded the New Isis Lodge, with the intention of providing a conduit for “the influx of cosmic energy from a transplutonic power-zone known to initiates as Nu-Isis.” The group ran until 1962 and various accounts of the experiences of the group may be found throughout the “Typhonian Trilogies”.
Coetaneous with the New Isis Lodge, Kenneth and Steffi Grant began work on the Carfax Monographs. This series of ten essays was issued between 1959 and 1963 with the explicit intention to “elucidate the hidden lore of the West according to canons preserved in various esoteric orders and movements of recent times.” It was the beginning of a unique 50 year contribution to Thelemic literature and art that spans poetry, biographical works, fact and fiction.
Copyright © Robert Ansell, 2007
http://www.fulgur.co.uk/authors/grant/
Kenneth Grant was the head of several important Thelemic orders and author of the influential “Typhonian Trilogies” series (1972–2002) that includes The Magical Revival, Nightside of Eden and Aleister Crowley and the Hidden God.
In 1939, Kenneth Grant chanced upon Crowley’s Magick in Theory and Practice and a few years later began a correspondence with the author (see Remembering Aleister Crowley, Skoob Books, 1991) that would lead to him joining the Ordo Templi Orientis. In 1946, he was initiated into the Argentum Astrum and was confirmed as an IX° in the O.T.O.
Shortly after Crowley’s death in 1947 Grant met David Curwen. Also member of the O.T.O. Sovereign Sanctuary, a keen alchemist and a student of tantra, Curwen initiated Grant into “a highly recondite formula of the tantric vama marg.” This experience further deepened Grant’s interest in oriental mysticism and he detailed his work with the Advaita Vedanta in a number of essays for Asian journals in the early 1950s (later published as At the Feet of the Guru, Starfire, 2006).
In 1948, Kenneth Grant’s wife Steffi (they were married in 1946) wrote to Austin Osman Spare and the couple began an eight-year friendship with the artist. The bookseller Michael Houghton had already introduced Grant to Spare’s opus, The Book of Pleasure, and Spare elucidated his theories with letters and enclosures of manuscripts, with Kenneth acting as amanuensis. In 1954, Spare and Grant co-founded the Zos Kia Cultus: not a cult in the objective sense, but a designation given to the creative nexus of personal magical experience (see Zos Speaks!, Fulgur, 1999).
In the same year Grant founded the New Isis Lodge, with the intention of providing a conduit for “the influx of cosmic energy from a transplutonic power-zone known to initiates as Nu-Isis.” The group ran until 1962 and various accounts of the experiences of the group may be found throughout the “Typhonian Trilogies”.
Coetaneous with the New Isis Lodge, Kenneth and Steffi Grant began work on the Carfax Monographs. This series of ten essays was issued between 1959 and 1963 with the explicit intention to “elucidate the hidden lore of the West according to canons preserved in various esoteric orders and movements of recent times.” It was the beginning of a unique 50 year contribution to Thelemic literature and art that spans poetry, biographical works, fact and fiction.
Copyright © Robert Ansell, 2007
http://www.fulgur.co.uk/authors/grant/
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Displaying 1 - 6 of 6 reviews
January 12, 2017
Read it about five years ago originally and was happy to get the re-print. Got a lot more out of it as my "knowledge" has increased since then. Very enjoyable read..hard to describe a weird zone of dreams, dark magick and gnosis.
January 13, 2020
A cryptic, fascinating wormhole weave of esoteric paths and potentials.
August 3, 2022
this is the most extraordinary hallucinatory dream fiction, an occult, pan-dimensional journey into the realms beyond. If you're struggling to understand Kenneth Grant's trilogy of trilogies about the 93 696 double current then start here. A fiction and a demonstration of occult dream-working in action. It's the key that unlocks the Typhonian mysteries.
November 19, 2019
read a while ago forgot to add onto here
May 13, 2025
After a recent binge-read of Kenneth Grant, I decided to revisit Against the Light again, his attempt at Lovecraftian fiction. This time around, the experience was far more enjoyable and rewarding. While Grant’s esoteric writings often tread a precarious line between brilliance and bewilderment, this novel stands out as one of his more coherent efforts in expressing the latter Typhonian themes without excessive obscurity.
The Lovecraftian elements in the book feel genuinely immersive. Grant’s signature merging of cosmic horror with deep occult philosophy lends a distinct eeriness to the narrative, making it an engaging read for those attuned to both traditions. While not necessarily a masterpiece of weird fiction, Against the Light succeeds in carving out a unique niche between horror literature and occult revelation.
The Lovecraftian elements in the book feel genuinely immersive. Grant’s signature merging of cosmic horror with deep occult philosophy lends a distinct eeriness to the narrative, making it an engaging read for those attuned to both traditions. While not necessarily a masterpiece of weird fiction, Against the Light succeeds in carving out a unique niche between horror literature and occult revelation.
June 26, 2025
"Metsään oli astunut lapsi, mutta mitä sieltä poistui, ei näkijä kyennyt kuvailemaan."
Displaying 1 - 6 of 6 reviews