Władca much: powieść graficzna

by Aimée de Jongh, Paweł Bulski (Translator)

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series launches with six perennial favorites to give as elegant gifts, or to showcase on your own shelves.

G is for Golding. At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable tale about “the end of innocence, the darkness of man’s heart.”

Genres: Graphic Novels, Comics, Classics, Bande Dessinée, Fiction, Young Adult, Graphic Novels Comics

352 pages, Hardcover

First published September 12, 2024

About the author

Aimée de Jongh (b. 1988) is a comic author, animator and illustrator from the Netherlands, with a large variety of drawing styles. Aimée received her degree in Animation at the Willem de Kooning Academy Rotterdam, KASK Ghent and at the Gobelins Summer School Paris.

She debuted with Snippers, a humorous daily comic series for the Dutch newspaper Metro. Her first graphic novel The Return of the Honey Buzzard won the Prix Saint-Michel and was adapted to film. After this, Aimée decided to focus on graphic novels and animation. Her recent graphic novels are Taxi!, an autobiography about taxi rides, and Blossoms in Autumn, about love after 60, written by the Belgian comic author Zidrou.

In 2017, Aimée made her first graphic journalism work after visiting the refugee camps on Lesbos. This trip resulted in the drawn report Europe's Waiting Room.

Aimée has been involved in the animation industry for several years. She directed and animated the short film Aurora, she created storyboards for Amazon Prime's Undone, and animated a series of music videos for the television show De Wereld Draait Door. Aimée's biggest animation project was Behind the Telescopes, a 71-minute theatrical film with harpist Lavinia Meijer, which she directed and animated. Aimée has also taught various classes about comics, graphic journalism and animation.

Reviews

[Juan Naranjo]

Es muy difícil darle una vuelta a un clásico de la literatura tan presente en la cultura popular como lo es «El señor de las moscas». Sin embargo, Aimée de Jongh consigue que su visión plástica de la historia aporte contenido, ambientación y sensibilidad a esta narración inmortal.

La historia es redonda: una profunda reflexión sobre la naturaleza humana, sobre los horrores que habitan en nuestro corazón, sobre los límites de las estructuras sociales, sobre la imposición social y la aceptación de lo inaceptable movido por la presión de grupo y las ansias de sentirse parte de algo… Y la parte gráfica es apabullante, sobre todo en lo relativo al color. Así que la combinación es espléndida. Cabe señalar que la autora no ha adaptado los textos, sino que ha elegido exclusivamente fragmentos de la obra original, lo que me parece una apuesta interesantísima.

En conclusión: la novela es perfecta, y la adaptación al cómic es estupenda. Ojalá sirva para que muchos lectores vuelvan a aquella isla y otros muchos la descubran.

EDITO: Por si queréis verlo por dentro https://www.instagram.com/reel/DHECvh...

[Jeroen Decuyper · Rating 5 out of 5]

Na Taxi: Stories from the Back Seat en Dagen van zand, gaat het crescendo met de graphic novels van Aimée de Jongh. Deze 'Heer van de vliegen' is een juweeltje, alhoewel het verkleinwoord niet echt op zijn plaats is om deze schitterend uitgegeven klepper van meer dan 350 pagina's te omschrijven. Een stevige hardcover om u tegen te zeggen, ingebonden en met mat papier, in tegenstelling tot heel wat beeldverhalen die inzetten op glanzende pagina's.

Anders dan 'Dagen van zand', vol met geel-, bruin- en grijstinten en waarin het blauwe en groen nagenoeg volledig ontbraken, is deze graphic novel een overdadige explosie van groentinten. Enerzijds creëert dat rust en mysterie, maar anderzijds zorgt het voor behoorlijk wat intensiteit en expressieve beelden die wonderwel passen bij het originele verhaal van William Golding. Sommige scènes zijn op één of twee bladzijden opengetrokken en zorgen voor overzicht, maar op de meeste pagina's ligt het verteltempo hoog. Zo hoog dat je als lezer hier en daar bewust moet vertragen: te snel lezen en kijken doet afbreuk aan het opbouwen van de sfeer van de verstripping.

De Jongh volgt nagenoeg volledig het oorspronkelijke verhaal van de Britse Nobelprijswinnaar, maar bij mij kwamen bepaalde scènes iets harder binnen dan bij het lezen van de roman, lang geleden. Een tweetal van die scènes, meer naar het einde van het verhaal toe, krijgen toch een andere dimensie en hebben iets meer impact met de beelden erbij. Wat mij betreft een meer dan geslaagde adaptatie, die ik met plezier een ruimere plek geef in het boekenrek met de graphic novels.

[Daniel · Rating 4 out of 5]

4.25 stars...

This was a much better experience for me than the original novel with all its wordy and dry imagery. Very well done. 👍👍

[Urbon Adamsson · Rating 5 out of 5]

Aimée de Jongh had already secured a spot among my favorite authors, and this might just be her best work yet—certainly her longest.

Before reading this, I didn’t know much about Lord of the Flies beyond its reputation as a highly praised and popular novel.

It tells a gripping story of a group of children stranded on an island, where the lack of civilization causes them to gradually revert to their most primitive instincts. The pacing is perfect—despite its length, you’ll find yourself flying through the pages.

I loved every moment of it. It’s a must-read and yet another standout release this year by ASA.

[✔️ JAVI ®️ · Rating 4 out of 5]

8/10 🌟🌟🌟🌟
Una edición de diez. Tapa dura aterciopelada, de las que son agradables al tacto. La serigrafía del título con relieve, bueno, mejor dicho con fondo. En la cubierta una imagen con acuarelas compuesta por diferentes tonos de verde donde destacan los efectos de luz. Una edición preciosa.
En su interior, 352 páginas con el arte de Aimée De Jongh, autora completa de "Días de arena". Un dibujo con aire infantil donde las expresiones de los personajes consiguen transmitir.
La parte donde pierde frescura, que no calidad, es que el guión es la adaptación de un clásico muy popular y la historia es conocida aún no habiendo leído el libro original de William Golding. Siendo así una muy buena edición para rememorar la historia y para añadir a las estanterías de cualquier colección de libros que se precie.

[Sherry · Rating 5 out of 5]

Closer to 4.5 A very good adaptation of the book. I thought the original text was stunning and it broke my heart so this had mighty shoes to fill and I think it succeeded within its format. The art was good and conveyed a lot of the story very well. Appreciated the opportunity to revisit this beloved modern classic as a graphic novel and I’m so pleased to have received it as a birthday gift from my son who just seems to really get me when it comes to books.

[Matthieu Wegh · Rating 5 out of 5]

?Een mooie graphic novel die ik lang geleden al in de etalage van een boekhandel in mijn stad zag staan...en ook al lang geleden op mijn (online) verlanglijstje voor mijn bieb zette; op de middelbare school las ik dit boek voor mijn lijst in het Engels.
🤔De vertaalde schrijfstijl was prachtig (en dat bij zo'n gruwelijk boek) en de tekeningen waren zo mooi dat ik het verhaal niet in 1 keer tot me kon nemen en er maanden over gedaan heb. Mijn favoriet voor 2026 voorlopig.
MW22/2/26

[Matti Karjalainen · Rating 4 out of 5]

Englantilaisia koulupoikia mukanaan kuljettanut lentokone putoaa liekeissä maahan ja eloonjääneet saavat huomata olevansa autiolla saarella, ilman ensimmäisenkään aikuisen valvontaa. Jotenkin on tultava toimeen, ja niinpä pojat pistävät pystyyn yhteisön, jonka demokraattisesti valittuna johtajana toimii kaveri nimeltään Ralph. Sääntöjä luodaan yksissä tuumin: merkkitulta on pidettävä yllä, kylpypoukaman takana oleva kivikko toimii käymälänä, metsästäjät hoitavat lihanhankinnan ja yhteisissä leirikokouksissa äänessä saa olla vain kotiloa kädessään pitelevä poika.

Vaikka alku näyttää hyvältä, pääsee käärme ryömimään paratiisiin. Sääntöjä ja vallitsevaa järjestystä haastamaan nousee etenkin metsästäjien johtajana toimiva Jack. Lisäksi poikien hermoja kiristävät tarinat metsässä asuvasta pedosta, jonka olemassaolosta ei kuitenkaan ole mitään varmuutta. Saarella tunnelma muuttuu synkeämmäksi, eikä aikaakaan, kun pahaenteinen messuaminen "Tapetaan peto, katkaistaan kurkku, vuodatetaan veri" täyttää ilman. Ja sitten veri vuotaa ensimmäisen kerran...

Vuonna 1954 ilmestyneestä William Goldingin Kärpästen herrasta on tehty vuosien saatossa muutama elokuvaversio, mutta hollantilaisen Aimée de Jonghin samanniminen sarjakuvaversio (Like, 2024) on tiettävästi ensimmäinen lajiaan. Lopputulos tekee kunniaa klassikkoteokselle, eikä ihmekään, sillä sarjakuvan jälkisanoissa de Jongh tunnustautuu teoksen elinikäiseksi faniksi. Lieneekö siinä syy siihen, että vapauksia ei ole pahemmin otettu, vaan teoksen jokainen lause on peräisin alkuperäisestä romaanista.

Luullakseni otan sarjakuvan mukaan ensi syksyn kahdeksasluokkalaisten vinkkauksiin.

Jos pidit tästä, niin tutustupa myös toiseen klassikkoromaaniin perustuvaan sarjakuvaan, eli Janne Torisevan Valaaseen.

[Chris · Rating 5 out of 5]

Wat graphic novel-talent Aimée de Jongh doet met deze klassieker is niet alleen wonderlijk mooi, ze blijft ook vrij trouw aan het origineel (dat ik een half jaar geleden herlas). Haar visuele ingrepen tillen niet alleen het genre naar een hoog niveau, maar versterken ook de essentie van de roman.

Zowel de personages als bepaalde landschappen kwamen heel dicht bij mijn eigen verbeelding, wat altijd fijn is en bewijst dat de originele auteur het allemaal goed weet te beschrijven. Elke bladzijde die je omslaat is een pareltje, zowel compositorisch als qua sfeer en kleur. Alleen al de manier waarop Aimée de Jongh het zonlicht laat spelen tussen het oerwoud-gebladerte is betoverend, maar zo kan ik nog wel wat noemen.

De dromen van de kinderen bijvoorbeeld, over hun gelukkige tijd voor de crash en over de monsters die ze in hun verbeelding zien. Die culmineert tenslotte in de prachtig verbeelde, duistere gruwel van de zwijnenkop op de staak die de titel verklaart in bloedmooi rood, zwart en wit. Zoveel extra zeggingskracht maakt van deze 'Lord of the flies' een onweerstaanbare klassieker om door een nieuw en breed publiek (her)ontdekt te worden. Dankjewel Aimée!

[Robert Lambregts · Rating 5 out of 5]

Wow. This was so good. Aimée de Jongh brought Lord of the Flies to life in a whole other way. Of course it's a classic, but the images tell even more than the words in the original.
I highly recommend anyone who loves the story to readthis book. It's gorgeous and very well done.

[Amélie Bracke · Rating 4 out of 5]

4,5⭐️

Om een van mijn favoriete klassiekers als graphic novel te lezen, was sowieso echt al geweldig maar Aimée de Jongh bracht met de tekeningen het verhaal naar een nieuw niveau. De graphic novel bracht nog meer gevoelens naar boven en voegde extra benadrukkingen en symboliek toe die het verhaal enkel maar verrijkten!

[Rod Brown · Rating 4 out of 5]

A superb reminder of how creepy, brutal and powerful William Golding's novel is.


FOR REFERENCE:

Contents: Chapter 1. The Sound of the Shell -- Chapter 2. Fire on the Mountain -- Chapter 3. Huts on the Beach -- Chapter 4. Painted Faces and Long Hair -- Chapter 5. Beast from Water -- Chapter 6. Beast from Air -- Chapter 7. Shadows and Tall Trees -- Chapter 8. Gift for the Darkness -- Chapter 9. A View to a Death -- Chapter 10. The Shell and the Glasses -- Chapter 11. Castle Rock -- Chapter 12. Cry of the Hunters

[Annadwolf · Rating 5 out of 5]

Uit het nawoord: ‘beelden maken het verschil tussen weten wat er aan de hand is en voelen wat er aan de hand is’

[Simone Bais · Rating 5 out of 5]

Wauw

[Vinicius · Rating 4 out of 5]

Com uma narrativa tranquila, e desenhos incríveis da Aimée de Jongh, que destacam muito bem a inocência das crianças e a disparidade entre a grandiosidade da floresta e a “insignificância” das crianças perto da magnitude do ecossistema, O Senhor das Moscas engana os desavisados que não conhecem a trama e batem o olho e pensam que será uma história ingênua sobre crianças.

De maneira resumida, a obra vai contar sobre um grupo de crianças que sobrevivem a queda de um avião, a qual nenhum adulto sobrevive. Essas crianças agora, sem supervisionamento e sem regras, precisam sobreviver em uma ilha desabitada.

Com o desenvolvimento da história, acompanhamos as crianças, de começo, lidando bem com a organização das tarefas. Elas arrumam um sistema de prioridade de fala - para que todos sejam ouvidos, se dividem em grupos para caçar, fazem fogueira para sinalizar que estão ali – caso um barco passe por ali – e até arrumam um local para usarem de banheiro. No entanto, essa organização não dura para sempre, e algumas crianças começam a ignorar as tarefas, querendo apenas brincar e se divertir, afinal são crianças. Além disso, conflitos entre as crianças começam a aparecer, separando-os em grupos diferentes com objetivos distintos, gerando ainda mais caos entre eles.

Nesse ensejo, o quadrinho possui diferentes reflexões que podem ser feitas com base nesse status quo que as crianças se encontram. Assim, durante a leitura, refleti muito sobre a organização social das crianças. É possível identificar elementos de anarquismo, pensar sobre modelos de organização, por exemplo, as crianças buscaram dar voz a todos os presentes por meio de uma concha, que simbolizava quem deveria falar no momento, bem ao estilo de parlamentarismo e/ou uma república.

Além disso, vemos a tentativa dos indivíduos em organizar uma sociedade sem leis, regras e instituições, é literalmente os indivíduos realizando suas vontades, sem ter alguém para puni-los ou controla-los dizendo o que é certo ou errado, tudo depende de um pacto social entre eles mesmos, confiando que todos irão seguir esse combinado. Isso me remeteu muito a organização social pensada por Durkheim, que de maneira bem resumida, vê a sociedade como um organismo social, sendo que cada individuo faz sua parte, por meio da solidariedade, que levaria a coesão social, em que cada individuo teria suas funções sociais, simbolizada pela divisão do trabalho e a especialização dos indivíduos.

Outra perspectiva que acho valida destacar, é pensar na contribuição que Hobbes poderia dar para analisar essa obra, tendo em vista que há um momento de ruptura entre os indivíduos da ilha, que antes organizados, agora se revoltam e buscam outra maneira de se organizarem, utilizando inclusive de violência. Em contrapartida, a figura de Ralph – a criança incialmente líder e que preza por manter a organização do grupo – pode ser vista com uma perspectiva da análise de Rosseau, que o homem é bom em seu estado de natureza, e os vícios dos indivíduos por viver em sociedade que o corrompe. São reflexões que tive durante a leitura, mas lembrando que todas as crianças tiveram a experiencia previa de viver em sociedade.

Outro ponto relevante que pode ser destacado dessa leitura é a questão da perda de inocência dessas crianças e a necessidade de assumir um papel de adulto para sobreviver diante ao cenário de escassez. Segundos dados do Sistema Nacional de Adoção e Acolhimento, até julho de 2023, o Brasil registrou 2.414 casos de abandono no país, o que me faz pensar: quantas dessas crianças não tiveram que amadurecer precocemente para conseguir sobreviver? Quantos dessas crianças não possuem irmãos e não tiveram que assumir o papel de pai e mãe para criar os mais novos? É uma reflexão que acho pertinente e que a HQ consegue levantar de maneira interessante.

[John Blacksad · Rating 5 out of 5]

Muh-te-şem!

Son zamanlarda en heyecanlandığım iş. Daha açılıştan vuruyor. Tam sayfa, boşluksuz bir resim, arkasından bir kaç sayfa daha ve sonra künye giriyor araya. İlk andan sanatçıya hayranlık duyuyorum. Nasıl bu zamana dek rastlamamışım diye hayıflanıyorum. Böyle kült bir eserin daha önce grafik romana uyarlanmaması da ilginç. Ama çarçur edilmemiş olması ve böyle ustaca bir “ilk”e layık olması da güzel olmuş.

Kitap tam bir görsel şölen. Uyarlama başarılı. Mutlaka öneriyorum. Aimee de Jongh “ne yapsa alırım” listesine hızlıca giriyor.

[Zizeloni · Rating 5 out of 5]

Μια παρα πολυ καλη μεταφορά του βιβλίου, που αφορά μια ομάδα αγοριών ηλικιας μεχρι 13 περιπου, που βρίσκονται μονα τους σε ενα νησί. Η κατάληξη δεν ειναι καλη, καταλήγουν σε πρωτόγονα ένστικτα και βία.

Το έδωσα και στο 12χρονο ανιψιό και του άρεσε πολυ, ελπίζω να τον έβαλε σε σκέψεις.

[Samantha✨ [reads everythinggggg] · Rating 5 out of 5]

I received Lord of the Flies: A graphic novel through a Goodreads giveaway and I just want to say THANK YOU! Having already read Lord of the Flies, my thoughts on this edition are based mostly on the artwork—and it was absolutely incredible. I’d give the story 4 stars, but the illustrations a full 5 stars.

The artist did an amazing job. I was blown away by the sketches shown at the end and how they evolved into the final panels throughout the book. The artwork is beautiful, vibrant, and added a completely new depth to the story—very different from how I originally pictured it while reading the novel.

I’m definitely going to look for more graphic novels by this artist, because their work truly transformed the entire reading experience for me.

[Ana · Rating 4 out of 5]

Devo dizer que gostei muito mais desta adaptação gráfica do clássico de William Golding do que do livro original.
Nesta narrativa visual, consegui perceber melhor alguns dos pontos do livro que não tinha conseguido compreender e que me deixaram um pouco confusa.
O desenho é muito bonito e apelativo e acho que, para alguém, como eu, que poderá não ter achado o livro tão cativante, está novela gráfica vai sem dúvida agradar.

[Marjan · Rating 4 out of 5]

4,5*

Het origineel las ik nog nooit, maar daar wil ik nu verandering in brengen. Mooi in beeld gebracht! Leuk om aan het einde ook enkele schetsen te zien zodat je een idee hebt van het tekenproces. Zeker een aanrader!

[Δανάη Ιμπραχήμ · Rating 4 out of 5]

Ομολογώ ότι δεν έχω διαβάσει το original, αλλά μετά από αυτό έχω σκοπό να το κάνω.

Πόσο εύκολα μπορεί να γίνουμε κτήνη; Πόσο εύκολα χάνουμε την ανθρωπιά μας ακόμα και σε μικρή ηλικία; Μια ιστορία που δείχνει ότι η απουσία ορίων και κανόνων μετατρέπει και τους πιο αθώους σε θηρία.

[George Ilsley · Rating 4 out of 5]

Some books are so disturbing you don't want to see the contents up close. This graphic novel is beautifully done, but is an adaptation of William Golding's famous novel (all the words are straight from the novel).

Sometimes a prose work enables the reader to only visualize a little bit, to keep horror at a distance. Give us pictures and the situation can be too disturbing.

That is the situation with this adaptation. The content is disturbing, and no matter how well the graphic adaptation is done, it becomes even more disturbing.

Perhaps if you don't know the novel, Lord of the Flies, this adaptation will be a discovery. I just couldn't shake the feeling of dread reading it.

[Célia Gil · Rating 5 out of 5]

Opinião no meu blogue em https://wwwescrevinhados-cantarinha.b...

[Georgia · Rating 4 out of 5]

«Ο άρχοντας των μυγών» το κλασσικό βιβλίο του William Golding που έχει διαβαστεί από εκατομμύρια αναγνώστες σε ολόκληρο τον κόσμο, κυκλοφορεί πλέον σε μια πανέμορφη έκδοση graphic novel! Η διασκευή και η εξαιρετική εικονογράφηση είναι της ταλαντούχας Aimée de Jongh @ aimeedejongh ενώ η μετάφραση για την Ελληνική γλώσσα είναι της Έφης Τσιρώνη.
Βρισκόμαστε στο έτος 1954 όταν ένα αεροπλάνο γεμάτο από μαθητές ενός δημοτικού σχολείου αρρένων πέφτει σε ένα τροπικό νησί. Κανένας από τους ενήλικες δεν έχει επιζήσει και, ενώ στην αρχή αυτό φαίνεται σαν μια όμορφη μορφή ελευθερίας, στη συνέχεια τα αγόρια καταλαβαίνουν πρέπει να βρουν τρόπους να επιβιώσουν. Πρέπει να ορίσουν έναν αρχηγό. Όμως αυτό δε σημαίνει ότι καταφέρνουν να λειτουργήσουν και ομαδικά, γιατί δεν έχουν μάθει να λειτουργούν έτσι. Μόνο η χορωδία έχει μάθει να λειτουργεί ομαδικά και αυτό θα κάνει.
Τα παιδιά θα δουν όλη αυτή την περιπέτεια σαν παιχνίδι. Θα προσπαθήσουν να βγάλουν από μέσα τους όλα αυτά που καταπίεζαν όσο λειτουργούσαν σαν πολιτισμένοι άνθρωποι και θα ξεφύγουν από πολλά όρια. Η αγριότητα θα πάρει το πάνω χέρι, έχοντας τα ανεξέλεγκτα ένστικτα να τη σιγοντάρουν. Η επαφή με την πραγματικότητα θα χαθεί και όταν έρθει η στιγμή να αναλογιστούν τα όσα έκαναν, τα αγόρια θα μετανιώσουν και νιώθοντας και πάλι παιδιά, θα βάλουν τα κλάματα.
Ακόμα κι αν δεν διαβάζετε συνήθως graphic novels, αυτή την εκδοχή, μην την προσπεράσετε!

[Paulo Teixeira · Rating 4 out of 5]

(PT) Um avião despenha-se numa ilha deserta, e os sobreviventes são apenas crianças de colégio. Esperam que os adultos os resgatem em breve, mas até lá, procuram por comida e abrigo, e talvez, um sentido de ordem. Mas há os que querem fazer pela razão, e há os que desejam pela força.

"O Deus das Moscas" é um dos mais importantes romances do século XX e foi escrito na altura da Guerra Fria. Excluído de inicio, acabou por ser um dos cem livros mais importantes e deu imensa fama a Williams Golding, o seu autor. Acabou por ganhar o Nobel da Literatura, em 1983, e foi nomeado Cavaleiro alguns anos depois, em 1988, cinco anos antes de morrer, em junho de 1993, aos 81 anos.

Esta versão gráfica desenhada pela neerlandesa Aimee de Jong, consegue interpretar muito bem os sentimentos interpretados no livro, de como o ser humano conseguiria sobreviver num mundo sem regras. As personagens, bem descritas pelo escritos, tornam-se vivas diante dos nossos olhos, com pinturas e desenhos. As cenas mais fortes do livro, colocadas diante dos nossos olhos, não só cumprem as nossas expectativas como dão novas cores e novos horizontes.

No final... sim, é uma grande obra-prima que só prestigia o livro. É um belo complemento.

[Rasa Danute Siliņa · Rating 5 out of 5]

4.5 ⭐️⭐️⭐️⭐️

Tagad, kad esmu izlasījusi grafisko romānu man noteikti kaut kad ir jāizlasa arī oriģinālais, lai varu salīdzināt.
Šis bija pirmais grafiskais romāns, ko lasu un man patika. It sevišķi dīvainās un mazliet pretīgās ainas (tas ir dīvaini). Tikai es īsti nespēju sajust galveno varoni. Sākumā viņš man pat likās mazliet pretīgs. Bet mans mīļākais varonis bija Ruksis un man bija tik ļoti viņa žēl!
"Mušu valdnieks" māca par izdzīvošanu, par veselā saprāta zaudēšanu un galvenais par 💎IEJŪTĪBU💎 Jo bez iejūtības un draudzības dzīvē viss saiet grīstē!

P.S. Tas Džeks ir pilnīgs idiots. Viņš laikam nesaprot, ka ir nogalinājis un ievainojis nevainīgus cilvēkus!?

[Sarah · Rating 4 out of 5]

(Ik heb een soort van inhaalweek qua lezen. En slapen.)

Wat een prachtige graphic novel! Het is al eventjes geleden dat ik het boek van Golding las, kon me vooral Piggy nog goed herinneren. Toch kwamen het beeld dat ik in mijn hoofd had en de wereld die Aimée de Jongh schetst wel goed overeen. Weet verder niet zo goed wat ik erover moet zeggen. Prachtige tekeningen dus en daardoor zat je ook vanaf pagina één in het verhaal. Ik denk (maar dat weet ik niet zeker meer) dat ik nu ook meer over de betekenis van het boek ben gaan nadenken dan dat ik dat deed toen ik de roman las.

[Loïs FL · Rating 5 out of 5]

Une formidable adaptation graphique du texte inoubliable de Golding, par Aimée De Jongh. Le résultat visuel est éclatant, grâce à de somptueux jeux de couleurs. L'immersion est totale, on est pris aux tripes comme à la première lecture. ✨✨✨✨✨

[Manu Van Haverbeke · Rating 5 out of 5]

Uiteraard kende ik de titel van dit verhaal, maar het boek zelf had ik nog niet gelezen. Deze graphic novel was dus de ideale gelegenheid om kennis te maken. Dankzij het verbluffende tekentalent van Aimée word je direct meegezogen in het verhaal. Adembenemend. 5/5

[Pieter Decuyper · Rating 4 out of 5]

Mooie adaptatie van een klassieker, de roman ooit al eens gelezen in het Nederlands. Nu gelezen in deze Engelse adaptatie, met een mooie tekenstijl.