Ian Williams managed to pound out a quick fun read in Transitory, transporting the classic D.O.A. crime plot into a sci fi envelope. Fortunately for the hero, this time his doppleganger is dead and the countdown still gives him time to save his life.
Nate Maddox, CEO of an astroid mining corporation, witnesses his own murder during a ritualized memory festival that occurs in conjunction with an intergalactic event called the Orbital Resonance. Together with his alien guide, a washed-up bodyguard and an executive assistant who may or may not intend to betray him, Maddox tracks down the assassin and the rival who hired him.
During the course of the chase, Maddox learns from his alien guide L’Armin that the festival hosts are, in fact, powerful beings who can reconstruct time through memory. They long ago disguised their powers because they was used to enslave them. L’Armin’s willingness to invoke those powers once again brings him into conflict with others of his species, jeopardizing Nate’s pursuit and possibly exposing the aliens to human conquest.
The story itself is diverting, and reasonably well plotted, although I found it slow to engage with until Nick found himself face-to-face with his own body. When I perused the early chapters again, trying to pin down details for the review, I realized it the difficulty have been the paucity of concrete detail—the name of the planet, the name of the hotel.
I realized Williams may have skimped on detail because Nick’s character is hazy. He doesn’t care for details, but William was perfectly capable of feeding them to the reader through the dialogue of Nick’s assistant Helen.
What disappointed me more, however, was the opportunity wasted. Williams stumbled upon a dynamic conflict point—a race with powers that could serve other species. The conflict builds between their elder—the only living member who actually remembers when they were enslaved but who wants to use their powers openly in service, and a younger challenger who wants to remain in hiding so they never become enslaved again. The climactic scene, when Nick takes them all to the time of enslavement is the most vivid and striking in the book.
To execute this marvelous premise on the slender thread of a murder mystery leaves me restless. It’s as though Williams whipped up the recipe for a béarnaise sauce only to drizzle it over hot dogs.
Don’t get me wrong. I love hot dogs, especially Chicago fire dogs and Transitory is as good as any Chicago fire dog. I just fill that Williams could have aspired to more.