Razor-sharp short stories from the greatest contemporary comics stylist
Michael DeForge has been dissecting the comics visual language for more than a decade and continues his creative winning streak with his tenth book for D&Q and second collection of short stories, All the Cameras in My Room.
The prolific cartoonist’s hilarious and horny approach to comics fiction never disappoints. In “Figure Skating,” a star athlete’s impossible feats captivate the world, turning a simple skater’s rotation into a catalyst for national paralysis. While in “Holiday Special,” a narrator tells us about his favorite Christian holiday special that bears an uncanny resemblance to a certain bald-headed-boy-and-his-dog classic. No matter the conceit, characters in All the Cameras in My Room stretch and flatten and spiral around each other and burrow deep into the folds of a reader’s brain.
Deforge’s stories break down how we consume pop culture, interrogate our relationship to star power and recontextualize our nostalgia into a shared mythology, cementing his place as the most consistent and beguiling cartoonist working today.
Michael DeForge lives in Toronto, Ontario. His comics and illustrations have been featured in Jacobin, The New York Times, Bloomberg, The Believer, The Walrus and Maisonneuve Magazine. He worked as a designer on Adventure Time for six seasons. His published books include Very Casual, A Body Beneath, Ant Colony, First Year Healthy, Dressing, Big Kids, Sticks Angelica, Folk Hero and A Western World.
All the Cameras in my Room (April 20206) by Michael DeForge might be something like the twentieth book--including early, short-form books of all kinds--I have read from this incredibly prolific Canadian artist, almost all of which I have rated four or five stars. Is there anything really new here to merit four or five stars? Not really. But is there anything here to indicate it is not inventive, interesting, weird, and insightful? Not really! It's a collection of shorts. He remains a kind of icon of a certain kind of alt digital surrealist comix.
I love that cover and color and that title, which points drolly to one central theme of some of the stories, The Surveillance State we now live in. Eerie, scary of course, but engaging. Other themes are queer desire, the digital landscape, things he has done before. I always have in mind as I read that DeForge worked as a designer for six years at Adventure Time Comics, so I always see the continuation of a youthful playfulness going through it all. And smart-ass humor, and political satire. Then there's this little stapled pamphlet with a weird story in it you can find in an envelope inside the front cover! That's born of youthful playfulness, too, of course. Though don't let me mislead you, if you are buying Komics for Kiddies, I don't think so. Naught bits abound. But it has the energy of a kid in it.
*Bugged is a surveillance one, where all the tech in our hands and ears and eyes is shaping our lives by recording, analyzing and finding new things for us to be interested in through elaborate algorithms. But I already knew all that, you say? True, but it needs saying and playfully and he is the man to do it.
*This Call is Being Monitored is about a bored phone co. guy and his sexual fantasies as he does this boring job of trying to get your money from you. Dark adult humor?
*All the Cameras in my Apartment is a two-pager about just that, how we are being surveilled constantly through electronics, see above.
*Holiday Special may be DeForge smiling at Charlie Brown and the Peanuts gang and all their holiday specials, as he does his own snarkily funny alt-version with nightmares, dragons ghosts and so on.
*Universal Studios Monsters is fun and weird and tied amusingly to (lightly! not graphically!) playing around with sexual fantasies re: monsters.
*Medieval Times is about a guy working at a restaurant chain named this. So, there's knights and jousting, and so on.
* Larry SeedySeed is repopulating (or thinks he is repopulating?) the planet somehow with his, uh, . . . seed. A satire on a very sculpted male body-type guy--with ridiculous abs. I think it is about how our self-image may be deeply (and again, weirdly) related to our view of (or non-prioritizing of) the environment. Silly self-absorption.
*The Organizer is a kinda noir Dracula zombie ninja? office organizational story--I know! What on Earth?!--the longest and most elaborate and most original. This may seem like a weird comment, but the genre-bending here reminds me of Jason's work, as he draws on things like horror stories or the Three Musketeers to have fun.
DeForge is rarely warm and cuddly and never just cute. He's insightful and smart and funny. I think many people may be put off by his cynicism and snark and cold surrealistic visions, but not me, I guess. I seem to keep reading him, as he is never boring, and there's all this endless invention, sci-fi, fantasy, whatever comes into his head. Though I never seem to list him as one of my favorite artists, I admire him for his energy and boundless creative spirit.
Also finished last week but never logged. My seventh DeForge. Actually liked this a smidge more than others he's done because it's a bit of an anthology of sorts, lots of far out, disconnected stories. Made it a bit easier to jump in fresh with each one. If I could give half stars I'd probably go 3.5 for this one.
DeForge has done it again! This collection of short stories exploring the contemporary artist's condition through his beloved themes -- organizing, queer desire, and the digital landscape -- continues to cement his position on the cutting edge of comics.