In this sharp and darkly funny new essay collection from the New York Times bestselling author, Cazzie David explores the irony and existential crises of leaving youth behind.
Beginning with her 29th birthday and ending with her 30th, Cazzie tries to mature in the span of one year. Along the way, she reflects on the delusions that laid waste to her twenties and reckons with their consequences now that the specter of a new decade is looming. Touching on everything from the pressure to find the "right" partner, dealing with the relentless grip of social media, and navigating body dysmorphic spirals, Delusions cuts through the noise, offering personal anecdotes, sharp cultural criticism, and witty, honest contemplations on the chaos of contemporary adulthood.
Cazzie David is an American writer, actress and director, known for her work on Half-Empty (2019), CollegeHumor Originals (2006), and the web series Eighty-Sixed (2017). She lives in Los Angeles.
Between this and Rachel Sennott’s I Love LA, I’ve never been happier to be an elder millennial and not whatever insufferable personality seems to be a prerequisite for the younger millennial influencers.
Giving this 2 stars for the sheer fact it made me delete TikTok so I can further avoid this type of person.
I had no idea who Cazzie David was before picking up this book, and given that a blurb on the back references her father, decided not to learn until after reading and reviewing. Which is to say: perhaps knowing who Cazzie David is would change the reading experience, because I didn’t find this book particularly interesting. A surface-level retelling of the last year of her twenties, a year she spent depressed and not trying particularly hard not to be, so self-deprecating that it made me wonder why bother writing a book in the first place if you don’t think your reader should listen to you. Not an all-together *bad* book, just one that says nothing new in a not-too-distinctive narrative voice.
As someone who turns 30 this year, this book caught my eye. Cazzie David shares essays about leading up to the last year of her 30s and the last year of her 30s. Though we live different lives and are at different stages in our lives, the feeling of 30 can be fun, but overwhelming, so some of her thoughts were relatable! I thought that she narrates leading up to turning 30 in a very funny but natural way. Whether you're trying all of the wellness trends (rice hair masks, not using your phone as soon as you wake up, red light therapy, etc.) or having an existential crisis that you're going to die with all of the toxins in the world, this book of essays really dives into this. I know essays aren't always for everyone, but I really enjoyed this one. I'd deff look into her other book of essays, too.
This was a fascinating read for me as a so-called "elder Millennial" because David seems to represent the voice of my generation's youngest. The Millennial generation feels like two sides of a coin, with half of us graduating college before we got our first smartphone and the other half entering high school in the early days of social media. Much of David's writing is a reflection of this ingrained obsession with the world inside her phone.
It's also a reflection of what it means to have come of age post-2008. I think a lot of readers who entered the adult world before this will roll their eyes at David's neuroses, her compulsion to overthink her life and choices, her struggles to come into her own despite (or maybe in part because of) the immense privilege she has. This eyeroll reflex is what inspired me to pick up Delusions, as someone who was already married with a child by David's age (29). What does the world look like through the eyes of someone who took more time, who had to figure out less at a young age but who now holds themselves to a standard of Someone Who Should Be Able to Figure Things Out?
David is unflinchingly self-aware and vulnerable on the page, often sharing a version of herself she knows is unflattering. While older people may indeed roll their eyes, this kind of confessional writing style also draws the reader in. I couldn't help but root for her and hope she succeeded in setting down her phone and seeing how many people love her for the messy human she is IRL. Also, unsurprisingly, David has a knack for making life's messes *funny*.
My favorite parts of this book were David's interactions with her sister, Romy. Readers learn perhaps the most about a character by watching them interact with others. Romy and Cazzie are very different people, and this gives ample opportunity for comedy but also for grounding in reality. I have a sister myself and it's interesting to observe the neuroses we have in common -- and thus can blame on our family or genetics or surroundings -- versus the ways in which we differ, which says something about us as individuals outside of our family system. Likewise, Romy gives us a foil. Seeing her and Cazzie together allows us to decide how reliable we feel Cazzie is as a narrator, and how much we should or shouldn't let her off the hook.
This effect is likewise strong at the end of the book, where we see Cazzie's experience of her thirtieth birthday party but also hear what others say about how they remember the same party. In a way this feels reassuring: yes, it's easy to get way deep in our own heads, but reality is probably kinder than we think.
Thank you so much to the MacMillan Early Listeners Program for the early copy of this audiobook!
3.5 ⭐️
Something that I’ve found about myself is that I enjoy personal essays. Typically, I almost enjoy them more when I don’t know who the author is. So, picking up this book seemed like an obvious non-fiction pick for me.
While I was listening, the beginning of the book seemed like something anyone could really connect with. Dread of getting older, bad boyfriends, anxieties, etc. Then, there was a mention of Erewhon. Then, the influencer gym. And I was like, wait, what? This person isn’t a typical person? So, I googled Cazzie David and I was like “OH LARRY DAVID’S DAUGHTER.” That kind of shredded the illusion for me that I could totally relate to this person.
Cazzie did a really great job of revealing the inner workings of her mind throughout the book. I think that is something truly valuable in a writer and something that I really enjoy. However, sometimes I just felt like a big guilty for thinking: “But you have SO MANY resources available to you. And you appear to unironically shop at Erewhon.”
That being said, there were still bits and pieces I found myself relating to as a “regular person.” Those bits really shined through with their comedy and genuine tone. Those bits were great, and then immediately blown up by the idea that there was enough money to entirely change all of your kitchen utensils and such at the drop of a single piece of information. Sorry!!!
Cazzie did a really great job with the narration of this book. It is just so clear to hear that the words are HER’S and not someone else’s.
Overall, I’d be interested in seeing if I relate more to any of the pieces she wrote in her early 20s. I will probably pick up No One Asked For This just to give it a shot because at the end of the day I did enjoy her writing style, even if at times I was frustrated I was not a nepo baby.
Deconstructing Delusions “We don't see things as they are, we see them as we are” — Anaïs Nin. I began Delusions by thinking Cazzie must have collected some great karma in her past lives to be born as “Cazzie David” and to be part of “The Lucky Sperm Club” and be part of a privileged group of nepo babies who never have to struggle to get their endeavors noticed. But deeper into the soul of the book, as I peeled away the layers of her essays which are filled with tongue-in-cheek humor and esoteric angst, I began to contemplate and relate to the pieces in very personal ways. And I was triggered as if I took a bite into a madeleine. Memories came flooding back. Cazzie references The Vineyard and I went to summer camp on Martha’s Vineyard from 1959 to 1962. I never saw so much annoying cloying seaweed in water at an extremely uncomfortable rocky beach. Cazzie watches Gilmore Girls to calm down and I watch Match Game with Gene Rayburn on Buzzr. Cazzie is attached to her phone and I am addicted to my land line with 3 way calling. She references Venmo and Tik Tok. I still write checks and watched videos on Betamax. I do not take Prozac, I take Losartan. Cazzie uses many buzz words typical of her generation like “rage quit” and “catfish” and I was catfished! She talks about the color Blueberry Milk and I recalled how I wore Fire and Ice. The book should be in a time capsule for visitors from other planets to read in the far off future because it provides so much insight into the Millennial culture the way Good-bye Columbus, saddle shoes, and Doo-wop music defines Boomers. I felt like Joanna Harcourt-Smith as I moved along and got deeper into the content. While reading this book, I began to have lucid dreams about hanging out in NYC with my new “BFF bestie” Cazzie and having matcha lattes and later going for Carvel. In my fantasy, we were becoming a new version of Harold and Maude while enjoying egg creams at Eisenberg’s and in the park she might teach me Wordle and after that I could engage her in Pisha Paysha. I loved this book and even dog-eared pages so I could read some content again because I stopped watching ASMR videos when some of the parts in this book became so much better ways to reduce my stress. Cazzie writes: “Like, the front lines of social media.” I can’t stop laughing. I am giving it an honest 5 stars because these essays worked for me, and I was born in 1947 and will soon be 80. What a “trip!” OMG. Yay.
There are some relatable parts to this book, and some very un-relatable parts. Cazzie suffers from a myriad of mental health issues, which she talks about throughout the book. There's depression, panic attacks, anxiety, and they're all laid out pretty bare. Her descriptions can be relatable for anyone who has suffered from any of these. The problem is, she doesn't seem to want to do anything about it.
The book mainly focuses on the year before her 30th birthday and all the anxiety this brings. She struggles with entering a new decade while feeling she has nothing to show for it, and feels like the clock is ticking. This part I get - I recently turned 40 and have felt a lot of the same. I don't have a lot of the typical things to show for my life, like a husband and kids, but I do have other things. It's getting over that societal expectation that can be hard. You feel like people wonder why you don't have these things and what's wrong with you that you don't. You have to realize that life isn't the same for everyone and there isn't a certain age at which you have to attain certain things.
Here's where the problem lies - while I had those struggles with expectations, along with some depression, I actively worked to overcome them. It feels like Cazzie never really tries to work through her issues, nor does she want to. It's a constant stream of doom and gloom with no light at the end of the tunnel, with a side of privilege. I don't think she flaunts her privilege a ton, but it is definitely still there. You can see this on display as she talks about the depression she has over a guy she only sees during the summer, which happens to be on Martha's Vineyard, where there is nothing going on except dinner parties and lounging around. It is hard to relate to someone who has had everything handed to them on a silver platter, though I feel she is more relatable than some. Those parts come through when she is talking about the more mundane parts, like the interactions with her sister or the dread she feels over being thrown a birthday party. The other problem is the repetition. There is so much of it that it's easy to feel your attention drifting. It's like random diary entries were thrown in with no editing at all. While this can make it feel more real, it can also be distracting,
I do think this was mostly enjoyable, mainly because I could connect with the anxieties over age and societal norms. Other people, especially women about to enter a new decade, will probably relate to these same things.
I received a copy of this book via NetGalley and the publisher in exchange for an honest review.
Thank you Goodreads for selecting me as one of the winners to read this book before its release…however my opinion of this book is that it shouldn’t be released. The storyline actually made me dizzy & unsettled.
An insightful and lightly humorous collection of introspective essays from the talented Cazzie David.
As an elder millennial I was surprised to see so much awareness of mortality and trepidation about aging from someone about to turn 30. These things didn’t much occur to me at that age despite being fairly introspective myself. I’m left wondering if there has been a generational shift in thinking in this way, or if it’s just where David’s mind is specifically.
She’s consistently funny without ever being too much, and deeply self-deprecating in a way that feels humble if not entirely honest. Me thinks the lady doth protest too much at times, and my lone gripe with this was the too-common tendency to represent normal if strong and deep emotions as mental illness.
Still, she raises a lot of interesting points (especially about the consequences of living inside one’s phone), and though I expect she might (somewhat disingenuously) demur, she’s a pleasure to spend time with.
*I received an ARC of this book in exchange for an honest review.*
A book of personal essays centered around one single year sounds like too little fodder for stories spread across one book if you ask me (a non-writer). Especially when you compare it against Cazzie David’s last collection, which seemed to draw from the “best hits” from the author’s entire life up until that point.
There were only 3-4 essays here that I enjoyed—one at the beginning and the rest (saved???) at the very end. Everything else was not personal essay so much as disorganized complaining about wanting to be hot and wanting to hook up and wanting to stop scrolling. That level of shallow interiority didn’t make for interesting writing. Additionally, the author spends so much of the book talking about staying at home in a hoodie and scrolling—I can’t sympathize with someone who is so rich and has such an easy life and just wants to complain about it. In her last book, David was able to convince me to care in spite of her acknowledged nepo-baby status. Not so here.
Those few good essays are enough to convince me that David is still a good writer, she just needs to choose some more substantial material to write about and also learn to cut these essays off sooner instead of letting them meander aimlessly. According to her, we like almost all of the same personal essayists—Nora Ephron, David Sedaris, Lena Dunham. Those guys aren’t just writing to write: they actually have something to say and they’ve honed their craft in order to say it in a clever way. The essays have a point. They’ve been edited. They are tight—just like a short story. More of that in the next collection, please.
Thank you to NetGalley, St. Martin's Press, and Cazzie David for giving me access to this eARC!
Should I admit that this was an extremely relatable book for me? Well I'm going to. This collection of essays enters the mind of Cazzie David as she advances towards her 30th birthday. She tackles subjects such as body dysmorphia, ending relationships (and maintaining doomed situationships), throwing parties as a depressed introvert, and her dad's mortality. I think it must be said, these are ALL things I have faced as a now 34 year old woman with a severe (medicated) anxiety disorder. Her neuroses felt so akin to mine, at times it felt like reading my own thoughts. I think so many of us write and say what we think other people want to hear and so when we read something really honest and self-deprecating, our first thought is to scoff it off. I love the honest though, I want to know that there are people out there who feel the way I do (or worse) and that we haven't fully become filler-laden robots. I just loved David's stream of consciousness. I would love to pick up another collection that details her journey to 40 because I am sure it will be just as funny and real.
I received this audiobook through the StoryGraph giveaway. I absolutely loved it. As a woman in her early 30’s it is so relatable and on point. The expectations, the unhelpful advice, the societal pressure is all reflected in this book. It is funny and witty and I just really enjoyed it. The audio book is also so well recorded and I enjoyed every second of it.
I wasn't familiar with David prior to this, but the description and cover caught my eye and despite the fact that I am resoundingly older than her target demographic (and can barely remember turning 30 from the lofty vantage point of two decades plus later), the brief blurbs I sampled from her previous book led me to think that I would enjoy her essays and perspectives the same way I did those of Jia Tolentino. While I don't get everything the 20-somethings talk about, having grown up in a very different world, clever writing and insightful observations are generally relatable so I went in with cautious optimism.
Unfortunately, I probably should have stuck with the blurb and excerpt reading rather than trying the entire book, because what I found enjoyable in short bursts was slightly less so over the long haul. I found the repeated use of multiple exclamation marks and abundance of capitalization to feel like I was being yelled at - and often about fairly banal things that I couldn't relate to. I also felt like the writing was pretty repetitive. There were insightful observations and there was clever writing - unfortunately they felt layered on top of one another, as well as on top of less insightful and less clever tidbits, and navigating those layers wore me down.
At the end of the day this one just wasn't for me...
Thanks to NetGalley and the publisher for my obligation-free review copy.
Delusions by Cazzie David worked for me largely because I could relate to her self-deprecating, overly analytical sense of humor. She makes the kind of comical and anxiety-filled observations that mostly stay in your head while you smile on the outside because you’re a people pleaser. There were many moments that made me feel genuinely seen.
I am in my late 30s now, well past the 25–30 phase where dating, body image, and romantic uncertainty feel all-consuming. Still, I could clearly remember those emotions from that time in my life, which made her experiences resonate. I think her reflections will especially connect with women navigating a quarter-life crisis or the feeling of falling behind while everyone else seems to be moving forward.
The only point where the narrative dragged for me was in the middle, when she goes into extensive detail about her obsession with beauty products and beauty practices. That section felt a bit alienating, particularly as a non-celebrity reader without access to these types of self-care practices.
That said, she had me laughing throughout, and the book left me curious to pick up her first memoir. As Cazzie explains in the introduction, this book isn’t meant to be taken too seriously. She’s aware that she can come off as unhinged, but that’s the point. The writing style mirrors the mental spirals that come from feeling left behind as the people around you fall in love, get married, and have children.
Thank you St. Martin’s Press and NetGalley for the ARC.
Reading Delusions feels like being trapped in a group chat with one friend who can’t stop doom-spiraling about turning 30, except that friend is whip-smart, weirdly hot, and somehow still relatable even while spiraling in a literal mansion. Cazzie David is back, baby, and she brought her usual trifecta of anxiety, self-loathing, and that extremely specific brand of millennial dread that smells like leftover Sweetgreen and screen time guilt. And listen, I like Cazzie. I wanted to love this. But about halfway through, I realized I was holding my breath waiting for the punchline... and then it never really landed.
This book is peak “I’m self-aware about my privilege, but let me keep talking about it just in case you forgot how self-aware I am.” Which is fine! I will absolutely listen to a pretty, privileged, deeply anxious woman dissect her childhood trauma through the lens of her nose job and overactive Notes app. It’s just that sometimes, reading this felt like scrolling through someone’s very clever Instagram caption that kept going for 13 paragraphs. Like yes, queen, I do fear being alone forever and also think everyone hates me, but do we need to circle the airport for this long before landing?
There are real gems in here, moments that cracked me up and then sucker-punched me with unexpected sincerity. Her relationship with her sister Romy? Hilarious and grounded and deeply human. Her take on being a “nepo baby” with actual clinical depression? Oddly refreshing. Her birthday party anxiety spiral? Been there, cried in the bathroom during that. Cazzie is at her best when she’s bouncing her neuroses off the real people in her life instead of just speed-running through her inner monologue like a voice memo no one asked for.
But the structure? Oof. Imagine a really well-written diary entry that no one edited and someone just put a cute cover on. There were entire essays where I genuinely could not remember if I’d already read that story earlier in the book or if my brain was short-circuiting from how many times we revisited her nose trauma. I GET IT. Your mirror is a war zone. Same. But I needed someone to Marie Kondo this content, because the repetition started to feel less “relatable chaos” and more “is this just anxiety in paragraph form?”
Still, there’s a reason I gave this three stars instead of rage-quitting around essay five. Cazzie is funny. She nails that millennial existential panic in a way that’s both eye-roll inducing and painfully accurate. And when she lets herself soften, just a little, there’s something really moving underneath all the performative overthinking. You can tell she’s trying, really trying, to turn all this self-obsession into connection. Sometimes it works. Sometimes it reads like a Tumblr post with a better vocabulary. But I didn’t regret the read.
Would I recommend this to someone spiraling about turning 30? Absolutely. Would I read her next book? Probably, because I hate myself a little and love watching someone else dissect their flaws with a scalpel and a punchline. Just maybe with a drink in hand and a low bar for structure.
Thanks to St. Martin’s Press and NetGalley for the ARC and the chance to spiral alongside a much cooler neurotic mess than I’ll ever be.
Thanks to NetGalley & St. Martin’s Press for the ARC!
Cazzie David’s Delusions: Of Grandeur, of Romance, of Progress is a sophomore shrug of a book, completely disinterested in being anything other than overwrought, overwritten, and overwhelming.
Maybe it’s because many of David’s delusions are my own, and we are exactly the same age, but I think this reflection on aging is quite good, even though almost every possible critique of it seems fair. It’s filled with deeply insular writing that’s guaranteed to frustrate anybody outside of David’s immediate demographic. For those in it, however, we might have a new patron saint.
Delusions is aggressively millennial, and that makes it a fascinating read. So much of what the author explores here is a product of the extended adolescence that our generation stumbles through—trying to fit new experiences into the antiquated categories of our parents and grandparents. She often sounds very privileged, but mostly in the way that all millennials are privileged. We were given all the resources to prepare for a world that doesn’t exist anymore. As such, David seems frustrated above all else, and if the writing feels circuitous, it’s only because there’s nowhere for her feelings to go.
Even though I like the book as a whole, it does overstay its welcome. Delusions is written like your best friend’s blog, but it isn’t as fun to read the gossipy, turned-up-to-eleven freneticism when it comes from a stranger. There are too many meaningless details and digressions, and while those would be endearing in “real life” contexts (or in an audiobook), they start to feel grating by the last essay. David might be well-read and thoughtful, but she is perhaps too adherent to Nora Ephron’s idea that it’s better to make a fool of yourself than let somebody else do it for you. Unfortunately, it often reads like another figure from the millennial canon:
Overall, though, Delusions is solid. It’s a lot smarter than many essay collections, and Cazzie David writes like a writer, not like a celebrity who wants to publish something. I personally wish the book had a tighter edit, but I think its excess is a feature as much as a frustration. There’s something cathartic about seeing my millennial lexicon be exercised and exorcised in equal measure, and I have a lot of respect for an author so committed to the bit.
Delusions, by Cazzie David, is another collection of essays about her depression and anxiety, this time centered around turning 30.
Like her last collection of essays, this one is very hit or miss for me. Usually, when talking about a collection of essays, hit or miss would mean that some of them worked for me and some didn't. This one is a little different. Each essay had some interesting and relatable observations and feelings (yes, for those of you who have to claim some generation to wear as a badge of honor, even an old person can relate to much of what is here), what brings it down for me is that it just went on and on, finding various ways to try to milk the same point.
On the topic of relatability, unless you seriously believe any generation is somehow more or less human, it isn't limited to a generation. News flash: we're all human beings and the anxieties and especially the depression (I speak from experience on this one) have commonalities across generations. My issue isn't with relating to the human writing the book and living these experiences, it is with the unnecessary padding of most of the essays. The point was often both humorous and poignant, often through the first few ways she expresses it in the essay, but it just goes on and on, new ways of saying the same thing. Tighten up the writing and this would have been a lot more appealing to me.
The relatability as well as the authorial voice help to keep this in the positive for me, and I'm sure there will be plenty of readers who like the aspects I found less appealing. I won't limit who I think will enjoy this book to just some imaginary group of people who happen to have been born around the same time. Yes, they will likely relate to some of the specifics David talks about, but the human aspect crosses these so-called generational lines. So don't let the preening and prancing of the "target readership" keep you from reading the book if you happen to be older or younger. If you're capable of empathy and have perhaps experienced periods of anxiety or, like me, lifelong depression, you will find plenty to appreciate here.
Reviewed from a copy made available by the publisher via NetGalley.
Thank you to NetGalley for an ARC of this book in exchange for an honest review. Delusions, dripping in self-indulgent white woman malaise. There, I fixed the title. Someone please rip the phone out of this woman’s hand. Cazzie, if you’re reading this, and you seem like the type of author who reads reviews, put the phone down. I wanted to like this book. But like the author’s ex-boyfriend allegedly said, it’s hard to feel bad for a privileged white woman. She keeps reminding the reader she’s rich. I had to look her up. She’s the daughter of an actor I kind of know. “I’m sad, but at least I’m rich” is the underlying sentiment of these essays. Each essay reads like a master class for white women in their late twenties and early thirties on how to mine sadness and distress out of extreme privilege. I understand that she’s “delusional,” and that the book is supposed to be dark humor mixed with satire. It misses the mark. It’s not even in the stadium. It’s in the coffee shop down the street staring out the window, forgetting the game is happening. The mark is the furthest thing from this book’s theoretical mind. I wanted to shake the writer and tell her to get a grip. She needed TikTok banned, time in the sun, and an education on actual issues in society. It felt like listening to any white woman over thirty who still treats her depression like a personality trait. Normally, I hate making a book about the author. But this is a collection of personal essays. Who do I recommend this for? The self-indulgent rich set. Nepo babies who lost their anti-anxiety meds. Hailey Bieber. Taylor Swift. Any Swiftie who thinks Life Is a Showgirl is a good album. Drake fans. Haters. One star. I do not recommend this book.
I really loved this. I definitely think this is one for the girls, and men may not get it. As women and girls, we are told through various forms of media that turning 30 is bad, it's something to be afraid of, and we should dread it because that's when we begin to expire. For many women, life doesn't even start until after 30, but so many women are afraid to age. This obsession with having to look young in order to feel young, and defying the natural process of aging, is crazy. From skincare to diets to complete facelifts and way too much botox, women are constantly chasing the fountain of youth instead of just accepting that aging is part of life and we should spend less time trying to escape it and we should just embrace it and chase youth through our minds and actions rather than our faces. This book really painted that picture for me. We have the power to change the narrative. After all, what good is a facelift going to do at 60 of you have the liver of an alcoholic and the heart and lungs of a chainsmoker?
Also, Cazzie brings up the ever-changing diets and fads that are constantly proven to be unhealthy or not as healthy as something else, so we drop one and move to the next trend. Everything we put into our bodies is going to be unhealthy to some degree, whether large or miniscule. The air we breathe and the water we drink are already not completely safe. Why waste so much of your life worrying about it when it's just going to drive you insane and consume your mental health? We're all guilty, to some extent, of developing compulsions that make us check ingredients, count calories, jump on the latest health and beauty trends... We need to spend more time enjoying life and not trying to chase perfection.
This was so shockingly bad. It further emphasizes that I should NOT be impulse-requesting books on NetGalley based on the blurb. I don't know who Cazzie David is. I don't care. I'm 26 and thought it could be interesting to read a collection of essays about frantically trying to get your shit together in the last year of your 20s. I thought it would be funny, maybe with some good insights, but at least a good time. Boy was I wrong. The entire book is just nonstop whining, oh my god. I needed her to pull her head out of her ass and just get it together for five minutes. I knew things weren't gonna be good when she used Google AI as a source. (As the kids say nowadays, we are well and truly cooked.) Look, I am neurotic. I get self-conscious and anxious. But this book is filled with a stream-of-consciousness style of writing that paints SUCH an unflattering picture of the author. She hates her friends, she hates her family, she hates her partners, she hates herself, she hates EVERYTHING, but she never does anything about any of it. Also if you have any body dysmorphia or ED triggers, DEFINITELY skip this one. There is one chapter in particular where I started to feel so self-conscious about my body that I had to put it down. I understand it was all to prove a point about how we can start spiraling and comparing based on arbitrary parts of our appearance we didn't even know to care about until someone on the internet told us to, but you didn't have to make your own audience feel that way to illustrate the point. Overall, this just pissed me off with how bad it was and how I had to sink so much time into it. I would have DNF'd if I wasn't reading it for NetGalley. **I received an ARC via NetGalley in exchange for an honest review.**
This book was made for the 8+ hour a day screentime girlies who form unhealthy attachments to the birds they feed outside, have emetophobia, are made up of 93% anxiety, and whose brain sends them into spiral-mode as easily as breathing.
Cazzie David is our modern-day Carrie Bradshaw (but powered by Prozac and Xanax) and reading DELUSIONS felt like you were at an all-bets-are-off brunch with your closest friend sharing tea and incriminating evidence. It was vulnerable, but laugh out loud hilarious, and relatable as hell. Cazzie breathed life into my most feared and deepest internal thoughts as I, too, stare down 30 and practice deep breathing exercises that never actually work. It felt like no coincidence that this book pubs two days before my dreaded birthday, as if the universe threw the book into my face at rapid speed and found me precisely at my most vulnerable time and said READ ME. Cazzie pulled many of the thoughts about entering a new decade of life or other equally relatable anecdotes about stumbling through adulthood right out of my brain and put it onto paper.
I’ve found myself reading the ingredients in my foods now after reading this book and being freaked out that simple things have 15+ ingredients in them and that it’s impossible NOT to funnel microplastics into my body and even if I try to eat healthy my blueberries are lab grown?? So, thank you for that. The influencer gym segment was hilarious because we all know exactly what gym this is without naming. The thoughts around social media itched my brain just right and the segment about kids made me feel seen.
Thanks @stmartinspress for the book copy! This couldn't have found me at a better time.
Wtf did I even just read? I liked it tho, kinda.. a little bit I think. 🤔 the girl was sorta annoying… wait, what even was her name again? Her Dads like famous right?… okay no but seriously
After finishing this book, I set it down, puzzled about my feelings: Did I enjoy that, or am I just stressed? Cazzie David’s voice is unapologetically blunt and often funny, though at times a bit circular. I found myself irritated, only to wonder if that was part of the experience.
Centered around her looming 30th, David explores the emotional baggage of her 20s. She dives into modern anxieties—dating, social media comparisons, body image struggles, & the disheartening truth that adulthood often feels like a performance, not a revelation.
The essays resemble conversations with a smart, anxious friend who is just self-aware enough to recognize her spirals. There’s something refreshing about her ability to mock her own delusions while acknowledging their reality.
However, the book's presentation is both a strength & a weakness. Many essays feel like raw, unedited deadjounral diary entries — immediate & stream-of-consciousness, yet occasionally scattered. This can detract from her sharper insights. At times, I felt disconnected, questioning if that reaction was intentional. The repetitive & grating moments contribute to its honesty.
It’s not a polished memoir or self-help guide but rather a relatable glimpse into modern adulthood and the mental loops many of us navigated in our 20s. Uneven & occasionally frustrating, yet undeniably honest.
I picked this up because I love when someone can put the exact feelings rattling around in my brain into actual words. This was basically her spiraling from 29 to 30 and trying to "mature" in one year, which as someone in their 30's I now feel is overrated.
The essays dig into all the pressure you feel in your late 20's, It’s a lot and honestly some of it was painfully relatable while some of it was depressing. There are stretches where you’re just sitting there like wow, girl are you okay? The body image stuff, the insecurity, the pressure to have your life figured out was pretty heartbreaking and relatable. But then she’ll say something so sharp and so accurate that I actually laughed out loud. The hater chapter was my absolute fave BTW so if you're going to read any of the essays, please choose that one.
What makes this work for me is that she is at least self aware. She knows she’s being ridiculous and she calls herself out constantly. If anything, she’s dragging herself first and inviting you to join which is one of my favorite things to do as well. And yes, she has famous parents but I actually thought that added something interesting. It’s a perspective most of us don’t have, but it weirdly makes her insecurities feel even more human. Like cool, even with all that, your brain can still be your worst enemy. I love that for us.
This wasn’t anything groundbreaking or life changing, but it was entertaining. I felt a little too seen at times which feels illegal when the world already has me feeling 87 emotions a day.
I think a lot of people will find this book relatable, but I found it a bit exhausting at times with little to no breathing room. It reminded me of the Mean Girls scene where the Plastics critique themselves in the mirror, and Cady says: “I used to think there was just fat and skinny. Apparently, there's a lot of things that can be wrong on your body.” That’s exactly how reading this felt: back-to-back chapters exploring the pressures and panic of your late 20s and early 30s(some of which I hadn’t even considered) but often without much relief or nuance. If you’re spiraling about this stage of life, you might find it comforting rather than eye-opening. There’s a part where she recounts going on a podcast and being labeled bitter or a hater, which leaves her feeling misunderstood. Her boyfriend tells her that people just don’t like hearing someone with privilege complain. I don’t think that’s entirely fair. I knew Cazzie’s background before reading, and I don’t believe her struggles are diminished by her privilege. At the same time, the book can feel hollow—more a catalogue of anxiety and complaint than thoughtful essays on this stage of life. It was compelling at points, but overall it felt intense and relentless: honest, but exhausting.
I feel compelled to applaud Cazzie for the transparency around her anxiety/depression issues in a way that doesn’t try to make them a trendy attention grabber nor a crutch for bad behavior. She seems fully self-aware of the ways in which they effect her life in spite of her privilege and conversely, how much her nepo baby privilege mitigates those effects.
That said, you have to hold some amount of suspended belief to buy into that idea that this is a girl who had ever truly experienced legitimate rejection and awkwardness in the external world. It would also be easier to understand the neuroses around her body/appearance if she wasn’t both gorgeous AND legitimately a strong, smart writer with a sharp, self-deprecating wit — you’re a full package deal girlfriend, just shout STFU to your insecurity monster already. I’d give this book three stars if she hadn’t managed to pepper in some truly laugh out loud moments and if she weren’t so darn relatable, particularly the fears around not having children while grappling with her own aging, stubborn parents.
The way I screamed when this ARC showed up on my doorstep. If you loved No One’s Asked for This…consider this its equally unhinged…slightly more existential older sister.
In Delusions…Cazzie David takes stock of the wreckage of her twenties as thirty looms. Examining bad relationships…social media brain rot…body image spirals and the very real panic of realizing you are in fact no longer “young.” Her essays are vulnerable…darkly comedic…raw and wildly self-aware. Blending personal anecdotes with sharp cultural commentary that cuts a little too close to home.
PLEASE have a solid sense of humor before picking this up. It’s bleak…biting and laugh out loud funny in a “wow I should unpack that in therapy” way. I truly wish I’d had this in my hands during my 29th year…come for the relatability…stay for the hilariously brutal observations about modern adulthood.
Thank you St. Martins Press for making my day with the ARC!