An enthralling new biography of Alexander the Great, written as an intimate, present portrait of the way his world saw him and the price he paid to become history's greatest military mind.
Alexander the Great: a wide-eyed boy from the hills of Macedon who ruled most of the known world by his mid-twenties. For centuries, historians, refugees, poets, and explorers have told his story, and yet Alexander himself has remained a mystery.
But over the last few years, a series of remarkable discoveries has changed everything. From the bottom of the Mediterranean Sea and the dust of Central Asian hillsides, the remains of Alexander's cities have emerged. The diaries of Babylonian astronomers who knew him have been deciphered. The tombs of his ancestors have been unearthed. Now, for the first time since antiquity, it is possible to tell a different story. The story of a young man whom almost no-one noticed, until the day he became king. A king who became a hero, a hero who became a living god, and a god who died broken-hearted in Babylon.
Using cutting-edge research and a unique narrative approach, Alexander thrusts readers into Alexander the Great's world in ways which have never before been possible: to see the same stars wheeling overhead, feel the desert wind, and experience the full horror of battle. Alexander is a cinematic work of non-fiction, a revelatory retelling of one of the most famous and elusive stories in history.
Edmund Richardson is Professor of Classics at Durham University. He was named one of the BBC New Generation Thinkers. He is the author of 'Alexandria: The Quest for the Lost City' (Bloomsbury) and 'The King's Shadow: Obsession, Betrayal, and the Deadly Quest for the Lost City of Alexandria' (2022) (St Martin's Press).
Very interesting. An easy read which covers Alexanders conquests fully without glossing over the bad bits. Makes me wonder why Alexander, who pillaged his way across the Middle East and whose empire collapsed on his desth, is know as the Great whilst Gengis Khan, who who did the same from the other direction but left behind an Empire which survived long after he died, is known as a barbarian?
Overall, I am very pleased with this book. In terms of pros: Richardson does a good job recreating the tone and atmosphere of the ancient world. He takes ancient religion and culture seriously and on its own terms. He digs into Babylonian astronomy, Sumerian religion, Indian philosophy and more in order to help explain what Alexander’s conquests would have meant to the people in his world, and to him. Richardson does a great job retelling the battles. If you’ve read a few Alexander biographies, the large set pieces can feel a little stale and well-trod. He punches them up with some good conjecture and color, but without turning it into a Michael Bay movie. His version of the Battle of the Hydaspes, in particular, was very good. Richardson also sheds some light on aspects of the campaign that are not typically forefronted in other works. He gives some good space to the role of Callisthenes as a court historian, and subsequent attempts to fill that role by others. He highlights the atrocities and general lack of clarity in the Afghan campaign, as the army descended into darkness and madness. He notes the beginnings of Hellenization, especially in the meeting of Greek and Indian culture. The book is rarely boring, even when it shifts away from Alexander and the main narrative. In terms of cons: It is not a particularly in-depth psychological portrait of Alexander (which is something I think the book is attempting to give). Richardson's case relies on largely unsupported assertions about what Alexander's emotional or mental state must have been, but from ancient sources that are not entirely trustworthy on the subject. He makes clear claims, but then later says that the sources themselves are so muddy that it’s largely impossible to reconstruct some facts and certainly personal motivations and views. Some of the asides are distracting and feel a little too much like filler He does the flash-forward/flashback trick that killed the Alexander movie from the early 2000s, but without any particular purpose. There is no special reason why he should use Alexander's emotional and mental state before Issus, rather than the moment he becomes a god in Egypt, or any other moment. The book’s weakest chapters are probably the first two, where he deploys this narrative device for no real purpose that I could see.
Overall, a very interesting and readable biography that will appeal to students of the ancient world and laypeople alike. A good introduction to the subject, but not the last word.
Excellent book if you are historian and enjoy hearing about the strategy about how Alexander obtained power, sustained it, his victories in battle and his defeats and short comings. It is just not for me because I am not into that type of material so much. I did read about a fourth of it and it is good and well written, just did not match my interests enough.
A great read of Alexander, blending multiple perspectives, anecdotes, glimpses of battles, reasoning, and the aftermath of it all, in a digestible cadence never lingering on too long in one area. Highly recommend.
This new biography of Alexander the Great covers how he took control of the bankrupt kingdom of Macedonia after his father's assassination, maintained that control through a series of bloody conquests over the rest of Greece, Egypt, and the Persian Empire, before concluding with his spiraling downfall in Babylon. The book incorporates new information from recent archaeological discoveries and aspires to debunk of some fictions surrounding Alexander. The prose is engaging and exciting, almost like reading an epic fantasy.
Although I think Alexander: God, King, Man is a decent presentation of Alexander’s life, particularly his military expansion, the book is mostly concerned with deconstructing and debunking the representation of Alexander within fictional works from his own time and in the centuries following his death. I think Richardson does a good job of sifting the realities from the fantasies.