I might be giving this 3 or 4 stars were it not for the penultimate paragraph of the book. My first Narnia book was The Lion, the Witch and the Wardrobe. I did think the imagination and imagery striking but found the Christian Allegory too blatant. Friends told me however, that with the exception of The Last Battle, those aspects aren't so prominent in the later books, and that much of the series is wonder-full. So I found it from then on up to this book.
Well, it could be said I'd been warned--but it actually wasn't the allegorical aspect per se that threw me. Maybe it's just I'd grown inured to that aspect by this book, or maybe that I'm not as familiar with Revelations as the Gospels, so I didn't feel like I was ticking off, oh, this is Judas, this is the crucifixion, etc. The story is rich in ideas, imagery and symbolism. I loved the echoes of Dante and Plato.
On the whole, the issue of that last page aside, what disturbed me most was how the Calormenes were described. There have been accusations Narnia is racist because of how Lewis depicts this southern adversary of Narnia, and I think that unfair. I think we overuse the accusation "racist" so it loses it's impact when we use it other than to mean the belief that race defines character and ability. Lewis clearly does not believe this given positive Calormenes characters like Aravis and Emeth. In fact, I rather loved the message Lewis sends through Emeth--that it doesn't matter in whose name we do good or evil, whether Muhammad or Jesus--only that the act is good or evil.
Nevertheless, it was disturbing to have Calormenes described this way: Then the dark men came round them in a thick crowd, smelling of garlic and onions, their white eyes flashing dreadfully in their brown faces. And then there are the repeated cries of "darkie" from the crowd of dwarfs. (Admittedly those particular dwarfs are villains in this book--not people to emulate--but I imagine reading those passages aloud to a child and I cringe).
There's also, to borrow Gaiman's phrase, "The Problem of Susan." Susan, we find out early in the book, is no longer a "friend of Narnia" because she denies Narnia exists now and cares these days only about lipstick and nylons and such. I can rather forgive Lewis this. He's trying to make a point I think that even those who once knew the right way can drift away and forget what's truly important. I don't see misogyny in choosing Susan for that role anymore than it's anti-male to choose Edmund for the traitor role in The Lion, the Witch and the Wardrobe. Moreover, given the strong female characters in the Chronicles (especially Jill in this story) I find cries of sexism less than convincing.
But then there's that last page...
**SPOILERS BELOW***
This is the next to last paragraph in the book and series:
There was a real railway accident," said Aslan softly. "Your father and mother and all of you are--as you used to call it in the Shadowlands--dead. The term is over: the holidays have begun. The dream is ended: this is the morning."
This reminded me of when my Grandmother died, the priest turned to me, my mother and aunt and rebuked us for weeping--because "she's now in a better place than you are." I know what I felt towards that priest in that moment as I looked at my mother's and aunt's stricken faces--rage.
And then I thought of Susan--no longer "a friend of Narnia" dealing with the sudden violent deaths of her friends and family and I felt the same kind of rage at Lewis.
Yes, I know--Christians believe Heaven this wonderful thing. And within the book and series the ending has its logic. But I for one felt slapped by that paragraph--I can't imagine wanting to give this to children, that one paragraph seems so malignant in its celebration of death. You guys giving this book five stars--you really want to give a child a book where dying young in a trainwreck with your entire family--parents, siblings, a cousin is the happy ending? Really?
A friend told me about Gaiman's counter to this "The Problem of Susan"--it's in the short story anthology Fragile Things. That story has some disturbing imagery, and I know some that love Narnia have called it disgusting and "blasphemous." (Definitely not a story for children--adults only here.) All I can say is having come to the end of this series I found it cathartic. (And going back to reading Gaiman and Pratchett's Good Omens, about an angel and demon working to stop the apocalypse, can only help...)