Published in 1986, this is the last novel from John D. MacDonald who was one of the most prolific writers of the second half of the Twentieth century. MacDonald is probably best remembered for his series featuring Florida "recovery artist" Travis Magee, but he wrote a large number of standalones as well, and those novels have generally held up much better than the Magee series.
This book is set along the gulf coast of Mississippi and reflects the author's concern about the destruction of the environment in that part of the country as well as his outrage against the developers, bankers, and others who are out to line their own pockets with no regard for the ultimate consequences of their actions, either for their fellow citizens or for the earth itself.
These are familiar themes for MacDonald but, as is almost always the case, he bundles them into a terrific story that engages the reader from the beginning and keeps him or her steadily turning the pages.
In this case, an ambitious developer named Tucker Loomis sees a chance to cheat the federal government out of an enormous sum of money. The government is gradually condemning and buying up a number of barrier islands along the Mississippi coast because the islands serve as a critical shield for the coastline and for the communities beyond it. Before the government can get to it, Loomis buys one of those islands, Bernard Island, claiming that he intends to build on the island a very upscale and private enclave that will appeal to very wealthy people.
In spite of the fact that the island is miles from shore, that it is periodically ravaged by hurricanes and other storms, that construction costs would be prohibitive, and that it would be virtually impossible to get the permits required to build such a development, Loomis draws up grand plans, builds scale models, and begins selling lots.
It's perfectly clear that Loomis never intends to build this development; he's simply setting the stage for when the government condemns the island and is forced to buy it from him. He will then claim that the government's action will cause him to lose a potential fortune and that he needs to be reimbursed accordingly. The net result will be to win him a huge profit for a relatively small amount of money invested. And to protect the scheme, he begins bribing selected officials to ensure that the government's decision goes his way.
Loomis is using the real estate firm of Rowley/Gibbs to facilitate the sales. One of the partners, Bern Gibbs, doesn't object to Loomis's shady dealings because the fees are bulking up the income of Rowley/Gibbs. His partner, Wade Rowley, is more of a straight shooter and is becoming increasingly concerned about the possibility that his firm is becoming too entangled with Loomis. Rowley fears Gibbs may be putting the firm in legal jeopardy, and when Rowley begins to investigate the scheme more closely, Loomis will feel compelled to take whatever steps are necessary to protect his grand scheme.
Even though this book was written in the 1980s, it sounds very much like the novels that MacDonald wrote in the 1950s, which is not necessarily a bad thing. But the relationships between men and women, and their respective roles in particular, are much more of the 1950s than the 1980s. The men are the bread winners and the wheeler-dealers. The wives stay at home, and with only one real exception, the women who are employed work as secretaries or nurses or in other such roles, and often serve as sexual diversions for the married men who employ them. It's as though the feminist revolution of the 1960s and '70's never reached the coast of Mississippi.
The book is much more "modern" in its concern for the environment, but this is largely because MacDonald was really in the front wave of the environmental movement and was raising these kinds of concerns even in the 1950s, before a lot of other people had expressed concern. All in all, I enjoyed this book and I'm thankful for the fact that MacDonald left such a great body of work that readers can continue to enjoy nearly forty years after his death.