Reflections: On Cinematography

by Sir Roger Deakins

From sixteen-time Academy Award nominee, two-time Academy Award winner, and five-time BAFTA honoree, Sir Roger Deakins—widely regarded as the greatest cinematographer of all time—a one-of-a-kind visual memoir, telling his life's story by way of the iconic, beloved films he's shot, including The Shawshank Redemption, Skyfall, Fargo, Blade Runner 2049, The Big Lebowski, 1917, and No Country for Old Men, among others.

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known.

In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality. Listeners will discover how “the boy from Torquay, England” overcame a troubled childhood to enter his way into art school; his fortuitous entry into world of documentary filmmaking (including a yacht race around the world); to shooting groundbreaking music videos such as Herbie Hancock’s “Rock It,” to his singular cinematography career, including his longtime collaborations with the Coen Brothers, Sam Mendes, and Denis Villeneuve.

Filled with never-before-seen storyboards, sketches, and diagrams, Rogers shows readers how he created some of the most iconic scenes in the most beloved films of all time. Through candid, lyrical prose, Deakins reflects on each of his projects; how he helped shape them, and how they shaped him.

A truly unique visual memoir, Reflections is for film fans and general readers alike, and for anyone looking to find inspiration, beauty, and creativity by looking through the singular lens with which Roger views the world.

Genres: Film, Nonfiction, Art, Photography, Media Tie In

416 pages, Hardcover

First published November 11, 2025

Reviews

[Morts. · Rating 5 out of 5]

An inspiring shoo-in for film studies reading lists. Detailed decision making and problem work-throughs on familiar films, often armed with just a shopping list from the nearest hardware shop. A breadth of knowledge gained through a career spanning significant changes in technology, grafting alongside every conceivable personality flaw - egotistical actors, controlling directors, and the blessed flipside.

Recommended if only for the chapters on the Coen brothers films - rounding out memorable scenes in ‘No country for old men’ such as the facsimile milk swigging scene (no spoilers). The (purposely constructed) cabin where Ed Tom Bell relates his dreams of his father and the manipulation of natural light.

Also sticking in my mind -

- Filming the drifting, long-take river escape in ‘1917’, semi-immersed with Lance Corporal Schofield.
- Foiling inappropriate weather in ‘The Shawshank Redemption’ and curtailing the directors eager ‘lightning’ production in the sewer rebirth scene.
- Capturing a fleeting sunset in ‘Titanic’ (not Sir Rog’s work, funny nevertheless).
- The colour temperature in Blade Runner 2049.

So much comes down to the particular lighting of a scene. A new perspective for my viewing. It’s good to be reminded that everything on screen exists for a reason, its somebody's vision, their labour.

[Mark Moehle · Rating 5 out of 5]

What an unexpected lovely look back at Deakins career. I was expecting more of a Manuel and technical breakdown which it partly was., but it was also just well told stories from one of the greats of my industry.

[Asher Huskinson · Rating 5 out of 5]

My favorite patch to find on set is W.W.D.D. (What Would Deakins Do)

Well the answer is “keep it simple.” Seriously! The man was using light bulbs from Home Depot on Skyfall and Sicario.

[John Schorg · Rating 4 out of 5]

There are lengthy discussions of cinematography here that are beyond my comprehension, but also a number of wonderful stories about the author's journeys through life. Deakins is admirably frank about some of the films he worked on that he didn't like. He also talks in great, glowing detail about his ongoing relationship with the Coen brothers. Chapters on Fargo and No Country For Old Men are highlights. Definitely worth your time... I just hope you have better luck getting through the passages on lenses and lighting than I did.

[John Kernan · Rating 5 out of 5]

poetic and technical both

It has to be., But Deacon’s handles both knowledgeably, makes the relationship clearer and the craft comes alive. Good work.

[Isaac · Rating 4 out of 5]

Dang maybe it’s not that easy to make films, Deakins goes through the process of creating the visuals of some of the best films of all time. What really stuck out to me was his planning sheets and their complexity.

[Jordan King · Rating 5 out of 5]

Reviewing for Empire.

[Oliver Mardon · Rating 5 out of 5]

An expansive dive into the work of Roger Deakins, narrated by the man himself, and honestly it’s one of the most enriching and satisfying books Ive had the pleasure of reading. His insights into cinematography has only made my passion for the craft skyrocket, with his selected works being a testament to how much of a genius this guy is. I really enjoyed the shots he selected and the way he described his pre shooting methods and drawings.

I would love one day to be able to frame a film like him, know as much about the craft as him, and honestly this book has inspired me to go that far, collect all my chips and bet it on this life. Fantastic read, and something I will definitely be coming back to in the future.

[Anthony Watson · Rating 4 out of 5]

Dropped one star because I think there were sections that were too technical, giving the specifications of the lamps and lights used, so that it read more like an instruction manual than a memoir.
Otherwise, this was a fascinating look at the skill and artistry involved in lighting and photographing a film; the cinematographer really is responsible for the look of a film and Roger Deakins is a master of the craft, creating many of the most memorable visions ever put on screen.
Really made me want to go back and watch the films he describes.

[Campbell Andrews · Rating 3 out of 5]

3 is probably miserly, as it compares unfavorably only to Murch’s recent work Something Suddenly Clicked… if anything the photos here are better. Mr. Deakins is forthcoming and detailed, though at times he seems more preoccupied with ethics than art and he can’t crystallize the medium as brilliantly as Murch — but then, who can? Still lots to pour over and marvel at here.

[Larry · Rating 4 out of 5]

Good book but only for serious film buffs. And specifically for people who want to learn about how some of the greatest films of the last 3 decades were made from arguably the best cinematographer of all time.

[J Dubyuh]

Some people are good at talking about it and some people are good at doing it. Deakins is the latter.

There are people who can do both (George Saunders) but I’m trying to be generous.