Block has written a great and comprehensive book on worship. The book is twelve chapters focusing on different aspects of worship. Each chapter reviews the scriptural material related to that topic and Block summarizes that material with an almost always insightful conclusion that the church would do well to ponder.
Block is very interested in getting past the "worship wars" for the term itself shows that worship has become a source of division, rather than unity. Yet he realizes this is no small matter, but must be dealt with biblically, and advocates on either side may not care for all the Bible has to say on the matter.
After his introductory remarks in the first chapter, he writes of "The Object of Worship" in chapter two. He rather obviously concludes that God the Father, and his Son, Jesus Christ, are the objects of worship. Yet, not so obviously, he argues that nowhere in Scripture is the Holy Spirit spoken of as an object of worship. This may at first seem shocking, but upon further consideration, there is great insight here. He argues instead, that we worship "in the Spirit" and "through the Spirit".
He writes, "True Christian worship focuses particularly on Christ, through whose sacrificial death and justifying work sinners are qualified to for worship, and through whose resurrection they hope in eternal life and worship in the presence of God." p. 53. He argues that this does "raise questions about the way Christians deal with the Spirit in worship" particularly Pentecostalism, contemporary Christian music, and in prayers.
Next is "The Subject of Worship" in chapter three. He concludes that "God establishes the grounds for participation" in corporate worship. He argues that the church has lost its sense of need to prepare for worship--beginning the night before. We ought to be concerned that our worship is acceptable to the Lord. This requires holiness, confession of sin, assurance of forgiveness. We must "avoid all contamination from going after other gods and compromising ourselves with what is unclean." p. 80 How often do we think in such terms?
Block is insistent, as all good theologians must be, that worship is not just a corporate act, nor is it just singing. Instead, we worship in all of life. Chapter four is "Daily Life as Worship" which focuses on the need to obey the Lord. In the "First Testament", as Block prefers to call it, this meant keeping Torah. He writes, "This is true worship: consistent reverential acts of submission and homage before the divine Sovereign in response to his gracious revelation of himself and in accord with his will." p. 90 He concludes the chapter, "Those who fear YHWH, walk in his ways, demonstrate love for him, and serve him alone--such people show their vassalage in scrupulous but joyful obedience." p. 107
The next chapter "Family Life and Work and Worship" might be the most shocking of all chapters, for in it, he writes that the biblical support for "formal family worship" is "embarrassingly limited." p. 109. Leading with this, he does then argue that "all domestic activities" should be characterized as acts of worship. He reviews the Scriptural definition of family, how the Bible speaks of worship in the context of the family, and then discusses what worship looks like in the context of marriage, fatherhood, motherhood, childhood, senior citizenship, family, work, and vocation. Much of his emphasis is upon work. He concludes, "Although the line between consuming ourselves with work and working to our full capacity as stewards of God is fine, we need to work like an ox and relax like a lily. That is the challenge of work as worship." p. 139
Chapter six is "The Ordinances of Worship" in which he focuses primarily upon baptism and the Lord's supper. He asserts that baptism and the Lord's Supper are rightfully "linked." p. 166 He also encourages frequent observance of the Lord's Supper, saying "the New Testament ideal of a weekly observance is the most honoring to the Lord and the most spiritually renewing for his people." p. 166-167
One of the most glaring faults in the modern church is how little God's Word is read in corporate worship, the focus of chapter seven, "Hearing and Proclaiming the Scriptures in Worship." He writes, "...evangelicals must rediscover that the Scriptures were written to be heard; they were not written primarily to be preached." That really runs contrary to modern reformed thought, but Block's desire is faithfulness to Scripture, not reinforcing what we already believe. He provocatively writes,"At best, the Scriptures are read piecemeal and impatiently, that we might get to the sermon--for our voice and our interpretation have become more important than the sacred Word of God." p. 190 He then lists six practical tips to give God's Word a greater presence in worship. 1) Devote more time to reading the Scriptures. 2) Read large blocks of Scripture at a time. 3) Promote an atmosphere of reverence when reading the Scriptures. 4) Promote the expository reading of Scripture. 5) Prepare spiritually for the ministry of reading. 6) Subordinate the sermon to the Scripture.
Chapter eight is "Prayer as Worship." He concludes of prayer, in corporate worship, "...in the Scriptures prayers offered publicly on behalf of the congregation exhibit a significant rise in the literary register, so that many are cast in extremely sophisticated poetry." He continues, "If corporate worship involves a corporate audience with the great King, surely the language of communication should adapt to the situation. Furthermore, since those who lead the community in prayer speak not for themselves but for all, such a prayer must be disciplined, subordinating idiosyncratic interests and preferences to common concerns: the glory of God, the corporate celebration of his grace, and joint pleas for forgiveness." p. 218
Block doesn't get to music until chapter 9, which may surprise some, as worship has practically become synonymous with worship music. He does give many more pages to his conclusions about music than most of the other chapters "because music has become arguably the most divisive factor in North American evangelicalism. I will highlight what I thought were the most interesting. Block writes, "evangelicals must rediscover the goal of congregational worship and of all ministry is the glory of God, and that God the Father and God the Son are most glorified when we sing of them and not of ourselves. This reminds us that our songs must be about God's love for us, not about our love for him." p. 236 He elaborates that songs sining of our love for him, "virtually demand that God must accept my verbal expressions of love. However, as Cain learned, acceptability to God is determined not by cultic expressions of devotion but by one's life." p. 238
Next, "evangelicals must rediscover that God approves of music rich in content and varied in style." He adds "musical form matters." "If wise persons recognize the order in the universe and let that order govern their lives, then the symmetry and harmony of their music will celebrate that order and praise the Creator responsible for it. Resisting the chaotic, the disjunctive, and the creative merely for the sake of creativity, robust hymns of praise and thanksgiving inspire and energize by reflecting the perfections of God and the design of his creation." p. 240 He goes on to write, "This does not mean that truly worshipful music is always in a major key, upbeat, and bright... Inspired music may indeed begin in a minor key, confessing the brokenness of the fallen world in general and our lives in particular, but like many psalms, it should end in a major key, celebrating the hope that Christ offers and the peace and joy that he gives."
Still on this point, he writes, "If the sacred spaces where we worship are microcosms of Eden and an ideally ordered world, then expressions of that order will be countercultural. This means that the primary cues for appropriate music will be taken not from the world, which gives full vent to chaos and dysfunction and intentionally resists order, but from heaven, the place of our primary citizenship."
His last point is that "evangelicals must rediscover that truly worshipful music is primarily congregational and unites the body of Christ." p. 242 With this in mind, he offers a "distributive approach" to worship "which suggests a healthier centrifugal picture of reaching out and ministering to each other." p. 243 He suggests we use music to serve the other, rather than ourselves, which is what the "blended" approach boils down to.
He concludes the chapter on music with five considerations. The last is the most poignant, "Over time, worshiper's musical tastes should mature. While mature Christians celebrate the faith and enthusiasm of younger believers, something is wrong if people who have been believers for ten or twenty years still crave the elementary lyrics and simple tunes they sang when they first came to faith. Just as we need to progress from milk to meat in our understanding of Scriptures, so in musical appreciation and taste the goal should be growth and maturation--the development of appetites for songs that are weightier theologically and more sophisticated musically." p. 243
Chapter ten is "Sacrifice and Offering as Worship." Here, argues, again, against the grain of modern evangelicalism, "rather than feeling sorry for First Testament saints obligated to express their faith with complex and seemingly endless sacrificial rituals, we should rejoice with them that YHWH revealed to them a way of fellowship and forgiveness that actually worked and solved their deepest spiritual problem." p. 269
New Testament saints should praise God for Christ "the supreme sacrifice." Block also insists that "to obey is better than sacrifice" remains for Christians today. "Like Jesus, we are to take up our crosses and follow him." Related to obedience, is our "schizophrenic disposition toward biblical regulations concerning sacrifices and offerings." He argues that "our leaders" deny that Old Testament laws apply to us today, yet they insist upon receiving tithes.
In chapter eleven, "The Drama of Worship," Block argues that we "participate in the drama of redemption." This means observing the Sabbath; celebrate "festivals of the church year:" the incarnation, crucifixion, resurrection, and ascension; "capitalize on the didactic force of worship by instructing people in the forms, functions, and theology of the First Testament worship"; celebrate days of significance in the life of your church; "give attention to"... "birthdays, conversions, baptisms, weddings, and anniversaries; the ordination of ministers, elders, and deacons; the commissioning of teachers, evangelists, and missionaries; lamentation services when a member must be disciplined; and celebrations when wayward members return to Christ."
The final two chapters emphasize "The Design and Theology of Sacred Space" and "Leaders in Worship." Both add to the discussion in ways similar to what I've outlined from other chapters. This is a book that will make the reader think, and reconsider positions. Block engages his readers in ways that few books on worship are able to, because they are simply not as rigorously biblical as Block has insisted he be in this work. My only criticism of the book is the lack of discussion of Revelation as a worship service. He does allude to it early in the book, but he doesn't return to it or explore it in the depth it deserves. This is an otherwise outstanding work that should be read widely. After reading this, I can't help but wonder that the Lord has rejected much of the worship of the "church" in our age because it is not acceptable. He has turned from us because we have turned from him.