Murder and arson are plaguing the valley of ten thousand plums.
The trees within the valley of ten thousand plums are beautiful to behold. But the umeboshi, or pickled plums, made in the local village are renowned for their strong medicinal properties, and a favorite of the Shogun. As a series of deadly events grip the valley with fear, the Shogun's samurai strongman is immediately suspicious when Usagi, Yukichi, and Gen are found wandering among the prized foliage...can their appearance be a mere coincidence?
A new adventure starring Usagi Yojimbo by legendary creator Stan Sakai, with beautiful color work by HiFi Colour Design! This collection also includes a new introduction from The Last Ronin co-writer Tom Waltz, a full cover gallery featuring every comic-book issue variant cover, bonus story notes by Zack Davisson, and afterword text by Stan Sakai!
Stan Sakai (Japanese: 坂井 スタンSakai Sutan; born May 25, 1953) is an artist who became known as an Eisner Award-winning comic book originator.
Born in Kyoto, Sakai grew up in Hawaii and studied fine arts at the University of Hawaii. He later attended the Art Center College of Design in Pasadena, California. He and his wife, Sharon, presently reside and work in Pasadena.
He began his career by lettering comic books (notably Groo the Wanderer by Sergio Aragonés and Mark Evanier) and became famous with the production of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan. First published in 1984, the comic continues to this day, with Sakai as the lone author and nearly-sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black and white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paper-back edition of Usagi Yojimbo). He also made a futuristic spin-off series Space Usagi. His favorite movie is Satomi Hakkenden (1959).
This contains two longer tales, one of a village near a vast plum orchard and another featuring a pilgrimage to a shrine. I liked it but I'm still not a fan of Usagi in color, though I imagine it's easier for Stan than hatching the shit out of everything.
The only possible complaint that I could level at this book is how much I wish it were longer than five chapters!
Usagi and his cousin, along with our old buddy Gen, travel to a remote village to see its famed plum blossoms, which accompany a fruit said to have healing attributes. Several months before our heroes' visit, the villagers turned away a beggar who needed medicine for her sick daughter, and now villagers start to show up dead and the trees are lighting on fire. Another great tale of fantastical Japanese yokai, and another yarn where even the villain is quite justified.
The second story, two chapters long, finds the boys - sans Gen, who's had enough of their brand of profit-free heroism! - traveling the same route as a group of secret Christians on a pilgrimage. Great character work and a very touching finale mark another great USAGI classic.
“Ten Thousand Plums” is two stories. The first, a story about a kitsune who takes her revenge on the town that refused to help in her time of need. A valuable moral is delivered, a lesson learned. The second, “Tabo” is a heartfelt tribute to Stan Sakai’s recently deceased little brother and speaks to everyday miracles just as much as profound ones. Once more, these stories prove why Sakai is the best of the best.
I'm partial to the black and white UYs, but the coloring of this one is gorgeous. The stories really good too. The second one depicts the hidden Christians of medieval Japan in a little more historical detail then UY has shown before.
Was rooting for the creepy fox lady in the first half of this to be honest. Also may have teared up a bit at the end of the second part and Stan Sakai's tribute to his late brother.