Ready my blessin', now I'm ready how I wait / Never let a friendship get in my way / Never let a blog get in my way / Make the whole song do whatever I say (Summer Friends – Chance the Rapper).
F.T. Lukens has always been a hit-or-miss author for me, and now with Love at Second Sight, I’m afraid they’ve now had more misses than hits. Like with most of the books I read, I totally went into this book without reading the synopsis, so I originally figured that the story was about a second chance romance, but when I realized it’s actually about an ordinary shy teen who gains visions That’s So Raven style and then decides to try his hand at solving murders that haven’t happened yet, at first I was a little disappointed, but then excited. This could work, right? It could be something, it could! Yeah well, this is another time where I feel like the book gets bogged down by the trappings of its genre, because while I was reading Love at Second Sight, I felt like I could see through The Matrix as all the mandated tropes became as clear as day. The passive main character, the high school drama, the dealing with bullies and overbearing parents, it all felt so by the numbers that I almost forgot that the characters were supposed to be stopping a murder several times throughout. The operative word here being “almost,” because at the back of my mind I kept wondering when Cam and the gang were going to start investigating! Where’s Nancy Drew when you need her! Honestly though, I’m actually a big fan of low-key stories that don’t have to rely on big action scenes or heightened characterizations (a few of my favorite books include Circe and Ari & Dante), but when you give us a hook where the main character gains the Minority Report powers, then I just don’t think the narrative should practically forget about said hook in favor of small issues like dates and gossip! They feel so trivial, don't they? I don’t care whether or not a video they post goes viral, I just don’t care! And when have YA protagonists started caring about being influencers? That's a new thing, right? Sheesh, all I know is that once the kids in books start using Chat GPT, then I'm done with the genre for good. I'm not kidding. So the thing is, I didn’t love the first two F.T. Lukens novels that I read, So This Is Ever After and In Deeper Waters, because while they were nice and fun enough, I found the stories to be incredibly under baked compared to the urban fantasy stylings of later books Spell Bound and Otherworldly, and I have this opinion despite the fact that I’ll almost always love a pure fantasy over a contemporary book with a little bit of fantasy added to it any day. This is Infinity Son shade, by the way, that book sucked! I think my biggest problem with this book is that it doesn’t have an easily accessible emotional core, because I believe that it's cool for stories can get as wild as the writer wants, but if they don’t have something there to keep them grounded and relatable, then things fall apart pretty quickly.
Take the Alien movies for example, even though they’re mostly horror slasher films with a sci-fi flair to them, the original three are still mostly about how nobody listens to women when they absolutely should. With Love at Second Sight, I thought it would be about two best friends having a falling out amidst a murder mystery with a That’s So Raven twist, but neither of these aspects of the story stuck around long enough to keep me interested. Oh yeah, this is probably just an issue with me, but I feel like I should give you a synopsis so you won’t be blindsided by all the left turns like I was! Cam is starting a new school year and he feels like there’s a growing distance between him and his magical bestie, Al. Tired of being a wallflower, Cam decides to start branching out, and in the process immediately gets caught in the middle of a Spider-Man (2002) hallway fight and violently finds out that he has the Nicholas Cage Next powers that can only be activated by touch. He then finds that the has a Rogue from X-Mendilemma where he can't kiss the boy he likes unless he wants to flop around on the ground for a couple seconds while he vision's out." Were there too many references in bunched together right there? Absolutely, but how else am I supposed to paint a picture, with my words!? But yeah, with newfound abilities, comes new friends, and Cam has to navigate through all the clout chasers while also trying to hold on to his most important relationship; his friendship with Al. Anyway, let me stop you right there because I know what you’re thinking, this book sounds just like that Proud Family episode where Penny and her rich friend are having a birthday party on the same night but everybody abandons Penny to go over to the rich girls mansion while a bunch of people she doesn’t even like goes to hers. She then spends the whole episode pouting until she starts getting along with these people she didn’t even see as friends and then the mansion party has a bunch of things that go wrong until all of Penny’s fake ass friends come crawling back to her, to which she slams the door in their faces. The end. Well, I wish that was the end, because the whole episode is actually about forgiveness, and her mom forces her to let the fake ass friends enjoy Penny’s party as well. And just like in that terrible episode, Cam forgives Al even though they abandoned him to hang out with their magical coven and started getting salty when he joined other social groups! Friends, how many of us have them? Friends, ones we can depend on?
“I didn’t want to find new friends. Socializing was exhausting and really flew in the face of my plan to blend into the wallpaper for the entirety of the school year.”
Another issue I had with the narrative is that outside of Cam seeing visions, I didn’t really see a point this being a fantasy book, especially if it was just going to follow a by-the-numbers YA plot anyway. That’s why I feel like That’s So Raven is the best comparison for Love at Second Sight, because the whole "seeing the future" bit really is the most important part of the story, and outside of magical set-dressing, there’s no reason this story couldn’t have taken place in a totally normal setting. Sure, they’ve got werewolves and faeries and whatever walking around like it’s nothing, but they didn’t add anything to the plot outside of giving this book a Riverdale vibe with a Wednesday skin. I mean, they’ve got a werewolf love interest and he didn’t even rip off the heads of the homophobic… oh sorry, my bad, magic-phobic parents! I don’t know, that’s just wild to me, it’d be like if you made an It spin-off show called Welcome to Derry and didn’t put Pennywise the Clown in the first episode and instead had an ugly CGI monster calling the shots. Can you imagine? Anyway, I did like how Cam becomes one of the first seers to be able to actually correctly predict the future three times (called “glimpses” in universe), which is pretty funny to me because, like, doesn’t that just mean that every other seer is just a bad guesser? Hey, maybe I could make it as a clairvoyant dude in this book’s universe, I make plenty of incorrect guesses! I was just thinking, pondering even, that it’s actually just as well that the book didn’t go too hard on the mystery angle, because I’m not so sure it could have been pulled off well anyway. I love a mystery and I love a fantasy, but in my experience, they don’t often go well together because there are too many variables that could happen in a fantasy book that takes away from the “audience participation” aspect of a mystery. Every mystery fantasy that I’ve read are always talking about, “Oh and the killer was this guy because he was able to use the amulet to hide his presence, I bet you didn’t guess that one, huh!?” and it’s like… no? How could we? So yeah, even if this book had thrown away the magical world altogether and just went full into the “future seeing mystery aspect,” then I probably would have had a whole new set of things to complain about! Like the fact that this book also has the same kind of suspenseful prose as The Boy Who Lost His Face by Louis Sachar, which could be a good or bad thing, but I’m just comparing because most of the chapters in this book end with Cam fainting and then waking up with all the action having passed when he was passed out. Boo~ooo!
I guess a lot of new-age writers seem to think this style of action is subversive and clever, because this is the exact same thing that happens in the Moon Knight show, where Oscar Isaac would be about to kick some ass and then immediately go into a trance and wake up surrounded by beat up bad guys, and let me tell you, it was entertaining once, but if you make it a pattern then it becomes trite and stale in record time. I guess my point here is that technique is best used for comedy, as it’s so silly and anti-climactic that it’s only useful for garnering a couple laughs rather than building suspense. Also, I didn’t love how the fake friendship angle gets thrown out the window in two chapters, because for the longest time I thought that this was the main source of conflict at the novel's core, so to just up and solve it in the middle of the book was certainly a choice. On a positive note, I really enjoyed Cam’s new cast of friends (outside of Al) because they reminded me of one of those old ghost hunting Anime’s from the 90’s where each one of them had a defined trait that helped them stand out from the rest. And even though it sucked how everybody spoke like they’ve had decades of therapy under their belt despite being teenagers, it was sweet how caring and thoughtful they were towards each other. Every time it looked like there would be a classic John Hughes type high "school bully trope," this book quickly averted it. I suppose if this book had one theme, it would be about how religious fervor can poison one’s mind and blind them to how they’re adhering so strongly to tradition that they’ve hurt the people they’re supposed to love, with fantasy races used as a shorthand for topics around parental abandonment through a queer lens. And despite my griping, that is a powerful message to center the narrative around, one that’s important in helping young readers feel seen where they otherwise might not. I feel like I should reiterate that I didn’t hate this book, quite the contrary actually, as Love at Second Sight boasts another magical adventure full of wonder and imagination that most will absolutely love. Besides, while this may have broken my F.T. Lukens winning streak, I have no doubt in my mind that I’ll still read each and every one of their books. I mean, just look at the covers!
Our summer don't, our summer, our summer don't get no shine no more / Our summer die, our summertime don't got no time no more.