Oh no...I've read every book in this series and I keep coming back for more, but at this point, I don't know why. In the last 3-4 books the writing quality has truly gone so downhill that it's distracting from the already loose plot line. Is this a ghost writer? Joanne Fluke's writing style has changed so much and not for the better. It feels amateur. The need to express unnecessary details, the word repetition, and action repetition really bothered me. For example, early on in the book Andrea knocks on the back door of The Cookie Jar and then scolds Hannah for not looking through the peephole. Hannah then tells her to not be silly since Andrea has her own unique knock. Then at like 75% of the way through the book this scene happens AGAIN! I genuinely had to check to see if my Kindle accidentally jumped backward. Unfortunately, this is just one example of many. I do not consider myself a writer by any means, but I found myself reading the frequently clunky and awkward sentences and editing them myself as I re-read the sentence, because it was so off.
Alright, let's discuss plot. Things didn't make sense. Mike is burned out, Stella has him on a relaxation retreat at her family cabin by the lake. Now, 29 books in, Hannah is a welcomed asset to the police department? I don't buy it. Also, they act like Mike couldn't just leave of his own accord. He could. The tough love that Stella suggests is weird. It's as though no one knows how to think for themselves anymore. Hannah is considered observant and in this book she sounds dim. Hannah's mom ends up being the prime suspect, but not really. No one believes it and she begs to be considered as the prime suspect so they agree... that's just beyond my suspension of reality. Oh and is Stella, Mike's new love interest? I don't get it.
Lastly, the series hasn't aged well. I don't mind that the book is squeaky clean, but the shaming that occurs in this book is so dated. I also think it's bizarre that they all drink alcohol, but bend over backwards to never swear or speak plainly. It's gone to an extreme where characters are speaking in unnatural ways.
I see a lot of folks saying they will come back for the next, because they are loyal to Hannah's story, but I have to be honest, I won't be. It's unfair to readers that this is the product being delivered. I can't imagine this book would make it through edits without a lot of feedback. I love Kensington Books, but fans of Hannah Swensen deserve a proper Hannah Swensen book, this feels like a bad knock-off.