For most of you who read my reviews, you already know the following but let me be transparent. I read most of James Patterson’s books and have for several years. Some might ask why and that’s another whole discussion best saved for another day. I have really enjoyed some, liked some, and didn’t really care for others. On a personal level, I must admit that his Women’s Murder Club series – focused on the professional and personal lives of four women in San Francisco - has been very hit and miss over the last couple of years.
Unfortunately, this year’s outing - “25 Alive”- is a bit more miss than hit. There’s no other way to say it. For me, it’s another middle of the road, formula-matic and predictable, with another short-shifted ending that feels thrown together in a rush that robs what could have been a bigger emotional punch for the reader.
“25 Alive” is an anniversary number in the series, so I was hoping for a memorable moment for one of the Murder Club members or some kind of shocking development that either shakes them up or brings serious change into their lives. I will say that it starts off with a surprising moment that immediately draws your attention and teases a real serious investigation that will be driven by personal desire for revenge.
What can that be you ask. This surprise happens in the first five pages and is included on the book cover, so don’t feel like I am giving away any spoilers. Lindsey’s longtime partner, mentor, former boss and chief of police – Warren Jacobi – is murdered in the Golden Gate Park by an unknown killer. Of course, homicide detective Lindsey Boxer is called to the scene and assigned to lead the investigation because her boss, Jackson Brady, trusts her and her team to hunt down the killer. Lindsey also has fellow Murder Club member, investigative reporter Cindy Thomas, helping her out by running down her own leads.
At the same time, their other team member, assistant district attorney Yuki Castellano, is starting her new court case. She is leading the prosecution against Esteban Dario Garza, a handsome and wealthy, 23-year-old playboy with Mexican drug cartel connections, on trial for the murder of his friend. This may be the murder that law enforcement believes it has enough evidence to win in court, but they are sure that Dario has killed at least seven different women over the last three years. They just haven’t been able to gather enough definitive evidence to charge him. This time, Suki believes that she can bring home a guilty verdict.
Things quickly go from bad to even worse for the Murder Club members.
First, Lindsey’s team find a matchbook near the site where Jacobi was murdered with the words “I said. You dead.” Then they discover another dead body a few blocks away with the same words showing on her computer screen. It looks like they are hunting a serial killer, one who has a bigger trail than they think, and is looking for more.
Second, during Yuki’s opening statement, a smoke bomb goes off in the hallway outside the courtroom causing an evacuation. When the smoke clears, an unwelcome gift box has been left behind with cards listing the names and addresses of all the jury members, prosecution team, and even the judge. The threat is clear and the trial will have to be moved into a secure lockdown state. However, that will won’t be enough to keep cartel assassins from eliminating whoever they need to in order to stop the trial from taking place. Will Yuki be able to stay safe or will she find herself being a target?
As with several of the last six to eight books, each of these two primary plots come across like variations on previously used storylines, which are starting to feel a bit prescriptive and repetitive. Let’s see if this sounds familiar to you… Yuki fighting a courtroom battle, Lindsay searching for a serial killer, Cindy running her own investigation and helping lead Lindsey to the killer’s identity, and Claire providing necessary medical information and playing the role of emotional support. Oh, and of course, let’s not forget, Lindsay’s husband, FBI agent husband Joe, who gets called in to go on a secret assignment that ends up helping resolve the investigation. And of course, he barely makes it back alive. Sound familiar? Maybe it’s me, but it feels like the same thing being repeated over and over again.
And what makes it worse, at least for me, is the ending. I am not sure why several of the recent books in this series have such thrown together endings that feel like critical scenes where the dots get connected and full payoffs occur on the page rather than off the page. The culmination of the two primary storylines and Joe’s subplot practically take place over the last 10 pages. Seriously? After almost 300 pages of buildup, we connect all of the dots and wrap everything just like that in 10 pages? Seriously? Where in the heck was the editor to advise Patterson and Paetro to add some more meat and emotional payoff to the ending? I realize that editors probably don’t have the power to direct Patterson, but this is really hurting the quality of the books in this series. Yes, I recognize that is my humble opinion, and a lot of Patterson readers would disagree with me. I am just trying to be honest and provide constructive feedback (even though I am probably sitting on the beach of my own solitary inhabited island).
Again, this is not a completely bad book. I give it two out of five stars and enjoyed some of the escapist, mind candy reading experience. I had a lot of hope for how the two storylines started out, but it lost steam about half-way through. To add to my frustration (and I need to stay spoiler free), the revelation of Warren Jacobi’s murderer and his/her outcome was a real disappointment. It was such a whimper rather than the emotional climax that it truly deserved. Warren deserved much better.
As I said in my review of the last book in this series, my biggest frustration is that this series could be better if Patterson and Paetro focused more on character development and took some risks rather than settling for retread formulas that are losing most of their strengths and uniqueness.
Overall, after all that constructive feedback, I give it a grudgingly passing grade but most of that is due to legacy and the relationships these characters have built with me rather than the comfortable state that their current storylines and weaker endings have been delivering.
It is what it is… I hope your reading experience was more enjoyable…