A zombie apocalypse in Singapore. A gentle poke at the shenanigans writers get up to. And a satire about our hunger for the real thing.
Meet Zachary Kwan, a middling novelist trapped in a bout of writer’s block. His marriage to a celebrity model is on the rocks, his latest book is met with scathing reviews, and he’s about to be cancelled. Things really couldn’t get any worse. Spoiler they do. A zombie epidemic takes over the world. And Zachary Kwan, writer of best-selling self-help book under a pseudonym, is infected. Written in poetic form by Felix Cheong and illustrated by Arif Rafhan, Be Real puts a finger on the zeitgeist of our times. In an age defined by curation, how do we know what is real? Will we even recognize ourselves when we reveal our ‘true’ selves?
‘A Singapore zombie apocalypse story by Felix Cheong you can sink your teeth into, with stunning artwork by Arif Rafhan. A thoroughly enjoyable read.’ —Max Le Blond, Cultural Medallion, Drama, 1987 ‘Felix Cheong tells a story that at once reminds one of Godard’s Le Mepris, Percival Everett’s Erasure—and nothing you’ve ever read or seen before. The storytelling is deft, the art is meticulous, and the result is a multilayered narrative that pushes back against conventions of genre and form. Besides and beyond all of that, it is an engaging and thrilling read—for real!’ —Angelo R. Lacuesta, novelist and short story writer
A fury, dark plot in a compelling package of social satire and zombie apocalypse setting. I followed Zachary Kwan, a middling novelist in his mess of writer’s block, marriage crisis and having to deal with a storm of backlash from his previous published book. As the world turned decayed over a zombie epidemic, Zach gets infected and was overdose with anxiety going all obsessed on being authentic. He did a self-help comeback under a pseudonym with book titled Be Real: A Guide to Authenticity; a best-selling that soon unexpectedly ensued a chaos.
Having fast and tense pacing with engaging cinematic worldbuilding; loved its gory illustrations as well how the illustrator managed to express that troubled psycho-madness character for Zach. The writing was poetic, sharp and quite whimsy— a satirical insight to the self-help cliches, on influencer culture of fake vs real as well how media could playfully monetizing one’s issue and exploit it. The irony of Zach wanted to be real yet was forced to use a pseudonym for his comeback. A glimpse on desperation and revenge that turned into a chaotic aftermath, a thrilling dynamic both for the plot and characters, loved that last spread of Zach before ‘the end’ page.
Stunning artwork, a quick, short, easy to grasp narrative despite its mash-up satire and grotesque zombified themes: neat and enjoyable overall.
I read it in one sitting while waiting, and I appreciate the artwork and the story. However, I really feel like there is something more that I am looking for in a certain graphic novel.