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The Witches of Worm
Cats. Jessica has never liked them. Especially not the skinny, ugly kitten that looks like a worm.
Worm. Jessica wishes she'd never brought Worm home with her, because now he's making her do terrible things. She's sure she isn't imagining the evil voice coming from the cat, telling her to play mean tricks on people. But how can she explain what's happening?
Witches. Jessica has read enough books to know that Worm must be a witch's cat. He's cast a spell on her, but whom can she turn to? After all, no one will believe that Worm has bewitched her...or worse!
Worm. Jessica wishes she'd never brought Worm home with her, because now he's making her do terrible things. She's sure she isn't imagining the evil voice coming from the cat, telling her to play mean tricks on people. But how can she explain what's happening?
Witches. Jessica has read enough books to know that Worm must be a witch's cat. He's cast a spell on her, but whom can she turn to? After all, no one will believe that Worm has bewitched her...or worse!
183 pages, Mass Market Paperback
First published June 1, 1972
51 people are currently reading
2122 people want to read
About the author
Zilpha Keatley Snyder
82 books454 followersZilpha Keatley Snyder was an American author of books for children and young adults. Three of Snyder's works were named Newbery Honor books: The Egypt Game, The Headless Cupid and The Witches of Worm. She was most famous for writing adventure stories and fantasies.
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Displaying 1 - 30 of 302 reviews
October 2, 2025
We all invite our own devils, and we must exorcise our own.
Update: 10/2/25:
I had the absolute pleasure of rereading this juvenile novel aloud to my youngest daughter this week. As far as I'm concerned, this story is a cult classic, the type of book that could never be published now but is so totally raw, so absolutely rooted in human psychology and mythology. Oh, my, we have started my favorite month of reading and writing on a perfect note!
Original review:
Consider me flying over you at this moment, zigzagging over your head on my quickest broom, cackling with glee. Hee-hee-hee-hee-hee-hee-hee.
I feel incredibly alive right now, spirited you might say, just knowing that some crazy, politically incorrect fiction like this from the early 1970s still exists.
Look at me! Wheeee!
How lucky are we that no one has burned all the copies of this book yet? (Just try and grab my copy, y'all, and see what happens to your hand).
I don't even need to decide if this novel is a trick or a treat.
It's obvious that it's both, or it was both to me.
If you've ever been a girl, ever worked through the occasional hell of being a teen or pre-teen girl, ever been ostracized, abandoned, ignored, rejected. . . I can't imagine that you'd find your way to this one and be able to feel anything but. . . Validated? Empowered? Vindicated? Emancipated?
Wowza, Wow, Wow, I've been sucking on this middle grades story like a butterscotch candy, and I'm still contemplating this sweet, complicated, creepy fiction.
My thirteen-year-old summed it up nicely as we wrapped up the story: she slunk down low in her bed, pulled the blanket close to her face, and said, “Whoa.”
Update: 10/2/25:
I had the absolute pleasure of rereading this juvenile novel aloud to my youngest daughter this week. As far as I'm concerned, this story is a cult classic, the type of book that could never be published now but is so totally raw, so absolutely rooted in human psychology and mythology. Oh, my, we have started my favorite month of reading and writing on a perfect note!
Original review:
Consider me flying over you at this moment, zigzagging over your head on my quickest broom, cackling with glee. Hee-hee-hee-hee-hee-hee-hee.
I feel incredibly alive right now, spirited you might say, just knowing that some crazy, politically incorrect fiction like this from the early 1970s still exists.
Look at me! Wheeee!
How lucky are we that no one has burned all the copies of this book yet? (Just try and grab my copy, y'all, and see what happens to your hand).
I don't even need to decide if this novel is a trick or a treat.
It's obvious that it's both, or it was both to me.
If you've ever been a girl, ever worked through the occasional hell of being a teen or pre-teen girl, ever been ostracized, abandoned, ignored, rejected. . . I can't imagine that you'd find your way to this one and be able to feel anything but. . . Validated? Empowered? Vindicated? Emancipated?
Wowza, Wow, Wow, I've been sucking on this middle grades story like a butterscotch candy, and I'm still contemplating this sweet, complicated, creepy fiction.
My thirteen-year-old summed it up nicely as we wrapped up the story: she slunk down low in her bed, pulled the blanket close to her face, and said, “Whoa.”
November 12, 2021
This was weird, but I liked it for the most part. Jessica is a young girl who is ignored by her mother, Joy. Joy had Jessica when she was a kid herself and now likes to pretend that there is no Jessica. Joy dates a lot and leaves Jessica by herself. Jessica is a strange kid. She is antisocial, but used to have a best friend who lived in her building who now has nothing to do with her. You don't discover why Brandon deserted her until almost the end.
At the very beginning, Jessica discovers an odd, premature kitten in a cave that she and Brandon used to play in. The kitten is blind, with little fur and very ugly. Jessica takes the kitten home and tries to lob it off on the cat lady who owns their building, Mrs. Fortune. Mrs. Fortune is very elderly and tells Jessica she is not up to feeding a newborn every two hours, so Jessica takes over its care, but very reluctantly.
Jessica knows neither how to care for people or animals and has a recurring nightmare about being abandoned. A story she writes for school about an abandoned baby is especially chilling. Worm starts to grow up, he gains his eyesight and has very strangely shaped eyes. He looks evil when he hisses, which is quite a lot as Jessica does not know how to take care of him. Worm looks other worldly and seems to have an uncanny influence on Jessica.
At the very beginning, Jessica discovers an odd, premature kitten in a cave that she and Brandon used to play in. The kitten is blind, with little fur and very ugly. Jessica takes the kitten home and tries to lob it off on the cat lady who owns their building, Mrs. Fortune. Mrs. Fortune is very elderly and tells Jessica she is not up to feeding a newborn every two hours, so Jessica takes over its care, but very reluctantly.
Jessica knows neither how to care for people or animals and has a recurring nightmare about being abandoned. A story she writes for school about an abandoned baby is especially chilling. Worm starts to grow up, he gains his eyesight and has very strangely shaped eyes. He looks evil when he hisses, which is quite a lot as Jessica does not know how to take care of him. Worm looks other worldly and seems to have an uncanny influence on Jessica.
September 16, 2017
Autumn's witch-a-thon continues with my introduction to the fiction of Zilpha Keatley Snyder, her Newberry Medal winner The Witches of Worm. Published in 1972, the book arrived on my radar by virtue of its stellar reviews and while I'm very critical of what's become known as the Young Adult genre, I'm not above enjoying them, particularly those in the vein of Lois Duncan where teenagers vulnerable to the whims of adults encounter the supernatural. Terror and adolescence go hand in hand in this sub-genre, something I find relatable. There were qualities I admired in this novel while I was reading it, but too little I found memorable.
The story concerns Jessica, a twelve-year-old latchkey kid who lives in the Regency, an apartment house with her single mother, Joy. While mom is a vivacious blonde who would rather turn to stone than stay home and bake cookies, daughter is a sullen loner who lives in her own imagination. Jessica is estranged from her only two friends. Brandon lives at the Regency but has gone from participating in adventures with Jessica to shunning her, or vice versa. Diane, who was never as exciting but easy to get along with, has deserted Jessica for a new friend who lives in the posh neighborhood up the hill, overlooking the Regency from the top of a steep cliff.
Climbing the cliff to a natural stone shelf near the mouth of a cave, she reads a book called The Witches of Salem Town, having found an article on witches in one of Joy's women's magazines and gone looking for more information at the library. She is reading about Ann, the most famous of Salem's witch accusers, who was also twelve years old at the time of her purge. She is interrupted by the sound of movement and at the rear of the cave, discovers a mute and hairless animal that could only be a baby kitten. Jessica dislikes cats and has no nurturing side to her, but lives in the same building as an old cat lady named Mrs. Fortune she feels might help.
She looked terribly old, older than forever, and her faded dress of heavy brown material hung loosely on her thin body. Her long gray hair was tied at the back of her neck with a piece of string. People had always talked about Mrs. Fortune's strange appearance, but Jessica had never paid much attention to it. Now, suddenly, she found herself thinking. She does look weird. It's a good thing for her she doesn't live in Salem in the olden days. But out loud she only said, "Hello, Mrs. Fortune. I've come about this." She pulled the kitten out of her pocket and held it out. "I thought maybe you might want it."
Mrs. Fortune saddles Jessica with the responsibility of feeding and cleaning the kitten every two hours. Joy, who has long encouraged her daughter to adopt a pet who would keep her company, is repelled by the animal and urges her daughter to take it back to its mother. She offers Jessica a darling Persian from the pet shop. She tells Jessica the kitten looks like a worm and the name sticks. Through her lonely summer vacation, Jessica takes care of Worm, who does not develop attractiveness as it grows and while acknowledging Jessica, doesn't lavish her with attention. She talks to Worm nonetheless and begins imagining what he might say back if he could speak.
By the time school starts, Jessica is lonelier and more bitter than ever. Joy is spending more time with a new boyfriend named Alan, who Jessica does not consider the paternal type and might not want her around for long. She begins hearing a voice in her head which she attributes to Worm. The voice urges Jessica to do things. Her first stunt is to cleverly snitch out Diane after she catches her walking home from school with her new best friend past a certain arcade where Diane's mother has forbid her from parading around. Next, she tells a nosy neighbor named Mrs. Post obsessed with murderers and robbers that she saw a strange man in the apartment house, sending her into hysterics.
Confronted by her daughter's lies, Joy does everything she can not to get involved in parenting. When Jessica is put in charge of laundry before Joy takes off for the weekend with Alan, Jessica throws her mother's $75 red dress in the wash and destroys it. Going into a catatonic fit when confronted with her behavior, Jessica is scheduled a visit with the school counselor, whose tests Jessica is confident she fools by telling a story about a baby being forgotten about in a park, where leaves slowly cover it up. Jessica's destructive behavior continues under the guidance of Worm, who seems to advise her that Mrs. Fortune knows more than she tells. Jessica goes to visit the old woman.
"Witches--about believing in witches--it's not a question I'd care to answer for just anyone who might ask. But I can see you have reason for wanting to know. So, I'll tell you this. Belief in mysteries--all manner of mysteries--is the only lasting luxury in life." She stopped for a while and nodded as if agreeing with what she had just said. Then she went on, "Yes, my dear. I'm quite prepared to say that I believe in witches." Her face crinkled into the cozy expression she used when she talked to her white cats. "I believe in the witches of yesterday and today--and in all shapes and sizes."
There were qualities that I admired about The Witches of Worm. Snyder is restrained in her exploration of the occult and allows the reader to decide whether supernatural events have enveloped Jessica, or she's suffering from an emotional breakdown. Parallels between her behavior and the Salem witch hysteria are made lightly by the author, who writes about latchkey children and single mothers a decade before the media acknowledged that the nuclear family was breaking up. The Newberry Medal is well-earned as many children who feel neglected and are on the verge of self-destructive behaviors might read this book and realize they are not alone.
My admiration never crossed over into emotional involvement though. Snyder skips over so many details, a characteristic that seems to be a requirement in a lot of Young Adult books, where forward momentum and high drama always trump any sort of retrospection or reflection. Nothing is explored about Joy's past, or the identity of Jessica's father. The details of Jessica's estrangement from Brandon remain unexplored until practically the climax of the novel, even though the hints Snyder drops involves physical abuse and is begging to be explored. While the Regency and Jessica's isolation there feels real, the tenants do not.
The Witches of Worm might appeal most to young readers or those who don't want to read a long novel, particularly if they have any interest in the paranormal. Snyder's prose doesn't allow for detail, but it does evoke a certain gothic atmosphere and creepiness, and the topics she explores concerning latchkey kids and single parenting do make the book important. I wasn't captivated by anything that went on in the story, but understand I wasn't the demographic Snyder was writing for either.
The story concerns Jessica, a twelve-year-old latchkey kid who lives in the Regency, an apartment house with her single mother, Joy. While mom is a vivacious blonde who would rather turn to stone than stay home and bake cookies, daughter is a sullen loner who lives in her own imagination. Jessica is estranged from her only two friends. Brandon lives at the Regency but has gone from participating in adventures with Jessica to shunning her, or vice versa. Diane, who was never as exciting but easy to get along with, has deserted Jessica for a new friend who lives in the posh neighborhood up the hill, overlooking the Regency from the top of a steep cliff.
Climbing the cliff to a natural stone shelf near the mouth of a cave, she reads a book called The Witches of Salem Town, having found an article on witches in one of Joy's women's magazines and gone looking for more information at the library. She is reading about Ann, the most famous of Salem's witch accusers, who was also twelve years old at the time of her purge. She is interrupted by the sound of movement and at the rear of the cave, discovers a mute and hairless animal that could only be a baby kitten. Jessica dislikes cats and has no nurturing side to her, but lives in the same building as an old cat lady named Mrs. Fortune she feels might help.
She looked terribly old, older than forever, and her faded dress of heavy brown material hung loosely on her thin body. Her long gray hair was tied at the back of her neck with a piece of string. People had always talked about Mrs. Fortune's strange appearance, but Jessica had never paid much attention to it. Now, suddenly, she found herself thinking. She does look weird. It's a good thing for her she doesn't live in Salem in the olden days. But out loud she only said, "Hello, Mrs. Fortune. I've come about this." She pulled the kitten out of her pocket and held it out. "I thought maybe you might want it."
Mrs. Fortune saddles Jessica with the responsibility of feeding and cleaning the kitten every two hours. Joy, who has long encouraged her daughter to adopt a pet who would keep her company, is repelled by the animal and urges her daughter to take it back to its mother. She offers Jessica a darling Persian from the pet shop. She tells Jessica the kitten looks like a worm and the name sticks. Through her lonely summer vacation, Jessica takes care of Worm, who does not develop attractiveness as it grows and while acknowledging Jessica, doesn't lavish her with attention. She talks to Worm nonetheless and begins imagining what he might say back if he could speak.
By the time school starts, Jessica is lonelier and more bitter than ever. Joy is spending more time with a new boyfriend named Alan, who Jessica does not consider the paternal type and might not want her around for long. She begins hearing a voice in her head which she attributes to Worm. The voice urges Jessica to do things. Her first stunt is to cleverly snitch out Diane after she catches her walking home from school with her new best friend past a certain arcade where Diane's mother has forbid her from parading around. Next, she tells a nosy neighbor named Mrs. Post obsessed with murderers and robbers that she saw a strange man in the apartment house, sending her into hysterics.
Confronted by her daughter's lies, Joy does everything she can not to get involved in parenting. When Jessica is put in charge of laundry before Joy takes off for the weekend with Alan, Jessica throws her mother's $75 red dress in the wash and destroys it. Going into a catatonic fit when confronted with her behavior, Jessica is scheduled a visit with the school counselor, whose tests Jessica is confident she fools by telling a story about a baby being forgotten about in a park, where leaves slowly cover it up. Jessica's destructive behavior continues under the guidance of Worm, who seems to advise her that Mrs. Fortune knows more than she tells. Jessica goes to visit the old woman.
"Witches--about believing in witches--it's not a question I'd care to answer for just anyone who might ask. But I can see you have reason for wanting to know. So, I'll tell you this. Belief in mysteries--all manner of mysteries--is the only lasting luxury in life." She stopped for a while and nodded as if agreeing with what she had just said. Then she went on, "Yes, my dear. I'm quite prepared to say that I believe in witches." Her face crinkled into the cozy expression she used when she talked to her white cats. "I believe in the witches of yesterday and today--and in all shapes and sizes."
There were qualities that I admired about The Witches of Worm. Snyder is restrained in her exploration of the occult and allows the reader to decide whether supernatural events have enveloped Jessica, or she's suffering from an emotional breakdown. Parallels between her behavior and the Salem witch hysteria are made lightly by the author, who writes about latchkey children and single mothers a decade before the media acknowledged that the nuclear family was breaking up. The Newberry Medal is well-earned as many children who feel neglected and are on the verge of self-destructive behaviors might read this book and realize they are not alone.
My admiration never crossed over into emotional involvement though. Snyder skips over so many details, a characteristic that seems to be a requirement in a lot of Young Adult books, where forward momentum and high drama always trump any sort of retrospection or reflection. Nothing is explored about Joy's past, or the identity of Jessica's father. The details of Jessica's estrangement from Brandon remain unexplored until practically the climax of the novel, even though the hints Snyder drops involves physical abuse and is begging to be explored. While the Regency and Jessica's isolation there feels real, the tenants do not.
The Witches of Worm might appeal most to young readers or those who don't want to read a long novel, particularly if they have any interest in the paranormal. Snyder's prose doesn't allow for detail, but it does evoke a certain gothic atmosphere and creepiness, and the topics she explores concerning latchkey kids and single parenting do make the book important. I wasn't captivated by anything that went on in the story, but understand I wasn't the demographic Snyder was writing for either.
April 29, 2015
First-class, A1 horror novel.
There are so many levels to this.
Jessica goes out to a cave that she likes to play in. It's night. She's reading a book about the Salem witch trials. She hears a scratching, scuttling sound in the cave and discovers an abandoned kitten. It's hairless, eyeless, ugly and silent. She tries to give it to the local cat lady, who refuses to take care of it - it needs to be fed every two hours and helped to eliminate its waste.
Jessica hates the kitten and is disgusted with it, but finds herself inexplicably drawn to it, waking up every two hours to care for it. While she feeds it she heaps verbal abuse on it, letting it know how disgusting she thinks it is.
She names it Worm. It's thin, grey, and sightless, and squirms around like an ugly worm.
Worm grows up, but he never becomes a cute kitten. Instead he transitions immediately from ugly, eyeless Worm to thin, grey, silent, slinking fully-grown Worm.
Unlike other cats, Worm never plays. He never meows. He's completely silent, exuding an anger and haughtiness that almost frightens Jessica.
Then he starts talking to her. Worm's howling, growling, scratchy voice tells Jessica the truth: "I am a witch's cat."
Who is the witch? Who would send this familiar to Jessica?
Then Worm starts telling Jessica to do awful things. Evil things. Malicious things. And Jessica feels helpless to resist.
This book received a Newbery Award Citation in 1973. It is one of the most chilling and disturbing pieces of literature I've ever read. I was introduced to it as a child and it's haunted me all my life. I adore it, and hold it up as one of the best examples of children's literature ever written.
The book has been banned multiple times for themes of witchcraft and demons.
Another great facet to the book are its characters. Mrs. Fortune, the old, slightly "off" cat lady who lives in Jessica's building. She has a palsy - shakes constantly - and is bone-thin. She owns so many cats that the building stinks of them. But she loves the children in the building - Jessica and Brandon. Even though she looks like a witch, or a crazy loon, or a feeble old lady - she is none of these things. She's a person with a rich past and a vivid imagination. She's very mysterious, but loving and fair.
Brandon, Jessica's ex-best friend who threw her over for some boys from class. He's shockingly violent, punching Jessica when he doesn't get his way and displaying an awful temper. He also has a vivid imagination, and they've spent 7 year together acting out every book or movie they've ever seen or heard of. He's also, in some ways, a better person than Jessica, as
Joy, Jessica's only parent and a mostly absentee one. Pretty, thin, flirty, blonde - the spitting image of a famous Swedish actress - she is always out late with a man or working long shifts at her low-paying secretary job. She's concerned about Jessica but has no idea how to engage with a person who is technically her daughter but whom she has spent almost no time getting to know or understand. She sometimes criticizes herself for being a "terrible mother" but does absolutely nothing to modify or change her behavior. Jessica's obvious used to taking care of herself - going out on her own, cooking for herself, and doing the laundry.
A third layer is added as
I really, really love this book. When I was a little girl the library owned it on audio cassette tape and I would listen to it over and over and over again. It's so dark and disturbing and delicious. I highly recommend it to any kid, teen or adult.
P.S. The illustrations are astonishingly creepy.
There are so many levels to this.
Jessica goes out to a cave that she likes to play in. It's night. She's reading a book about the Salem witch trials. She hears a scratching, scuttling sound in the cave and discovers an abandoned kitten. It's hairless, eyeless, ugly and silent. She tries to give it to the local cat lady, who refuses to take care of it - it needs to be fed every two hours and helped to eliminate its waste.
Jessica hates the kitten and is disgusted with it, but finds herself inexplicably drawn to it, waking up every two hours to care for it. While she feeds it she heaps verbal abuse on it, letting it know how disgusting she thinks it is.
She names it Worm. It's thin, grey, and sightless, and squirms around like an ugly worm.
Worm grows up, but he never becomes a cute kitten. Instead he transitions immediately from ugly, eyeless Worm to thin, grey, silent, slinking fully-grown Worm.
Unlike other cats, Worm never plays. He never meows. He's completely silent, exuding an anger and haughtiness that almost frightens Jessica.
Then he starts talking to her. Worm's howling, growling, scratchy voice tells Jessica the truth: "I am a witch's cat."
Who is the witch? Who would send this familiar to Jessica?
Then Worm starts telling Jessica to do awful things. Evil things. Malicious things. And Jessica feels helpless to resist.
This book received a Newbery Award Citation in 1973. It is one of the most chilling and disturbing pieces of literature I've ever read. I was introduced to it as a child and it's haunted me all my life. I adore it, and hold it up as one of the best examples of children's literature ever written.
The book has been banned multiple times for themes of witchcraft and demons.
Another great facet to the book are its characters. Mrs. Fortune, the old, slightly "off" cat lady who lives in Jessica's building. She has a palsy - shakes constantly - and is bone-thin. She owns so many cats that the building stinks of them. But she loves the children in the building - Jessica and Brandon. Even though she looks like a witch, or a crazy loon, or a feeble old lady - she is none of these things. She's a person with a rich past and a vivid imagination. She's very mysterious, but loving and fair.
Brandon, Jessica's ex-best friend who threw her over for some boys from class. He's shockingly violent, punching Jessica when he doesn't get his way and displaying an awful temper. He also has a vivid imagination, and they've spent 7 year together acting out every book or movie they've ever seen or heard of. He's also, in some ways, a better person than Jessica, as
Joy, Jessica's only parent and a mostly absentee one. Pretty, thin, flirty, blonde - the spitting image of a famous Swedish actress - she is always out late with a man or working long shifts at her low-paying secretary job. She's concerned about Jessica but has no idea how to engage with a person who is technically her daughter but whom she has spent almost no time getting to know or understand. She sometimes criticizes herself for being a "terrible mother" but does absolutely nothing to modify or change her behavior. Jessica's obvious used to taking care of herself - going out on her own, cooking for herself, and doing the laundry.
A third layer is added as
I really, really love this book. When I was a little girl the library owned it on audio cassette tape and I would listen to it over and over and over again. It's so dark and disturbing and delicious. I highly recommend it to any kid, teen or adult.
P.S. The illustrations are astonishingly creepy.
November 11, 2021
"To be caught, so inescapably caught, was so shattering that for a moment Jessica felt terrified-lost and hopeless. She backed away, putting her hands up in front of her face, palms outward. She had done that for years, whenever she was badly frightened. When she was very small, she had often awakened with her hands before her eyes-to ward off the terror of the dream about the empty room." (PG. 78)
Buddy read with @Beverly. I feel like there wasn't much to discuss except to say this was a weird one and very short, which is fine by me.
So like I stated above this was a weird read. I'm not sure what to feel about it and not exactly sure how it ended. I was left with more questions than answers.... I think this is a fun imaginative read for YA and many from broken homes could relate to Jessica, the main character. Her mom, Joy, is a the typical beauty that got married, divorced, and pregnant too young and resents her child so she drinks a lot and meets randos that turn into short term boyfriends but mean more to her than Jessica, often leaving her to go party or a date. Mom of the year award!
Besides the background story it was also a tale of witchery and a demented cat, also ugly and mean and evil sounding.
Great story for Halloween and I am curious of Snyder's other works. 'The Velvet Room' is on sale for up to $2000 online (paperback!) and $90 on the cheap. So if you have this copy hold on to it tight! She is a hard to find classic.
Buddy read with @Beverly. I feel like there wasn't much to discuss except to say this was a weird one and very short, which is fine by me.
So like I stated above this was a weird read. I'm not sure what to feel about it and not exactly sure how it ended. I was left with more questions than answers.... I think this is a fun imaginative read for YA and many from broken homes could relate to Jessica, the main character. Her mom, Joy, is a the typical beauty that got married, divorced, and pregnant too young and resents her child so she drinks a lot and meets randos that turn into short term boyfriends but mean more to her than Jessica, often leaving her to go party or a date. Mom of the year award!
Besides the background story it was also a tale of witchery and a demented cat, also ugly and mean and evil sounding.
Great story for Halloween and I am curious of Snyder's other works. 'The Velvet Room' is on sale for up to $2000 online (paperback!) and $90 on the cheap. So if you have this copy hold on to it tight! She is a hard to find classic.
April 12, 2012
It's weird to reread this an adult because as a kid (this is true of many of Snyder's stories) it seems ambivalent whether there is actually magical stuff going on. Is her cat [gasp] a witch?! As adult it it obvious that this is an abused kid projecting crazy, rage-filled fantasies on her equally unlucky and abused kitten. Knowing what the score is makes it more disturbing, not less.
January 30, 2008
This book scared the bejeezus out of me when I first read it in middle school. It didn't scare me as badly this time (thank goodness; last time I had to sleep with the lights on and locked my cat out of my room for two days), but it still is an incredibly creepy novel. It concerns Jessica, a lonely and angry girl who finds a blind, nearly hairless newborn kitten, and ends up raising it with the help of her catlady neighbor. Although she feels compelled to care for the cat, she finds it gross and creepy, rather than cute, and names it Worm. As Worm grows to adulthood, Jessica becomes convinced that he is a witch's cat and is telling her to do terrible things.
What's most disturbing about it is that Snyder never settles the question of whether there is actually a supernatural element to the story, or if it is all in Jessica's head. Snyder is a masterful storyteller, and there's a lot going on in this book that I missed the first time around.
What's most disturbing about it is that Snyder never settles the question of whether there is actually a supernatural element to the story, or if it is all in Jessica's head. Snyder is a masterful storyteller, and there's a lot going on in this book that I missed the first time around.
December 11, 2025
Jessica is a quietly seething latch-key middle schooler who rescues a newborn kitten in the wilderness beyond her apartment building, an animal that may or may not be a witch’s familiar possessed of demonic power. Either way, this is a remarkably daring early-seventies YA saga that digs far deeper into loneliness, bitterness, and resentment than you'd expect, becoming one of the few YA novels read to my daughter over breakfast that I’d also recommend to adults... plus a bigly shout-out to Julie G, who has a special place in her heart for such forgotten kids’ classics. Any parents in search of worthy tomes need to check out her lists.
UPDATE:
Yikes, just noticed that I posted the 666th five-star review of this book, which I guess makes me an instrument of Satan. Well, somebody had to take over now that Ozzy's gone.
UPDATE:
Yikes, just noticed that I posted the 666th five-star review of this book, which I guess makes me an instrument of Satan. Well, somebody had to take over now that Ozzy's gone.
January 13, 2011
I read the award-winning (why does this fact stick out in my mind? I've never given any Rhett Butler damns about awards. Probably because I've never won any) The Witches of Worm a long ass time ago. Basing this on my memories of a long ass time ago I'd say it was ultimately not THAT great (not because of expectations built up from awards, I swear).
I'm thinking of it now 'cause I feel paranoid and crazy like the young chick in this book. I was lonely and had emotional problems like her (ahem not anymore). She gets this black cat, whom she names Worm, and he "talks" to her and she does really mean things to other people in the name of Worm. He's a witches cat, or so she claims, and she is becoming his bitch- I mean, witch. She's pretty much one mean little girl. I felt bad for the cat. (I, um, might make my sennie, Pagoda, talk to me and call me "Evil white man". But I agree with him! Even when he takes it too far and tacks on atrocities, when he's on a roll, such as genocides, Idi Amin, and Rick Astley doing a Little Mermaid voice theft. And I give him those two figs that I don't give to awards that I don't care about.)
But I hate it when I feel bad for being the recluse who slinks off and mutters to herself when fitting into society was more trouble than it was worth.
I also hated the ending. What kind of ending was that? I actually barely remember the ending. Is this wrong?Like was that "exorcism" supposed to be like therapy? Because I don't believe that any quick fix like that is going to work. I'm not going to give Snyder any awards for good endings (or fig newtons).
My awards to evil little girls:
1. Jessica from The Witches of Worm. That poor kitty.
2. The Bad Seed's homicidal and tap-dancing Rhoda Penmark. I've only seen the film. Rhoda was hilarious, though. We'd use her lines to my mom sarcastically. She loved it.
3. Shirley Temple. My mom had dolls of her all over the house and tried to make little me and my twin (mostly my twin. She believed to her soul that I was "the ugly twin". Ahem we are identical and she misidentified us in photographs) be little Shirley Temples. It isn't Shirley's fault but... C'mon that stupid dance with the good ship something or other? Heinous!
4. Maucely (however you spell his name) Culkin in The Good Son. Poor Elijah Wood!
5. Dakota Fanning in that one movie she did.
Cute little kitties should rise up against their oppressors! Turn that Hello Kitty no-smile into a furious roar!
I'm thinking of it now 'cause I feel paranoid and crazy like the young chick in this book. I was lonely and had emotional problems like her (ahem not anymore). She gets this black cat, whom she names Worm, and he "talks" to her and she does really mean things to other people in the name of Worm. He's a witches cat, or so she claims, and she is becoming his bitch- I mean, witch. She's pretty much one mean little girl. I felt bad for the cat. (I, um, might make my sennie, Pagoda, talk to me and call me "Evil white man". But I agree with him! Even when he takes it too far and tacks on atrocities, when he's on a roll, such as genocides, Idi Amin, and Rick Astley doing a Little Mermaid voice theft. And I give him those two figs that I don't give to awards that I don't care about.)
But I hate it when I feel bad for being the recluse who slinks off and mutters to herself when fitting into society was more trouble than it was worth.
I also hated the ending. What kind of ending was that? I actually barely remember the ending. Is this wrong?Like was that "exorcism" supposed to be like therapy? Because I don't believe that any quick fix like that is going to work. I'm not going to give Snyder any awards for good endings (or fig newtons).
My awards to evil little girls:
1. Jessica from The Witches of Worm. That poor kitty.
2. The Bad Seed's homicidal and tap-dancing Rhoda Penmark. I've only seen the film. Rhoda was hilarious, though. We'd use her lines to my mom sarcastically. She loved it.
3. Shirley Temple. My mom had dolls of her all over the house and tried to make little me and my twin (mostly my twin. She believed to her soul that I was "the ugly twin". Ahem we are identical and she misidentified us in photographs) be little Shirley Temples. It isn't Shirley's fault but... C'mon that stupid dance with the good ship something or other? Heinous!
4. Maucely (however you spell his name) Culkin in The Good Son. Poor Elijah Wood!
5. Dakota Fanning in that one movie she did.
Cute little kitties should rise up against their oppressors! Turn that Hello Kitty no-smile into a furious roar!
October 25, 2017
I suggest reading Joe's review - https://www.goodreads.com/review/show... - if you want a better plot synopsis.
Essentially, Jessica becomes convinced that her kitten Worm is a witch's cat, and he is getting inside her head, making her do bad things.
This is honestly a very good book, and the author certainly deserved the Newberry Award. It is a troubling look at a disturbed girl's life, and I think it works better as a book for adults, rather than children. Snyder's scenes between mother and daughter are particularly well written, simmering with tension and mistrust.
I just didn't like the book. Normally I'm fine with unlikable characters, but I could not stand Jessica. I know that I'm meant to feel sorry for her, but she was a brat long before she started blaming her problems on her cat. She is bossy and overbearing with friends, or ex-friends, I should say, and lashes out at people who try to help her. I know, I know . . . I should sympathize; she has no father figure, and her mother is awful, but I don't care. I didn't like her, and I didn't like reading about her.
Essentially, Jessica becomes convinced that her kitten Worm is a witch's cat, and he is getting inside her head, making her do bad things.
This is honestly a very good book, and the author certainly deserved the Newberry Award. It is a troubling look at a disturbed girl's life, and I think it works better as a book for adults, rather than children. Snyder's scenes between mother and daughter are particularly well written, simmering with tension and mistrust.
I just didn't like the book. Normally I'm fine with unlikable characters, but I could not stand Jessica. I know that I'm meant to feel sorry for her, but she was a brat long before she started blaming her problems on her cat. She is bossy and overbearing with friends, or ex-friends, I should say, and lashes out at people who try to help her. I know, I know . . . I should sympathize; she has no father figure, and her mother is awful, but I don't care. I didn't like her, and I didn't like reading about her.
November 29, 2016
I remember seeing this book everywhere when I was a kid, with hundreds of different covers, but I finally decided to give it a go when I saw it on the Bookmobile. I really like this. It has that perfect vibe of the classic children's books I read as a kid, probably because it is one of those books. It's literary and doesn't talk down to its audience, but it is also simple to read.
Overall, its a breezy, slightly spooky book that I highly recommend!
Overall, its a breezy, slightly spooky book that I highly recommend!
January 23, 2013
I'm not sure how many stars to give this book. The writing is good, the characters are well developed, but the story is quite disturbing. I worry that this book will cause people to be mean to cats like Jessica is to her cat. Although she nurses this cat from an abandoned newborn, she is so mean to it.
I don't like the occult theme of this book either. I find it all so creepy. I didn't like the neighbor playing into Jessica's delusion. Jessica needed to be hospitalized before she really hurt someone.
Creepy, creepy, creepy. Even the cover is creepy - and would make people hate cats.
Joy, Jessica's mother is selfish to the max. I was surprised the counselor didn't figure out the meaning of Jessica's story - the one she felt didn't mean anything.
I am surprised this is a Newberry book, but the writing is good. I don't think I want my students to read it though. I am bothered that she became friends again with Brandon after he was abusive to her. That bothers me as well. I don't want anyone to think it is okay for someone to hit them and they can just forgive and forget. There are too many young girls abused by boyfriends. I don't want them to think this is okay.
I don't like the occult theme of this book either. I find it all so creepy. I didn't like the neighbor playing into Jessica's delusion. Jessica needed to be hospitalized before she really hurt someone.
Creepy, creepy, creepy. Even the cover is creepy - and would make people hate cats.
Joy, Jessica's mother is selfish to the max. I was surprised the counselor didn't figure out the meaning of Jessica's story - the one she felt didn't mean anything.
I am surprised this is a Newberry book, but the writing is good. I don't think I want my students to read it though. I am bothered that she became friends again with Brandon after he was abusive to her. That bothers me as well. I don't want anyone to think it is okay for someone to hit them and they can just forgive and forget. There are too many young girls abused by boyfriends. I don't want them to think this is okay.
June 14, 2021
While I don't think this aged very well (there's a few instances of fatphobia and outdated language), I found this childhood reread to be very disturbing as an adult, therefore the 4 star rating.
May 26, 2019
Jessica, whose mother Joy is frequently absent, finds herself the unwilling adoptive mother of an ugly kitten named Worm in this third Newbery-Honor book from the prolific Zilpha Keatley Snyder. Embittered by her mother’s neglectful behavior, her abandonment by her childhood friend Brandon, and haunted by dreams in which she is left alone in an endless void, Jessica comes to believe Worm can speak to her, and that he is responsible for the hateful things that she begins to do...
The Witches of Worm is another Snyder title in which the supernatural elements are questionable. Through the third-person narration, the reader is invited to view how Jessica’s rage at her mother and friends has colored her perceptions, and her abusive treatment of Worm is very hard to witness. The author depicts a troubled young girl who blames the object of her abuse for her own behavior, a girl who is her own demon.
Seen in this context, it is difficult to know how to read the exorcism scene towards the end of the book. Is the demon figurative, a colorful description of a psychological state, or is it external to Jessica, an actual supernatural manifestation? The evidence points strongly, but not conclusively to the former. Whatever the truth may be, this was a powerful, and quite disturbing read.
The Witches of Worm is another Snyder title in which the supernatural elements are questionable. Through the third-person narration, the reader is invited to view how Jessica’s rage at her mother and friends has colored her perceptions, and her abusive treatment of Worm is very hard to witness. The author depicts a troubled young girl who blames the object of her abuse for her own behavior, a girl who is her own demon.
Seen in this context, it is difficult to know how to read the exorcism scene towards the end of the book. Is the demon figurative, a colorful description of a psychological state, or is it external to Jessica, an actual supernatural manifestation? The evidence points strongly, but not conclusively to the former. Whatever the truth may be, this was a powerful, and quite disturbing read.
April 24, 2017
"We invite our own devils and we ourselves must exorcise them."
This was an interesting read. Jessica is a lonely preteen girl whose mother, Joy, neglects, and her friend, Brandon, abuses (he hits her). Jessica herself is rather mean-spirited with no compassion for animals. She finds this kitten, a rare breed called an Abyssinian, and Jessica is disgusted by the kitten. She reluctantly takes care of it and her mother names it Worm.
Jessica becomes more and more unhinged as the book progresses. She imagines this cat talking to her, imagines it being a witch's cat, and uses the cat as an excuse to act out and contemplate doing truly terrible things (murder). She doesn't understand the difference between "playing pretend" and lying and hurting others.
There's a lot of repressed anger in Jessica. She's also bored with an over-active imagination that's channeled in a destructive way. Her non-existent mother certainly doesn't help, and the fact that she doesn't have any friends makes for a good recipe for cooking up bad things. Seriously, the ideas in her head ARE alarming.
I did feel sorry for her, but mostly, I felt sorry for the cat, Worm. This was an interesting story about how we can let our own demons run away with us.
On a side note - this book has a little controversy attached to it. It has been banned because it talks about witchcraft. Well meaning adults will be horrified at Jessica's behavior, but I think this is still a relevant book that kids should read today.
This was an interesting read. Jessica is a lonely preteen girl whose mother, Joy, neglects, and her friend, Brandon, abuses (he hits her). Jessica herself is rather mean-spirited with no compassion for animals. She finds this kitten, a rare breed called an Abyssinian, and Jessica is disgusted by the kitten. She reluctantly takes care of it and her mother names it Worm.
Jessica becomes more and more unhinged as the book progresses. She imagines this cat talking to her, imagines it being a witch's cat, and uses the cat as an excuse to act out and contemplate doing truly terrible things (murder). She doesn't understand the difference between "playing pretend" and lying and hurting others.
There's a lot of repressed anger in Jessica. She's also bored with an over-active imagination that's channeled in a destructive way. Her non-existent mother certainly doesn't help, and the fact that she doesn't have any friends makes for a good recipe for cooking up bad things. Seriously, the ideas in her head ARE alarming.
I did feel sorry for her, but mostly, I felt sorry for the cat, Worm. This was an interesting story about how we can let our own demons run away with us.
On a side note - this book has a little controversy attached to it. It has been banned because it talks about witchcraft. Well meaning adults will be horrified at Jessica's behavior, but I think this is still a relevant book that kids should read today.
March 12, 2011
This is an awesome children's horror story, which is really and truly frightening and psychological. Worm, the possessed cat, makes for both an object of sympathy and a terrifying villain. When the main character finds him, he is so pathetic, that you feel sorry for him, even as the main character is annoyed at all the extra work she has taken on to keep him alive. When he changes, it is a frightening change, the thing that makes it truly eerie is the subtly of it. This is probably the first story I ever read that toed the line between some thing magical and strange happenings, and the first time I, as a reader, questioned the main character's sanity. Snyder's writing really crackles, pulling you into this really riveting, strange, and slightly surreal story. I loved the main character's voice as a child, as it was in many ways very different than anything else I had ever read before. If you know a young reader who is looking for a bit of nightmare fuel, this is the book to recommend. I do remember being honestly and deliciously frightened by this book as a child, so be careful who you give it to.
June 18, 2011
I image this 1973 Newbery honor book would give youngsters the heebie jeebies and it might take a more mature YA to sift through the overtones of paranormal to the fact that the author is making a strong statement about those who seem to blame others or outside forces for their own character defects.
Jessica is more than a latch key child, she emotionally neglected by a selfish, immature and young mother. Astute in knowing she is not wanted, Jessica suffers dramatically and acts out viciously.
When she discovers an abandoned, weak, feeble, scrawny kitten, she reluctantly nurses him to life. Calling him worm, as he grows, she projects her inner turmoil to the cat and blames worm for her evil, nasty, spiteful deeds.
Believing both young and old are against her, and refusing to accept responsibility for her actions, she grows more and more out of control.
I cannot recommend this book. While the author is a three-time Newbery honor winner, this one doesn't seem to be one of her best.
Jessica is more than a latch key child, she emotionally neglected by a selfish, immature and young mother. Astute in knowing she is not wanted, Jessica suffers dramatically and acts out viciously.
When she discovers an abandoned, weak, feeble, scrawny kitten, she reluctantly nurses him to life. Calling him worm, as he grows, she projects her inner turmoil to the cat and blames worm for her evil, nasty, spiteful deeds.
Believing both young and old are against her, and refusing to accept responsibility for her actions, she grows more and more out of control.
I cannot recommend this book. While the author is a three-time Newbery honor winner, this one doesn't seem to be one of her best.
March 4, 2021
A creepy book for younger readers with plenty of topics for discussion. It's hard to believe it's nearly 50-years-old, the only clue is the fact the kids still use the library!
September 7, 2020
Fantastic book, in part because it lets its child protagonist do and contemplate some genuinely awful things. One of the very very rare "is magic real or is she just troubled?" stories which actually satisfies even kids who love fantasy novels. Best description of this book is "uncomfortable"--which is why I remembered it so strongly.
If there are editions that DON'T have the Alton Raible illustrations, avoid those & see if you can get one that does.
If there are editions that DON'T have the Alton Raible illustrations, avoid those & see if you can get one that does.
September 16, 2024
Timeless masterpiece. I've loved this book since the 80s, and having my own demonic "Worm" right now really made me want to reread my childhood favorite.
May 28, 2013
I picked this up because I loved The Egypt Game as a kid, I haven't read anything else by Zilpha Keatley Snyder and I have thing for 1970s Newbery Honor books. The main character shares my name (how very 1970s) and the central storyline is about an ugly, evil cat she sort of accidentally adopts. In a very childish way, this made me really connect with Jessica, as I also have a sort of ugly, definitely evil cat who I occasionally resent and despise and I'm pretty certain he's got a demonic possession, too. I hope my cat does not read Goodreads. He will certainly murder me in my sleep.
This book also garners a mention for its breezy portrayal of a negligent, attractive, single divorcee of a mom. It is very 1970s, how she calls Jessica "Jessie Baby," how she leaves the TV dinners for her, doesn't listen when her daughter talks, dates a series of guys who don't want to be fathers to her daughter, introduces her kid as "my daughter, believe it or not," etc.
In any case, the reason I'm rushing to write about this book mere moments after I finished it is this: I was so profoundly touched by how seriously dark and scary this book is. The main characters are like, 12? and usually kids appreciate books with characters a few years older than them, right? so we're talking about 8-10 year olds as the target audience here. This book is about Worm, a witch's cat who tells Jessica to do horrible things, like ruin her mother's clothing, frighten old ladies with lies about men breaking into their houses and punish a "witch" by setting her house on fire. But then I mean, I know kids can handle some dark shit, but planning to set your neighbor's apartment on fire while she's napping is more We Need to Talk about Kevin than Newbery in my estimation. Also? There is a scene where Jessica tries to exorcise her cat. And in general, she is really mean and fairly abusive toward the cat, who she blames for her behavior. It's OK to blame an imaginary friend for things, but if you are 12 and you are blaming a live animal, going so far as to lock him in a closet to keep him from controlling your mind, well. That is different. And fucked up. And you should know better.
So, I don't know. I enjoyed the book and the weird, witchy outsidery-ness of Jessica, in the same way I appreciated Snyder's outsider kids in the Egypt Game, but I was put out by the treatment of animals and the outright creepiness of a kid who wishes so much harm and suffering on the people around her.
This book also garners a mention for its breezy portrayal of a negligent, attractive, single divorcee of a mom. It is very 1970s, how she calls Jessica "Jessie Baby," how she leaves the TV dinners for her, doesn't listen when her daughter talks, dates a series of guys who don't want to be fathers to her daughter, introduces her kid as "my daughter, believe it or not," etc.
In any case, the reason I'm rushing to write about this book mere moments after I finished it is this: I was so profoundly touched by how seriously dark and scary this book is. The main characters are like, 12? and usually kids appreciate books with characters a few years older than them, right? so we're talking about 8-10 year olds as the target audience here. This book is about Worm, a witch's cat who tells Jessica to do horrible things, like ruin her mother's clothing, frighten old ladies with lies about men breaking into their houses and punish a "witch" by setting her house on fire. But then I mean, I know kids can handle some dark shit, but planning to set your neighbor's apartment on fire while she's napping is more We Need to Talk about Kevin than Newbery in my estimation. Also? There is a scene where Jessica tries to exorcise her cat. And in general, she is really mean and fairly abusive toward the cat, who she blames for her behavior. It's OK to blame an imaginary friend for things, but if you are 12 and you are blaming a live animal, going so far as to lock him in a closet to keep him from controlling your mind, well. That is different. And fucked up. And you should know better.
So, I don't know. I enjoyed the book and the weird, witchy outsidery-ness of Jessica, in the same way I appreciated Snyder's outsider kids in the Egypt Game, but I was put out by the treatment of animals and the outright creepiness of a kid who wishes so much harm and suffering on the people around her.
October 26, 2009
"Belief in mysteries—all manner of mysteries—is the only lasting luxury in life."
—The Witches of Worm, P. 116
"But now and then, beneath the outer numbness, something stirred, like a living pain waiting for the anesthetic to wear away."
—The Witches of Worm, P. 101
This book is one of the most pleasant surprises in literature that I have had in quite some time.
The Witches of Worm is a wonderfully smooth, completely enjoyable read, marked with evocatively descriptive language and enchantingly colorful simile all the way through. Zilpha Keatley Snyder seems to be at her absolute peak in this fantastic volume, having created very real atmospheres of taut suspense and echoing loneliness, deeply hidden anger and the unpredictability of close relationships in this sometimes searing look into the life and thoughts of a troubled girl named Jessica.
Rarely has this subject matter been tackled with such superb skill. The framing of Jessica's friendship (or non-friendship, as might more accurately be the case) with Brandon is so original and resonant as to vault it up there with some of the best such candid views in all of juvenile lit. In the same vein, the complexities that fill the scenes in the extraordinarily rendered relationship between Jessica and her mother, Joy, will cause just about anyone to pause and think, to consider what it says about connections between people in general and what it speaks about their own families.
The most significant message of this book has not as much to do with the supernatural elements themselves as with the major issue that they reveal: one can try to find an escape path for one's own problems by looking to the actions of those around oneself, but even if it is true that one has been hurt by others, it is only when one learns to take personal responsibility for the results, regardless of any outside influence at all, that one puts one's own success or failure into his or her own hands. It is an easy lesson to recite but so terribly difficult to learn in one's innermost parts, deep down where it truly can settle in and be believed by oneself.
The Witches of Worm truly is a splendidly affecting book, and a genuine pleasure to read. I gained a great deal of valuable insight by experiencing this novel, and I am very happy to have done so. I gave much thought to upgrading this book to three and a half stars.
"We all invite our own devils, and we must exorcise our own."
—The Witches of Worm, P. 157
—The Witches of Worm, P. 116
"But now and then, beneath the outer numbness, something stirred, like a living pain waiting for the anesthetic to wear away."
—The Witches of Worm, P. 101
This book is one of the most pleasant surprises in literature that I have had in quite some time.
The Witches of Worm is a wonderfully smooth, completely enjoyable read, marked with evocatively descriptive language and enchantingly colorful simile all the way through. Zilpha Keatley Snyder seems to be at her absolute peak in this fantastic volume, having created very real atmospheres of taut suspense and echoing loneliness, deeply hidden anger and the unpredictability of close relationships in this sometimes searing look into the life and thoughts of a troubled girl named Jessica.
Rarely has this subject matter been tackled with such superb skill. The framing of Jessica's friendship (or non-friendship, as might more accurately be the case) with Brandon is so original and resonant as to vault it up there with some of the best such candid views in all of juvenile lit. In the same vein, the complexities that fill the scenes in the extraordinarily rendered relationship between Jessica and her mother, Joy, will cause just about anyone to pause and think, to consider what it says about connections between people in general and what it speaks about their own families.
The most significant message of this book has not as much to do with the supernatural elements themselves as with the major issue that they reveal: one can try to find an escape path for one's own problems by looking to the actions of those around oneself, but even if it is true that one has been hurt by others, it is only when one learns to take personal responsibility for the results, regardless of any outside influence at all, that one puts one's own success or failure into his or her own hands. It is an easy lesson to recite but so terribly difficult to learn in one's innermost parts, deep down where it truly can settle in and be believed by oneself.
The Witches of Worm truly is a splendidly affecting book, and a genuine pleasure to read. I gained a great deal of valuable insight by experiencing this novel, and I am very happy to have done so. I gave much thought to upgrading this book to three and a half stars.
"We all invite our own devils, and we must exorcise our own."
—The Witches of Worm, P. 157
July 15, 2013
July 13, 2013
Although presented with evidence of having read The Witches of Worm when I was eight years old, I couldn't remember a thing about it. When I looked it up online and saw that it was about a cat appearing to "possess" a girl (say what?!) I decided it was time for a reread.
I always liked Zilpha Keatley Snyder's books, especially The Egypt Game, which I've reread every few years since I first devoured it in elementary school. In contrast, when I reread The Witches of Worm a few days ago, so much time had passed between when I last read it and now that I found the differences between my childhood and adult perceptions of the book truly striking. I see now, rereading it as an adult, how many of Snyder's observations about human nature and relationships I missed while I was focusing on the story's creepy mood and occult themes as a kid. (Then again, the fact that the edition I read this time contained a helpful author's note explaining the story's themes might have made me more receptive to the book's deeper meaning.)
For example, I love how the book starts:
Essentially, The Witches of Worm is about taking responsibility for one's emotions and actions. I think it's the kind of book that some kids will enjoy for its suggestion of witchcraft (although others may find it slow) and that, with a counselor or book club, could be a valuable lens through which a kid could think about her own life.
Although presented with evidence of having read The Witches of Worm when I was eight years old, I couldn't remember a thing about it. When I looked it up online and saw that it was about a cat appearing to "possess" a girl (say what?!) I decided it was time for a reread.
I always liked Zilpha Keatley Snyder's books, especially The Egypt Game, which I've reread every few years since I first devoured it in elementary school. In contrast, when I reread The Witches of Worm a few days ago, so much time had passed between when I last read it and now that I found the differences between my childhood and adult perceptions of the book truly striking. I see now, rereading it as an adult, how many of Snyder's observations about human nature and relationships I missed while I was focusing on the story's creepy mood and occult themes as a kid. (Then again, the fact that the edition I read this time contained a helpful author's note explaining the story's themes might have made me more receptive to the book's deeper meaning.)
For example, I love how the book starts:
"I'm sorry, Jessie Baby," Joy said. Jessica looked up from her magazine and stared at her mother, a point-blank unwavering stare that said something important by not saying anything at all.As a kid, I don't know how much I appreciated that second sentence. As an adult, the line resonates with my copious experience giving such stares as a teenager and receiving them as an adult. And I love how the short story Jessica writes in order to confuse the school counselor reveals more about her interior world than she (or I as a child reader) imagined.
Essentially, The Witches of Worm is about taking responsibility for one's emotions and actions. I think it's the kind of book that some kids will enjoy for its suggestion of witchcraft (although others may find it slow) and that, with a counselor or book club, could be a valuable lens through which a kid could think about her own life.
November 23, 2014
This is a chilling story for older children and young adults, about a lonely teenaged girl, Jessica and the kitten she raises without wanting it, called Worm (you can tell she didn't like cats). At least Worm is some company for her in the apartment block, since she has elderly neighbours and a mostly absent mother trying to pick up a new husband, and she has quarrelled over a stupid matter, as teens do, with her friend Brandon.
As the months go by and Jessica reads about the Salem witchcraft trials, she starts to think about what it would be like if bad things happened to the people she doesn't like, and especially if it wasn't her fault. Then she seems to hear Worm telling her how to harm a girl at school by getting her into trouble with her parents.
Jessica has a vivid imagination, but is the cat really speaking or is it suggestion? She continues making trouble and matters swiftly escalate, so that the people around her are harmed, but her acting skills are such that she fools them into thinking that she has had blackouts. Can't be her fault can it?
Worm acts completely in character for a cat which has never known affection and is locked in an apartment with two people who feed him but never stroke him. A cat who is grabbed and pulled out of a cosy nook and snapped at, is going to respond with flattened ears and growls rather than come running when his name is called. The descriptions of his behaviour could only have come from a longtime cat owner, and as such Worm comes across - finally - as perhaps the greatest victim in the book.
The eerie atmosphere builds up gradually and skilfully and will give food for thought for long after the final page is read. The last chapter has a positive slant which helps make sense of the earlier events and will encourage re-reading.
This book won the Newbery Honor Medal for children's literature.
As the months go by and Jessica reads about the Salem witchcraft trials, she starts to think about what it would be like if bad things happened to the people she doesn't like, and especially if it wasn't her fault. Then she seems to hear Worm telling her how to harm a girl at school by getting her into trouble with her parents.
Jessica has a vivid imagination, but is the cat really speaking or is it suggestion? She continues making trouble and matters swiftly escalate, so that the people around her are harmed, but her acting skills are such that she fools them into thinking that she has had blackouts. Can't be her fault can it?
Worm acts completely in character for a cat which has never known affection and is locked in an apartment with two people who feed him but never stroke him. A cat who is grabbed and pulled out of a cosy nook and snapped at, is going to respond with flattened ears and growls rather than come running when his name is called. The descriptions of his behaviour could only have come from a longtime cat owner, and as such Worm comes across - finally - as perhaps the greatest victim in the book.
The eerie atmosphere builds up gradually and skilfully and will give food for thought for long after the final page is read. The last chapter has a positive slant which helps make sense of the earlier events and will encourage re-reading.
This book won the Newbery Honor Medal for children's literature.
April 24, 2021
It's been interesting reading reviews about this book. Most of them say that it was "creepy" or "scary" or "spooky." I was genuinely surprised to see that.
Please keep in mind that I get scared VERY EASILY. I do not watch horror movies and I can only read certain types of "scary" books. I had to stop watching Criminal Minds because I was literally starting to think that everyone was a serial killer.
I did not find this book "scary" at all. I found it pretty stupid and boring. Jessica is a psychopath. She hurts people and animals and doesn't seem to give two hoots in hell about how her actions affect others. On the other hand, I found her relationship with Brandon disgusting. That was the most disturbing part to me. He is obviously an abuser in training and she is wildly dependent on him. It was gross.
I didn't like how cruel Jessica was to her poor cat. I don't have animals, nor do I want any, but I do not support abusing them. Jessica's mom is neglectful and is causing her daughter psychological trauma that Jessica is obviously incapable of dealing with. This book had all kinds of messed up aspects, but I still couldn't care about it. It was a waste of time for me to read and I haven't thought about it since I finished until I came to write this review. It's a very forgettable book.
I'm also glad to finish all of Snyder's Newbery books. I don't like how the Newbery committee keeps picking the same authors over and over again. It seems lazy on their part. I lost gazillions of brain cells reading all of Virginia Hamilton's books on the list. (TG Snyder is much better than her.)
Please keep in mind that I get scared VERY EASILY. I do not watch horror movies and I can only read certain types of "scary" books. I had to stop watching Criminal Minds because I was literally starting to think that everyone was a serial killer.
I did not find this book "scary" at all. I found it pretty stupid and boring. Jessica is a psychopath. She hurts people and animals and doesn't seem to give two hoots in hell about how her actions affect others. On the other hand, I found her relationship with Brandon disgusting. That was the most disturbing part to me. He is obviously an abuser in training and she is wildly dependent on him. It was gross.
I didn't like how cruel Jessica was to her poor cat. I don't have animals, nor do I want any, but I do not support abusing them. Jessica's mom is neglectful and is causing her daughter psychological trauma that Jessica is obviously incapable of dealing with. This book had all kinds of messed up aspects, but I still couldn't care about it. It was a waste of time for me to read and I haven't thought about it since I finished until I came to write this review. It's a very forgettable book.
I'm also glad to finish all of Snyder's Newbery books. I don't like how the Newbery committee keeps picking the same authors over and over again. It seems lazy on their part. I lost gazillions of brain cells reading all of Virginia Hamilton's books on the list. (TG Snyder is much better than her.)
July 14, 2009
An awesomely creepy book from Snyder, who I love for her unique treatment of the supernatural; always leaving it realistic, ambigious, and not always totally evil.
Jessica feels abandoned; her glamourous mother is gone most of the time, her (former) best friend seems to have forgotten her, and she spends most of her days alone, bothered only by the nosy landlady.
Then Jessica finds Worm, a tiny black kitten, in a cave on a stormy night. He doesn't behave anything like a normal kitten; he wails, he has piercing yellow eyes, and he frightens Jessica in a way she doesn't understand.
And then she starts hearing him in her head. Is Worm really evil; a witch's cat sent to turn her into someone terrible? Why is Jessica suddenly playing cruel pranks and lying to her mother? And why is she so unable to resist Worm? Is he really the demon...or is Jessica the witch?
Creepy in an utterly psychological way, the interplay between Worm's supposed evil nature and Jessica's own mental state is fascinating. In the end, it will take a unorthodox exorcism, a reconciliation with her best friend, and a chilling climax chase to reveal the true natures of both Jessica and Worm. A great read for supernatural fans that's appropriately scary but still has a warm ending.
Jessica feels abandoned; her glamourous mother is gone most of the time, her (former) best friend seems to have forgotten her, and she spends most of her days alone, bothered only by the nosy landlady.
Then Jessica finds Worm, a tiny black kitten, in a cave on a stormy night. He doesn't behave anything like a normal kitten; he wails, he has piercing yellow eyes, and he frightens Jessica in a way she doesn't understand.
And then she starts hearing him in her head. Is Worm really evil; a witch's cat sent to turn her into someone terrible? Why is Jessica suddenly playing cruel pranks and lying to her mother? And why is she so unable to resist Worm? Is he really the demon...or is Jessica the witch?
Creepy in an utterly psychological way, the interplay between Worm's supposed evil nature and Jessica's own mental state is fascinating. In the end, it will take a unorthodox exorcism, a reconciliation with her best friend, and a chilling climax chase to reveal the true natures of both Jessica and Worm. A great read for supernatural fans that's appropriately scary but still has a warm ending.
October 14, 2015
I think I read this when I was little, the first chapter seemed vaguely familiar. Pretty creepy. Not because Worm might be a demon cat, but because Jessica might be a psychopath. Brandon was an abusive little turd as well. I liked it though.
to-read-own
January 17, 2016Kindle Daily Deal 7/30/14 $1.99.
November 30, 2024
50-year-old, dark and disturbing YA novel from an award-winning author
In this extremely depressing novel, the pathetic, 12-year-old FMC, Jessica, has been horrendously neglected by her single mother, who got pregnant as a teenager and has never developed any emotional maturity in the years since. Based on the descriptions of Jessica's thoughts and behavior, she seems to be suffering from untreated schizophrenia. She hears a voice in her head telling her to do destructive things, which she attributes to an unattractive cat named, Worm.
Typically, a novel with a 12-year-old protagonist would be considered Middle Grade fiction rather than Young Adult fiction, but the tone and subject matter of this novel is so dark, I assume that is why it has been classified as YA.
I received access to the audiobook version of this novel for free through my Audible membership. The narration is well done.
In this extremely depressing novel, the pathetic, 12-year-old FMC, Jessica, has been horrendously neglected by her single mother, who got pregnant as a teenager and has never developed any emotional maturity in the years since. Based on the descriptions of Jessica's thoughts and behavior, she seems to be suffering from untreated schizophrenia. She hears a voice in her head telling her to do destructive things, which she attributes to an unattractive cat named, Worm.
Typically, a novel with a 12-year-old protagonist would be considered Middle Grade fiction rather than Young Adult fiction, but the tone and subject matter of this novel is so dark, I assume that is why it has been classified as YA.
I received access to the audiobook version of this novel for free through my Audible membership. The narration is well done.
March 6, 2012
A cat on the cover, of course I'm going to read it. Witches of Worm is a Newberry Honor Book, that follows a 12 year old girl named Jessica. Jessica lives with her mum but is usually left alone as her mum must work or goes on dates. Recently she has been ostracised from her closest friends, as they have developed new friendships. One evening she finds an abandoned newborn kitten. She doesn't like cats, but feels a certain obligation to help it. After a while, she starts becoming paranoid of the cat, mostly because of all the books on witchcraft she has been reading. She then hears a voice and is coerced into doing things such as lying and breaking things. For a children's book, Witches of Worm takes a very mature approach to responsibility. The book remains ambiguous as to how much is supernatural and how much is psychological. Like the Salem witch trials themselves, Jessica may very well be making up these voices to excuse her actions. The book manages to create suspense and mystery where there isn't any, by sucking us in to Jessica's paranoia. Snyder is a great writer, and she brings to life a very simple tale by using a wide variety of vocabulary. She doesn't underestimate her target audiences intelligence, nor does she overwhelm the story with cryptic references to past events. The relationships are easy to understand and Jessica is never too likeable nor a villain. A wonderful short book, that I think could be considered an important read for any youngster.
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