'Kings don't kill their wives alright? It's not – it just don't happen. It doesn't.'
Tudor England. A field in Essex. Three women hurry to their childhood meeting place, thirsty for gossip from London. Word spreads of a clash between King Henry VIII and his Queen, Anne Boleyn. Closer to home, another rumour threatens to catch fire.
As these women realise the parallels between their ordinary, rural lives and the royal drama taking place at a distance, they are faced with several choices, all of which end in violence.
Ava Pickett's play 1536 is a fiendishly smart and funny drama which asks whether female solidarity can survive in a world where barbarism and misogyny are state sanctioned.
It was commended by the George Devine Award, won the Susan Smith Blackburn Prize, and premiered at the Almeida Theatre, London, in 2025, directed by Lyndsey Turner. Ava Pickett was named Best Writer at the 2025 Stage Debut Awards.
1536 fizzles and pops with drama, tension and copious amounts of humour, all underscored by very sinister happenings in London, a not-so-distant turbulence that slowly permeates the surrounding English counties. I found this play to be so witty and imbued with so much vigour that is solidified by the modern dialogue. The parallels between 16th century patriarchal authoritarianism and politics of the now is unflinching.
I audibly gasped more than once. A fantastic journey through love, friendship, protection, grief, loss and revelations.
Brilliant! I had been dying to read 1536, and it did not disappoint.
Anna: Has it always been like this? Mariella: I don't know. Anna: Will it always be like this? Mariella: I don't know.
1536 is about women living in a world of men; women in the Tudor era, women today, and women throughout history. It is centred on Anna, Jane, and Mariella, friends who live in a rural village in the Tudor period. 1536 is a pivotal year for England and for women, given it is when Queen Anne Boleyn is accused of treason and is later decapitated for it. One of the play's very first scenes brings news that the Queen has been arrested, so we follow these women's lives, while the events in London have ripple effects in this place that once seemed so removed from the world of the monarchs.
I loved it! It is a play about the Tudor period, but it is also about today and the feminicides and violence targeting women, without needing to make the connection explicit. It discusses how the actions of those in power enable others to do the same, and the violent masculinity that is present today, but has been around for centuries.
I cannot wait to watch the play later this year, but I'm glad I made the time to read it beforehand.