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352 pages, Hardcover
Published July 3, 2025
Jo Star lives on an island in the Thames River, an artists' commune she grew up on, along with her grandmother, Mary, who raised her. In the 60s, Mary was a backup singer at Walnut Tree Island's famous hotel, hanging out with the beatniks, social justice warriors and musicians. Now, she just wants to see Jo happy and return to making art.
When Oliver Greenwood inherits the island from his father, he wants to be rid of it. Oliver spent a magical summer on Walnut Tree Island as a teenager, whiling away hours with Jo. When Oliver's father rips him away, he promises Jo he'll return, but he breaks his promise. Decades later, Jo is still angry and hurt, furious that he now wants to destroy her home.
What drew me to this book was my interest in Eel Pie Island in Twickenham, London (I haven't been yet – it's only open to visitors twice a year), and the author acknowledges that this place was her inspiration for the novel. I enjoyed learning about the musical history, about the people who loved art and poetry and opposed the Vietnam War. I also loved the descriptions of the island and the people who call it home.
My biggest struggle was connecting with the characters. I felt like Jo was too extreme in her emotional responses – I get why she was angry, but she acts seriously childishly for a 40-year-old woman. Hearing Oliver out would have cost her nothing (and would have given her extra opportunities to yell at him). The constant miscommunication frustrated me. I am also really turned off by the cheating trope that rears its head among some of the side characters, and the story's justifications of it didn't sit well with me.
I wanted to feel the emotion, the angst that both Jo and Oliver must have felt, and I just didn't. I heard this author being described as the British Taylor Jenkins Reid, but I have read nearly all TJR's books, and the one thing she excels at is making you care about her characters deeply, even if they can be unlikeable at times. I also felt like the book skirts around many plot points without enough exposition: I wanted more details about what happened to Ruby, why Mary and Godibe's relationship failed, and why Jo felt it necessary to flee Florence.
I would still recommend this book to anyone interested in a part of London many (including me) know little about. I am eagerly awaiting the next time Eel Pie Island is open to visitors!