What do you think?
Rate this book


352 pages, Hardcover
First published June 16, 2015
So since we saw it coming, the past year or so has been one of my more philosophical. We all have to go sometime, but we don't always realize deep down inside just how transitory everything is; for me, it took the physical decline of a five-pound dog to really get it. Batman was a metaphor for my own mortality, a reminder that there are some things that just can't be avoided. Our consumer culture and ten-minute attention span concerning world and national news might appeal to different sentimentalities, but it's the job of literature to shine a light on the inevitable and (on a good day) plant some seeds as to how these inevitabilities might be dealt with.
inevitable.
It was with just this spirit that I picked up Summerlong and read it cover to cover within the space of my first Batman-less weekend. The novel takes place over a hot Iowa summer in a small town that's host to a liberal arts college. Realtor Don Lowry, fallen on hard times after an attempted house-flipping career, finds his job and marriage threatened by the Great Recession and his own shortcomings. His wife Claire, a novelist and former academic, can still turn heads at the swimming pool but is increasingly coming to view her own life as "wasted." Amelia (nicknamed ABC), a young woman mourning the loss of her one true love, returns to town to die, and winds up linked to Don (though not for the reason you might think). Charlie, the son of a local academic, returns home to tidy his father's estate and winds up linked to Claire (for a few reasons, the most obvious of which is just what you'd think).
inevitable.
The drama develops beautifully: Charlie and Claire cross paths when she bums a cigarette and beer off him outside a local convenience store; Don and ABC cross paths when he finds her lying outside, believing her dead, while she remembers his name from a private joke between her and her now-deceased lover. Deciding that he's now a link to this lover from beyond the grave, the two of them engage in a summer-long routine of getting high together, all in the proximity of an older woman ABC is caring for, Ruth, who riffs on spiritual matters between tokes off one of ABC's many joints. All of it goes somewhere, but even if it didn't, just eavesdropping on all of this is pleasure enough.
inevitable.
Throughout the summer, there are plenty of revelations and struggles for all characters, young and old. It's the middle aged ones who seem to speak the most convincingly in the novel, though, perhaps because, when contrasted with ABC and Charlie and the lives they have ahead of them, our sympathies are more with those who are coming to realize how many choices they've made over the years without realizing it. This realization, like in real life, comes with a share of bad decisions, and drugs are barely the tip of the iceberg. Summerlong makes scant mention of the perspective the Lowrys' children have but I found myself grinning in squeamish, reluctant understanding at the middle aged angst the Lowrys are carrying around. Sucking in guts at pool parties, recalling past opportunities gone by, putting on rose-colored glasses with which to look back at college days--all of these are the sins of the approaching-40s, particularly in middle- to upper-class white America, and if we thought when we were young we'd be exempt from all of it, well...you know.
"No one can waste a life," Claire realizes later in the book; "All you can do is live it day by day." The summer, the novel, is a microcosm of struggle, consequence and revelation, and while I wouldn't call its conclusion happy or feel-good, it does contain its own brand of wisdom and perspective.