BLOOD IS THICKER THAN WATER is a compelling psychodrama of compromised identity and the horrific victimization of twin sisters, Medina and Isabel. The motivation for Medina’s campaign of revenge goes beyond retribution. It’s her manifesto against an indifferent, callous world, targeted at specific individuals who caused the sisters’ misfortunes. Her violence is part and parcel of the world around her. This story foundation works well.
There are several twists at the end to provide motivation for some of that hostility on both sides, but the story’s assumption is that the world’s hostility is what it is, and in effect has no source or motivation. In that sense, Medina’s strange, source-less identity resonates throughout. The story’s ‘twins’ motif is more than a device, it’s used to explore how such a provisional clockwork-orange personality as Medina comes into being. Whatever the foundation of real identity might be, its source is ‘thicker’ than the social conventions commonly proposed. What created Medina? The story provides multiple possible answers to this dilemma.
Writing, characterization, and description are all done quite well. There are, however, minor breaches of formatting, paragraphing, and scene and chapter breaks that need to be resolved.
This dramatization of identity and violence is well worth your time, whether as pure entertainment or social commentary. It works well in both registers.