3.5
This book surprised me. Initially it was a solid 2 stars, eventually reaching 4 and settling on 3.5. I was surprised by it because initially it seemed so incredibly dumb. The novel opens with Halley getting a phone call that her bff's boyfriend has been killed in an accident. Now, this is high drama. But does anyone seem fazed? Mmm, not really. Scarlett, the bff in question, is washing dishes while she relays the news to Halley, and Halley's mom seems pretty chilled about it, not even wanting to pick up Halley from camp for, hello, the funeral?? Let alone comforting the bff.
Halley does get back from camp, with the mom NOT being happy about it, and you have Halley's mom cooking up French toast and Scarlett's mom Marion happy and smiling. The fact that a sixteen year old child has died certainly didn't impact the community the way one would think. There is no memorial at school, no statue, no nothing. That was the first oddity, leading me to assume this bizaare almost Camus-like work could not end well.
Another thing was Halley's relationship with her mom. The mom seems cast as this evil villain because she resents her daughter's growing distance and experimenting with alchohol and boys. Dessen loves showing how her pretty yet introverted teens can find themselves (always with the help of a boy - thanks, Dessen) and here seemed to be another case where the teen must know best and the parent must be a loser.
However, the book took a turn almost immediately when it became clear that Dessen's formula was changing. The male protagonist/automatic love interest, Macon, was introduced early on, and rather than have the book involve the dance of intimacy as the two try to navigate their feelings, the affair begins almost immediately, leading me to wonder if, in fact, the relationship would - for once - be the problem, and not the solution (something I wish more teen books would deal with).
It was.
Macon, while being charming and dizzying and unpredictable, cuts class, parties, and shows himself to be pretty inconsiderate. He drives recklessly, laughs off Halley's curfew, and soon begins to pressure her to go further than she would like.
I really appreciated this refreshing twist, as Halley's interest in Macon was played out nicely - he wasn't a total scumbag that had the reader scratching her head, nor was he inconsistent. In addition, Dessen does a nice job showing how relationships shift and change as the physical end becomes more and more of an issue, and the pressure a girl can feel to comply.
In the meantime, Halley's bff discovers she is pregnant with her dead boyfriend's baby, and while I did not feel this was handled realistically at all, it did paint a nice backdrop to the pressure Halley was under.
Halley's mom is ultimately seen as more complex, because her warnings ring true even if she does show herself to be overly controlling. I appreciated the distancing of their relationship as I feel that is a true to life portrayal of how teens shy away from parents mistaking them as withholders of independence rather than sources of guidance.
There were some inconsistencies that bothered me - like, everyone has a cell phone yet no one seems able to use it when it counts. Macon has to call the landline at 10:30 at night and upset Halley's parents? Halley can't ever communicate effectively with anyone because there is no phone nearby? And when Scarlett has her baby, do you REALLY think her mom would be off with some dude and have no way to be reached? It's not like they didn't know this was coming.
Anyway, all things considered while there was much room for improvement, I was just so happy to see a book where the white knight does not come save the princess, in fact he gets her in serious trouble several times and she still finds herself wanting him, which sounds a whole lot more like life to me.