‘bearcat: a large, tree-dwelling mammal; 1920s slang for a fiery girl or woman.’
Georgia Rose Phillips debut novel The Bearcat is a finely wrought exploration of womanhood, power, and the legacies of maternal influence. Rooted in the true story of Anne Hamilton-Byrne, the magnetic and deeply disturbing leader of the Australian cult known as The Family. Phillips gives us an account that is eerie, elegant, and psychologically unflinching.
The novel spans two timelines: the 1920s, through the perspective of Florence, Anne’s mother, who wrestles with domestic instability and the quiet violence of everyday life; and the 1980s, as Anne, now a cult leader, enacts her own form of control and creation, seeking transcendence through spiritual manipulation. Phillips does not attempt to excuse Anne’s actions, but she does allow us to see the child inside the infamous woman, a girl shaped by neglect, yearning, and a desperate need to believe in her own myth.
What stands out most is Phillips prose, lyrical, and often brutal. The writing is psychologically sharp, peeling back the layers of both women with a slow, surgical precision. Florence’s chapters are especially affecting, her world is one of stifled potential and claustrophobic motherhood, rendered in a way that feels timeless and tragic.
The Bearcat reads more like a gothic meditation on identity, longing, and spiritual hunger. There are no easy answers, just deep, sometimes disquieting empathy and an acute understanding of how the wounds of one generation are passed on to the next.
This is not a thriller, and readers looking for fast paced cult drama might find the pacing slow. But for those drawn to character driven literary fiction with psychological depth and a strong sense of place, The Bearcat is a gripping, beautifully unsettling debut.
I Highly Recommend.
Thank you Pan Macmillan for my early readers copy.
Available now!