Bastien is a genius in his job. One of the best financial analysts of London, a guy capable of transforming numbers into money through operations, he’s often the only person to understand. On the surface, his private life is peaking, too. He has been dating his boss for a couple of years—gorgeous, successful businesswoman Juliet. They’re even going to marry in a few weeks. That’s why Bastien’s best friend Jake—good, reliable, always-there-when-Bastien-needs-him Jakey—organises a worthy stag night in Scotland. But what no one knows is that Bastien is a hot mess on the inside (only Jake suspects it without being aware of the extent). Full of doubts and questions, given to bouts of self-loathing and depression, Bastien has self-destructive tendencies that can become all the more dangerous as he’s diabetic and needs to follow certain strict rules.
Well, the stag night turns out to be a medium disaster for Jake because the company is way too loud and straight for his tastes. Also, his bestie decides to completely let go and forget any boundaries. Meaning he drinks way too much, starts dancing on the bar, forgets to eat, until… Until it turns from medium to major disaster. Because Bastien kisses Jake. It could have been the other way around, too. Worse still, one thing leading to another, they end up in bed. Shagging, yes. That’s something Jake has been dreaming of ever since he met Bastien and fell in love with him (he never breathed a word about it, though, because you don’t tell your best friend those things). Apparently, going to bed together was something Bastien has been wanting in secret, too.
What happens at a stag do stays at a stag do. That’s what everyone says. And yet. Juliet knows her man and notices he’s a bit odd when he comes back from Scotland. And Bastien is too honest for his own good. He thinks he owes his wife-to-be total honesty and tells her about that one-night experience. A decision that totally upends his already messy life and makes him hit rock bottom. Maybe the only person who can save him now is… Jake.
Well, it’s difficult to sum up this book without giving away too much or without repeating the blurb. There are many, many things going on, because Sophia Soames—I’ve already stressed this in my previous reviews of her books—doesn’t do simple characters. She excels in complex, muddled and befuddled persons who all have one thing in common: they don’t know how to “adult,” if I may use this word as a verb. That’s the case in this book, too. Bastien has serious issues he needs to deal with but has refused to face so far. He craves a particular type of sexual activity he never dared admit to himself, let alone to someone else. His girlfriend guessed a couple of things and tried to help him find satisfaction, but only someone really sympathetic, someone who gets off on the same stuff can become his true partner. He loves Juliet, truly loves her, but she just isn’t that person.
That person turns out to be Jake. Jake, who has always been in love with him (deep down, he knew it, too) but has always kept a safe distance, not wanting to jeopardise their friendship. Only when circumstances they have provoked together force them to face the harsh reality do they finally find the courage to talk with each other. In shy, ashamed bits and pieces at first, but their exchanges find a better flow as they go on learning to know each other. That’s another constant in Sophia’s stories—her earnest, almost naïve belief that in relationships, everything can be solved if only you talk to each other (which is one of my personal creeds, too). Third mantra in the Soames universe: no one can make the chaos of another person’s life disappear. But they can provide a sympathetic ear, a warm hug, and genuine, unbiased love. And those go a long way.
I really liked this story, even if it included a lot of BDSM stuff I normally don’t dig. But Sophia has this ability to write about activities as far from my own preferences as you can get and to still make me feel involved, to still make me think I “get” her characters. Her sex scenes (and my, did I get my share of them, in this book) are never vulgar, never run-of-the-mill tiresome repetitions of the same things, never included to solely titillate the reader or fill the pages as required by a certain type of literature. They serve a purpose, inform us about the characters, why they act, react, interact in certain ways, and why she throws them together in her plots in the first place.
So, if you enjoy situations that at first glance seem inextricable and not conducive to a happy ending, if you love to turn the pages with bated breath because you know you will get one nonetheless and want to find out how the author reaches that stage, this is a book for you.
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