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Gloria

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"Gloria" was composed for choirs with substantially fewer male than female members. The piece presents opportunities for choirs to gain a sense of accomplishment and understanding. Themes are anticipated in the accompaniment making pitches easier to find and changes in patterns easier to remember. Short a cappella sections help give singers a sense of accomplishment and offer an effective ghance in texture for listeners. The use of polyphony makes all parts important; unison singing adds to the strength of the piece. / Educational Octavo / SAB, Piano / Optional Handbells / Concert

Paperback

Published January 1, 2003

About the author

Debra Lynn

29 books

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