If you enjoy novels that star white U.S. citizens who objectify brown people as part of an emotional Journey of Healing through the jungle of First World Problems, or if you consistently find yourself gripped by any protagonist following the well-trodden Path of Privilege on the route to becoming a Self-Actualized White Person, then the 2015 literary novel "Red Lightning" should be next on your TBR list.
This is a novel that dehumanizes, stigmatizes, and flat-out hates undocumented immigrants. Specifically, undocumented immigrants from Mexico.
The entire time I spent reading "Red Lightning," I kept hearing current U.S. President Donald Trump in my head -- I kept hearing those infamous lines from his presidential announcement speech on June 16, 2015 --
“When Mexico sends its people, they’re not sending their best. They’re not sending you. They’re not sending you. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.”
If you agree with those statements (and many people do), then "Red Lightning" will affirm and reward these beliefs.
But if you follow news media sources that have debunked these claims, researched the facts, and consistently reported that crime statistics and immigrant data do not support President Trump's words whatsoever, then "Red Lightning" will be a highly upsetting novel to read.
I have heard award-winning literary author Laura Pritchett read aloud from her work in person, and I have heard her state, "No one is illegal. People are not illegal." So I know her heart is in the right place. I don't think she intended for her novel to hurt me as much as it did.
But this book is severely damaging. If you are someone who is intimately involved with anyone who is an undocumented immigrant in the U.S., I suggest you avoid reading this book. I found it highly offensive, full of factual errors, and entirely racist.
The protagonist of this book -- a white, cis, able-bodied, lower-middle class woman from Colorado named Tess -- works for a Mexican gang involved in *both* human trafficking and drug trafficking. (Just the fact that these two activities are combined in one gang ought to raise a lot of red flags. There are no sources cited for this book, and nothing about the Mexican drug+human trafficking gang in this book sounded accurate. From everything I have read about these two activities, they are separate, performed by separate groups of people and gangs, and are often in conflict with each other.)
Tess describes herself as "a part-time levantona" -- which in this story, translates to something like 'a female pick-up driver of undocumented immigrants.' But in the narco-language of the human trafficking/drug trafficking world in reality, "levanton" has a very different meaning. It applies to a specific kind of human trafficking: kidnapping people, primarily for the purpose of murder.
But don't expect realistic narco-terms to show up in this book. Tess is clueless about kidnappings and drug money. She is also clueless about the people she works for and how they operate. And she is *REALLY* clueless about gangs in general, even though they employ her, and have for some time. She doesn't even know what specific kinds of drugs her employers are trafficking, or the details about her own pickups. As she states on page 21, "I was always on the periphery. Never that much in the know. Which gang was which gang, so on, so forth."
And yet, Tess has worked as "a part-time levantona" for many years, maybe as many as ten. She is the most unbelievable employee of a human trafficking/drug-trafficking gang ever, a person who could only exist in a work of fiction, because there is absolutely nothing believable about any of the illegal trafficking described in this book.
Of the information Tess *does* know about her human trafficking work, she says that all undocumented immigrants are "more or less required to carry stuff" such as "coca y mota" -- (which translates to "coke and pot") -- before coming over the border. So if you believe that all undocumented immigrants are bringing drugs with them into the United States, then the slanderous crap Tess shares in dialogue in this book will make you want to stand up and cheer.
Not only do the undocumented immigrants in this novel bring drugs with them -- but they also start forest fires. A group of Mexican immigrants in "Red Lightning" start "the worst wildfire in Colorado history" (page 72).
I have lived in Colorado for decades, and I have *NEVER* heard of an undocumented immigrant starting a wildfire. My husband has worked for the Colorado Department of Transportation for almost forty years, and he's never heard of this happening, either.
This wildfire premise sounds like something President Trump could have added to his presidential announcement speech: "They're bringing drugs. They're starting wildfires. They're starting the worst wildfires in history."
Not that the wildfire in "Red Lightning" or the undocumented immigrants are even the main focus of this book. Both are just plot devices in a story of a White Woman Who Must Heal and Self-Actualize, also known as the story of a White Woman Who Needs a Purpose in Life.
When the story begins, Tess is currently homeless, penniless, and afflicted with a number of physical ailments, including a severe tooth infection, a yeast infection, and a self-inflicted gash on her face. Her self-harming tendencies are due to her emotional/psychological problems, which have gone untreated for so long she has become suicidal.
Despite what a physical and psychological mess she is in, Tess remains highly judgmental -- even scornful -- of her sister, who has successfully raised a baby Tess gave birth to and immediately abandoned. That child is now ten years old, and as Tess has hit rock-bottom in life, she has decided she would like to see her daughter before she either runs off to the Midwest or kills herself, whichever comes first.
The root of Tess's psychological breakdown stems from being called "a slut" by her classmates, which started at age ten, and was made worse by the occasional meanness of her hardworking alcoholic mother. Tess's stepfather (who is deceased by the time the story begins) was actually a really great guy, and Tess truly loved him and remembers his words of wisdom from her years as a teen. But I guess the pain of being called "a slut" and her mom's drinking were simply too much. Tess decided she was born for a life of partying and fun (she actually says this somewhere in the book), and she runs around and has lots and lots of sex with guys who don't care about her (another confession), before an event in the desert finally wakes her up.
Tess's wake-up call in the desert is one of the most racist scenes in the book. Five years before the story begins, Tess is working for one of her human trafficking gangs, and picks up a family of undocumented Mexican immigrants. At one point, she pulls over, leaves the vehicle to pee, and finds the corpse of a pregnant undocumented immigrant in a state of decay on the ground. Tess is shaken up by seeing the skeleton of the fetus, and reflects on how she was able to give birth to a living child she abandoned. In a moment of reconnecting with her lost sense of motherhood, Tess kneels down beside the corpse, and reaches into "the pelvis of this woman."
"I touched this baby's skull. Wanted to pull it up, wanted to free it from the cavity, get it out in the space between ribcage and pelvis. Even if it meant all the other bones would crumble. I did that. I pulled hard. I freed the skull. I cradled it." (page 77)
The act of cradling this skull to her chest gives Tess her sense of humanity back, and makes her able "to mother" again. (page 78)
If you are okay with treating the bodies of dead human beings like this, and see no problem with snapping off the skulls of dead fetuses from the remains of corpses you find in the desert, then by all means, "Red Lightning" is certainly the novel for you. I found this to be horrifying behavior, extremely disrespectful, and not at all an appropriate way to respond to a partially-decayed human corpse found in the desert.
Later in the book, after Tess is reunited with her sister and daughter, the Colorado wildfire is burning, eight undocumented immigrants Tess was supposed to pick up might be dead, and in an effort to make herself feel better, Tess has painful sex with her common-law husband/lover and fellow gang employee, a white man named Slade.
Slade tells Tess that the consequences of all the awful things they have done can be avoided if they just move to Mexico. "We get to Mexico, we adopt some kids. To make up for it. Maybe not adopt them in the formal sense, but you know, take them under our wing. To make up for it." (page 107)
Like snapping the skull off a dead fetus, those statements are just taken as appropriate, normal, or understandable. As if it would be normal or understandable for anyone to talk like this or think this way. But I find this dialogue horrifying and revolting. It's one of the crudest examples of White People Using Abject Brown People to Self-Actualize. In Slade's mind, and in Tess's thoughts and behavior throughout this book, the poor Mexican children aren't worthy enough to formally adopt, but they're good enough to be nice to in order to earn White Redemption.
Tess doesn't end up going to Mexico, but in a high-action climax involving a gun and a couple of bad hombres, she does earn White Redemption, and Mother Redemption, and finds her way through the Journey of Healing.
On behalf of any undocumented Mexican immigrants who might read this book, I would just like to say I am sorry. I didn't write this novel, but I'm really, really sorry "Red Lightning" has the content it does. The racism in this book is beyond.