What do you think?
Rate this book
Драма
Роман Филиппа Соллерса ДРАМА, наверное, один из самых известных текстов писателя. Он породил огромное количество рефлексии. Французская университетская культура сделала его культовым. До такой степени, что даже сам Соллерс стал несколько подозрительно относиться к своему тексту. Слишком поэтично! Слишком тонко! Чрезвычайно рафинированно!
Хотя суть этого текста в сущности довольно проста. Соллерс поставил задачу максимально сблизить означающие и означаемое, т.е. создать текст о том, как писатель создает свой текст - достичь таким образом предельного уровня реализма. Ведь чем, собственно, занимается писатель? - Он пишет. И в тот момент, когда он пишет его реальность - это реальность писчего листа бумаги вместе с печатной машинкой (ручкой) для писателя 60-х годов XX века. Таким образом, реализм для Соллерса исключает какой-либо вымысел - или скорей традиционный тип вымысла - и заменяет его конкретным свидетельством самого процесса письма.
Хотя суть этого текста в сущности довольно проста. Соллерс поставил задачу максимально сблизить означающие и означаемое, т.е. создать текст о том, как писатель создает свой текст - достичь таким образом предельного уровня реализма. Ведь чем, собственно, занимается писатель? - Он пишет. И в тот момент, когда он пишет его реальность - это реальность писчего листа бумаги вместе с печатной машинкой (ручкой) для писателя 60-х годов XX века. Таким образом, реализм для Соллерса исключает какой-либо вымысел - или скорей традиционный тип вымысла - и заменяет его конкретным свидетельством самого процесса письма.
- GenresFiction
176 pages, Hardcover
First published March 1, 1965
2 people are currently reading
170 people want to read
About the author
Philippe Sollers
160 books78 followersPhilippe Sollers (born Philippe Joyaux) is a French writer and critic. In 1960 he founded the avant garde journal Tel Quel (along with the writer and art critic Marcelin Pleynet), published by Seuil, which ran until 1982. In 1982 Sollers then created the journal L'Infini published by Denoel which was later published under the same title by Gallimard for whom Sollers also directs the series.
Sollers was at the heart of the intense period of intellectual unrest in the Paris of the 1960s and 1970s. Among others, he was a friend of Jacques Lacan, Louis Althusser and Roland Barthes. These three characters are described in his novel, Femmes (1983) alongside a number of other figures of the French intellectual movement before and after May 1968. From A Strange Solitude, The Park and Event, through "Logiques", Lois and Paradis, down to Watteau in Venice, Une vie divine and "La Guerre du goût", the writings of Sollers have often provided contestation, provocation and challenging.
In his book Writer Sollers, Roland Barthes discusses the work of Phillippe Sollers and the meaning of language.
Sollers married Julia Kristeva in 1967.
Sollers was at the heart of the intense period of intellectual unrest in the Paris of the 1960s and 1970s. Among others, he was a friend of Jacques Lacan, Louis Althusser and Roland Barthes. These three characters are described in his novel, Femmes (1983) alongside a number of other figures of the French intellectual movement before and after May 1968. From A Strange Solitude, The Park and Event, through "Logiques", Lois and Paradis, down to Watteau in Venice, Une vie divine and "La Guerre du goût", the writings of Sollers have often provided contestation, provocation and challenging.
In his book Writer Sollers, Roland Barthes discusses the work of Phillippe Sollers and the meaning of language.
Sollers married Julia Kristeva in 1967.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 3 of 3 reviews
February 3, 2025
Review upcoming.
February 16, 2024
A story narrating its own coming into being; moving outside the bound limits of thought—Sollers, moving on from Le Parc, now writing a “limit-text.”
“a language in quest of itself, inventing itself. Feeling that I am going to give an exact account of the path of the words on the page—exactly, nothing else, nothing more. It bends, spills, opens up, listens to itself, changes voices, spreads, effortlessly disposes of everything, restores what was lost… Again, the beginning, the outlines, the swift trips to the inside of each rejected, selected sign. Again, the sliding, the lines…” (77).
“A book that would extend and glide into itself and foresee its reading as a way of extending further” (78).
“a language in quest of itself, inventing itself. Feeling that I am going to give an exact account of the path of the words on the page—exactly, nothing else, nothing more. It bends, spills, opens up, listens to itself, changes voices, spreads, effortlessly disposes of everything, restores what was lost… Again, the beginning, the outlines, the swift trips to the inside of each rejected, selected sign. Again, the sliding, the lines…” (77).
“A book that would extend and glide into itself and foresee its reading as a way of extending further” (78).
January 14, 2017
Not up to his standard, but well worth the read. If he normally turns your crank, he'll turn it here
Displaying 1 - 3 of 3 reviews