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Harriet Wolf's Seventh Book of Wonders
A brilliantly crafted saga about three generations of women and their secrets, including the discovery of a final unpublished book by the family matriarch, a revered and reclusive author.
Harriet Wolf has a final confession. It can be found only in the final book of the series that made her a famous writer. But does that book exist?
This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?
A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.
Harriet Wolf has a final confession. It can be found only in the final book of the series that made her a famous writer. But does that book exist?
This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?
A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.
328 pages, Hardcover
First published August 18, 2015
228 people are currently reading
5853 people want to read
About the author
Julianna Baggott
41 books1,477 followersCritically acclaimed, bestselling author Julianna Baggott has published more than twenty books under her own name as well as pen names Bridget Asher and N.E. Bode. Her recent novel, Harriet Wolf’s Seventh Book of Wonders, was a New York Times Notable Book of the Year (2015). Her novel Pure, the first of a trilogy, was also a New York Times Notable Book of the Year (2012) and won an ALA Alex Award. Her work has been optioned by Fox2000, Nickelodeon/Paramount, and Anonymous Content and she currently has work in development at Netflix with Shawn Levy attached to direct, Paramount with Jessica Biel attached, Disney+, Lionsgate, and Warner Brothers, to name a few. For more on her film and TV work, click here. There are over one hundred foreign editions of Julianna’s novels published or forthcoming overseas. Baggott’s work has appeared in The New York Times Book Review, The New York Times Modern Love column, The Washington Post, The Boston Globe, The International Herald Tribune, Glamour, Real Simple, Best Creative Nonfiction, Best American Poetry, and has been read on NPR’s Here and Now, Talk of the Nation, and All Things Considered. Her essays, stories, and poems are highly anthologized.
Baggott began publishing short stories when she was twenty-two and sold her first novel while still in her twenties. After receiving her M.F.A. from the University of North Carolina at Greensboro, she published her first novel, the national bestseller Girl Talk. It was quickly followed by The Boston Globe bestseller, The Miss America Family, and then The Boston Herald Book Club selection, The Madam, an historical novel based on the life of her grandmother. She co-wrote Which Brings Me to You with Steve Almond, A Best Book of 2006 (Kirkus Reviews); it has been optioned by Anonymous Content, and currently by BCDF, with a screenplay penned by playwright Keith Bunin.
Her Bridget Asher novels, published by Bantam Dell at Random House, include All of Us and Everything, listed in “Best New Books” in People magazine (2015), The Provence Cure for the Brokenhearted, The Pretend Wife, and My Husband’s Sweethearts.
Although the bulk of her work is for adults, she has published award-winning novels for younger readers under the pen name N.E. Bode as well as her own name. Her seven novels for younger readers include, most notably, The Anybodies trilogy, which was a People Magazine summer reading pick alongside David Sedaris and Bill Clinton, a Washington Post Book of the Week, a Girl’s Life Top Ten, a Booksense selection, and was in development at Nickelodeon/Paramount. Other titles include The Slippery Map, The Ever Breath, and the prequel to Mr. Magorium’s Wonder Emporium, a movie starring Dustin Hoffman, Natalie Portman, and Jason Bateman. For two years, Bode was a recurring personality on XM Sirius Radio. Julianna’s Boston Red Sox novel The Prince of Fenway Park (HarperCollins) was on the Sunshine State Young Readers Awards List and The Massachusetts Children’s Book Award for 2011-2012.
Baggott also has an acclaimed career as a poet, having published four collections of poetry – Instructions: Abject & Fuming, This Country of Mothers, Compulsions of Silkworms and Bees, and Lizzie Borden in Love. Her poems have appeared in some of the most venerable literary publications in the country, including Poetry, The American Poetry Review, and Best American Poetry (2001, 2011, and 2012).
She is an associate professor at Florida State University’s College of Motion Picture Arts where she teaches screenwriting. From 2013-2017, she held the William H.P. Jenks Chair in Contemporary American Letters at the College of the Holy Cross. In 2006, Baggott and her husband, David Scott, co-founded the nonprofit organization Kids in Need – Books in Deed which focuses on literacy and getting free books into the hands of underprivileged children in the state of Florida. David Scott is also her creative and business partner. They have four children. Her oldest daughte
Baggott began publishing short stories when she was twenty-two and sold her first novel while still in her twenties. After receiving her M.F.A. from the University of North Carolina at Greensboro, she published her first novel, the national bestseller Girl Talk. It was quickly followed by The Boston Globe bestseller, The Miss America Family, and then The Boston Herald Book Club selection, The Madam, an historical novel based on the life of her grandmother. She co-wrote Which Brings Me to You with Steve Almond, A Best Book of 2006 (Kirkus Reviews); it has been optioned by Anonymous Content, and currently by BCDF, with a screenplay penned by playwright Keith Bunin.
Her Bridget Asher novels, published by Bantam Dell at Random House, include All of Us and Everything, listed in “Best New Books” in People magazine (2015), The Provence Cure for the Brokenhearted, The Pretend Wife, and My Husband’s Sweethearts.
Although the bulk of her work is for adults, she has published award-winning novels for younger readers under the pen name N.E. Bode as well as her own name. Her seven novels for younger readers include, most notably, The Anybodies trilogy, which was a People Magazine summer reading pick alongside David Sedaris and Bill Clinton, a Washington Post Book of the Week, a Girl’s Life Top Ten, a Booksense selection, and was in development at Nickelodeon/Paramount. Other titles include The Slippery Map, The Ever Breath, and the prequel to Mr. Magorium’s Wonder Emporium, a movie starring Dustin Hoffman, Natalie Portman, and Jason Bateman. For two years, Bode was a recurring personality on XM Sirius Radio. Julianna’s Boston Red Sox novel The Prince of Fenway Park (HarperCollins) was on the Sunshine State Young Readers Awards List and The Massachusetts Children’s Book Award for 2011-2012.
Baggott also has an acclaimed career as a poet, having published four collections of poetry – Instructions: Abject & Fuming, This Country of Mothers, Compulsions of Silkworms and Bees, and Lizzie Borden in Love. Her poems have appeared in some of the most venerable literary publications in the country, including Poetry, The American Poetry Review, and Best American Poetry (2001, 2011, and 2012).
She is an associate professor at Florida State University’s College of Motion Picture Arts where she teaches screenwriting. From 2013-2017, she held the William H.P. Jenks Chair in Contemporary American Letters at the College of the Holy Cross. In 2006, Baggott and her husband, David Scott, co-founded the nonprofit organization Kids in Need – Books in Deed which focuses on literacy and getting free books into the hands of underprivileged children in the state of Florida. David Scott is also her creative and business partner. They have four children. Her oldest daughte
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Displaying 1 - 30 of 412 reviews
January 10, 2019
"This is how the story goes: I was born dead - or so my mother was told"
Harriet Wolf was a famous novelist and recluse. Her daughter and granddaughters frequently get questioned by her fans about her books. There is a rumor circulating that she has a final manuscript and the public is curious if it really exists. Her daughter, Eleanor just wants to be left alone. She doesn't like answering questions about her Mother's books. But when Eleanor is hospitalized, her daughter Tilton calls her older sister Ruth who comes home. Ruth ran away years ago while and vowed one day to return to save Tilton who has always lived with their over protective Mother.
This book is told through each woman's POV. Through each of them, we learn about family secrets, love, Harriet's past, mobsters, the dynamics of dysfunction in a family, and how our own personal stories can affect, shape and define us.
Harriet Wolf was a famous novelist and recluse. Her daughter and granddaughters frequently get questioned by her fans about her books. There is a rumor circulating that she has a final manuscript and the public is curious if it really exists. Her daughter, Eleanor just wants to be left alone. She doesn't like answering questions about her Mother's books. But when Eleanor is hospitalized, her daughter Tilton calls her older sister Ruth who comes home. Ruth ran away years ago while and vowed one day to return to save Tilton who has always lived with their over protective Mother.
This book is told through each woman's POV. Through each of them, we learn about family secrets, love, Harriet's past, mobsters, the dynamics of dysfunction in a family, and how our own personal stories can affect, shape and define us.
August 17, 2015
A wonderful book about mothers and daughters, their complicated relationships and how easy it is to misunderstand each other. Three generation of women, Harriet, who has died had written a series of six best selling books, there is a rumor that a seventh exists. Professors, scholars and book, aficionados the world over are anxiously waiting for it to surface.
Eleanor her daughter who has made many mistakes, holding tight to her daughter Tilton after letting Ruth run away at sixteen. Interesting characters all the story is told by each character in alternating chapters. It is Harriet's story that I loved the most, of course her story is from the missing seventh book. Even the side characters are diverse and add much to the story. Some of these characters and places throughout the novel actually existed.
I could tell, how much the author loved these characters and it helped me love them too. Flawed for sure but all hoping for something better. Loved Tilton and her unique perspective of the world and her family. By books end I felt as if I had melted and I am very glad I read this book.
ARC from publisher.
Eleanor her daughter who has made many mistakes, holding tight to her daughter Tilton after letting Ruth run away at sixteen. Interesting characters all the story is told by each character in alternating chapters. It is Harriet's story that I loved the most, of course her story is from the missing seventh book. Even the side characters are diverse and add much to the story. Some of these characters and places throughout the novel actually existed.
I could tell, how much the author loved these characters and it helped me love them too. Flawed for sure but all hoping for something better. Loved Tilton and her unique perspective of the world and her family. By books end I felt as if I had melted and I am very glad I read this book.
ARC from publisher.
June 12, 2016
"My mother wore a powder that smelled like a field of flowers! She would wring out a sponge and the water made its way down my back."
I have no words. The words have been left in the book.
How do I, a simple reader, review this universe of a novel? How do I stand outside and declare, when I perceive myself a mere body of light in context?
Truly and really, I can't.
I might try to describe...
Harriet, the sickly baby, removed by the father from the fragile mother at birth. Sent to live in an institution, at a time when each wore labels: imbecile, idiot, moron. She meets Eppitt Clapp and as children they bind themselves husband and wife together, a pact wound of string and tape. She learns to read; loses Eppitt and finds him again. Eventually Harriet writes novels which make her famous AND a recluse.
"I don't know how everybody walks around just like normal, as if everything is not beautiful and hideous and dangerous."
Eleanor, the daughter, ungainly, fatherless. She has just had a heart attack. Raised by Harriet who only understood the skill of abandonment and the art of fiction.
Daughters of Eleanor:
Ruth, the truth speaker and searcher, both traits rejected by Eleanor. Ruth left at 16, Eleanor apathetic did not try to get her and has not seen her in twenty years. Ruth is returning, since the heart attack to "save Tilton". They made a pact before she left and has not fulfilled her promise.
Tilton , a wisp, a part of a girl not fully in the world, a savant?, uncomprehending, Eleanor's favourite creation made into a palette of allergies, agoraphobia, asthmatic. Housebound and homeschooled, Tilton interprets the few people she knows or meets by comparison to her encyclopedic knowledge and prodigious memory of ornithology.
What is this novel, then? It is history of the new century, of Maryland's School for the Feebleminded, of the value of women and children defined solely by a man's word, of normal grief defined as hysteria of the day remedied with institutionalization in psychiatric hospitals, of an African Pygmy displayed in the monkey section on Anthropology at a zoo, of the capriciousness of life made worse without compassion.
"My mother died and I didn't take it well. I loved her. ...I kept things before I got here, clippings from newspapers. I want to keep it all. Proof... Proof that lives are being lived."
It is about identity. Identity is found in our stories, in our links between people and places, in knowing the truth of what has been carried by those stories and how we learn about building futures from the past of those stories. Those stories are our universe. It is about belonging, and love and all that we hope love could ever become.
Who are we without the links, the places, the people and the paper notes between us?
"...we were to write letters. I had no one, and so I wrote to Eppitt. ...I folded the letters like origami cranes, the way my mother taught me....I had no address for him, so I ...tucked them into the underside of my mattress..."
"The origami cranes I decided to leave behind so at least some small part of me would remain."
Told in alternating voices of the women, Harriet's from a manuscript left behind at her death and the others' weaving threads of missed and lost stitches, bits of wound string written to an exquisite completeness, this gifted author took eighteen years to create this universe of wonder, with its finely wrought nuances of feeling and thought. Mother, daughter, child - all of us will experience this novel singularly and we will also share its profound common threads.
Julianna Baggott's novel, Harriet Wolf's Seventh Book of Wonders, cannot be reviewed. It can only be graciously experienced.
I have no words. The words have been left in the book.
How do I, a simple reader, review this universe of a novel? How do I stand outside and declare, when I perceive myself a mere body of light in context?
Truly and really, I can't.
I might try to describe...
Harriet, the sickly baby, removed by the father from the fragile mother at birth. Sent to live in an institution, at a time when each wore labels: imbecile, idiot, moron. She meets Eppitt Clapp and as children they bind themselves husband and wife together, a pact wound of string and tape. She learns to read; loses Eppitt and finds him again. Eventually Harriet writes novels which make her famous AND a recluse.
"I don't know how everybody walks around just like normal, as if everything is not beautiful and hideous and dangerous."
Eleanor, the daughter, ungainly, fatherless. She has just had a heart attack. Raised by Harriet who only understood the skill of abandonment and the art of fiction.
Daughters of Eleanor:
Ruth, the truth speaker and searcher, both traits rejected by Eleanor. Ruth left at 16, Eleanor apathetic did not try to get her and has not seen her in twenty years. Ruth is returning, since the heart attack to "save Tilton". They made a pact before she left and has not fulfilled her promise.
Tilton , a wisp, a part of a girl not fully in the world, a savant?, uncomprehending, Eleanor's favourite creation made into a palette of allergies, agoraphobia, asthmatic. Housebound and homeschooled, Tilton interprets the few people she knows or meets by comparison to her encyclopedic knowledge and prodigious memory of ornithology.
What is this novel, then? It is history of the new century, of Maryland's School for the Feebleminded, of the value of women and children defined solely by a man's word, of normal grief defined as hysteria of the day remedied with institutionalization in psychiatric hospitals, of an African Pygmy displayed in the monkey section on Anthropology at a zoo, of the capriciousness of life made worse without compassion.
"My mother died and I didn't take it well. I loved her. ...I kept things before I got here, clippings from newspapers. I want to keep it all. Proof... Proof that lives are being lived."
It is about identity. Identity is found in our stories, in our links between people and places, in knowing the truth of what has been carried by those stories and how we learn about building futures from the past of those stories. Those stories are our universe. It is about belonging, and love and all that we hope love could ever become.
Who are we without the links, the places, the people and the paper notes between us?
"...we were to write letters. I had no one, and so I wrote to Eppitt. ...I folded the letters like origami cranes, the way my mother taught me....I had no address for him, so I ...tucked them into the underside of my mattress..."
"The origami cranes I decided to leave behind so at least some small part of me would remain."
Told in alternating voices of the women, Harriet's from a manuscript left behind at her death and the others' weaving threads of missed and lost stitches, bits of wound string written to an exquisite completeness, this gifted author took eighteen years to create this universe of wonder, with its finely wrought nuances of feeling and thought. Mother, daughter, child - all of us will experience this novel singularly and we will also share its profound common threads.
Julianna Baggott's novel, Harriet Wolf's Seventh Book of Wonders, cannot be reviewed. It can only be graciously experienced.
September 27, 2015
This novel opens in the voice of Harriet Wolf, providing the reader with the information that she was born in 1900, mute, tiny, and bleeding from the nose. The attending physician told her father that she “wasn’t fit”, so her father asked the Dr to take her away to the Maryland School for the Feeble Minded. Her mother was told that she died. So begins the story of Harriet’s intriguing life. Harriet eventually becomes a popular author who writes the escapades of the fictitious Daisy Brooks and Weldon Fells. She dies after writing six novels, and there are rumors that there is an unpublished seventh novel that her fans are eager to be published.
Her life isn’t the only interesting life; the reader learns the stories of Harriet’s daughter, Eleanor, and her granddaughters, Ruth and Tilton. It’s a story of motherhood and sisterhood, misunderstandings, secrets, and coping. Harriet by far has the most fascinating life, which includes a love story and a bit of fantasy. Tilton is the innocent, whose chapters are by far the most fun to read. Eleanor and Ruth are both a bit grating, for good reason. The author, Julianna Baggott uses those characters to show coping mechanisms that can be misunderstood.
Baggott writes each character uniquely, with her own voice. I love this devise because the reader gets to understand every character’s intention, even when gone awry. Life is messy and Baggott gives the reader an engaging read as to how messy leads to more mess, even when the individuals are pure hearted. I highly recommend this novel. It would be a great book club read.
Her life isn’t the only interesting life; the reader learns the stories of Harriet’s daughter, Eleanor, and her granddaughters, Ruth and Tilton. It’s a story of motherhood and sisterhood, misunderstandings, secrets, and coping. Harriet by far has the most fascinating life, which includes a love story and a bit of fantasy. Tilton is the innocent, whose chapters are by far the most fun to read. Eleanor and Ruth are both a bit grating, for good reason. The author, Julianna Baggott uses those characters to show coping mechanisms that can be misunderstood.
Baggott writes each character uniquely, with her own voice. I love this devise because the reader gets to understand every character’s intention, even when gone awry. Life is messy and Baggott gives the reader an engaging read as to how messy leads to more mess, even when the individuals are pure hearted. I highly recommend this novel. It would be a great book club read.
May 13, 2016
**4.5**
Where to begin with a book so rich and full? Let’s start with the beginning lines: “I was born dead – or so my mother was told …I was mute and sallow and already a bleeder, one red bead poised at each nostril.”
For me, it’s this kind of intrigue and beautiful use of language that drew me in immediately. Throughout the novel, it became clear the author’s poetry background, as the story is laced with lyrical metaphor and carefully constructed sentences.
Writers and readers alike, I think, will enjoy this book about an author who becomes a shut-in and who shares her difficult story from birth to adulthood. Simultaneously, her daughter and two granddaughters tell their stories of shared love and loss and longing – and misunderstanding – as well. Baggott does such a wonderful job of creating unique voices and superb characterization for each female protagonist (We have four narrators – Harriett, her daughter Eleanor, and Eleanor’s daughters Ruth and Tilton).
If you enjoy literary fiction about mother-daughter, mother-father relationships (and even enjoy jabs at academia), this is a fine, fine read. I found myself re-reading sentences and really thinking about the nature of parent-child relationships and how realistically the author portrayed those unspoken secrets among family members that lead to conflict, even when love is present.
On a side note: I’d have loved to learn more about the author’s research. In her acknowledgements, she alludes only to the fact that she spent many, many years researching (18 years writing). As well, I wanted an Author’s Note about Harriet Wolf. I’m ignorantly unsure if she was real – and/or if this was historical fiction. I surmised she was real, based on the photo at the beginning of the book and by the epigraph from a Wolf book (but thought it might be fictional as well). If she is part of the literary canon, 1) I am embarrassed for not knowing and 2) I wonder how much of the story is based on biographical accuracy and how much is the product of the author’s imagination. That said, not knowing these answers clearly didn’t detract from my enjoyment of the book and, perhaps, added to it. But those types of author notes always satisfy my readerly curiosity. (On another note – I found a blog for the Harriet Wolf Society, which publicly denounced this book… which, to me, is all the more reason to read it! Totally unsure if the blog is legit or a marketing product to add intrigue to the book – but fascinating nonetheless).
Where to begin with a book so rich and full? Let’s start with the beginning lines: “I was born dead – or so my mother was told …I was mute and sallow and already a bleeder, one red bead poised at each nostril.”
For me, it’s this kind of intrigue and beautiful use of language that drew me in immediately. Throughout the novel, it became clear the author’s poetry background, as the story is laced with lyrical metaphor and carefully constructed sentences.
Writers and readers alike, I think, will enjoy this book about an author who becomes a shut-in and who shares her difficult story from birth to adulthood. Simultaneously, her daughter and two granddaughters tell their stories of shared love and loss and longing – and misunderstanding – as well. Baggott does such a wonderful job of creating unique voices and superb characterization for each female protagonist (We have four narrators – Harriett, her daughter Eleanor, and Eleanor’s daughters Ruth and Tilton).
If you enjoy literary fiction about mother-daughter, mother-father relationships (and even enjoy jabs at academia), this is a fine, fine read. I found myself re-reading sentences and really thinking about the nature of parent-child relationships and how realistically the author portrayed those unspoken secrets among family members that lead to conflict, even when love is present.
On a side note: I’d have loved to learn more about the author’s research. In her acknowledgements, she alludes only to the fact that she spent many, many years researching (18 years writing). As well, I wanted an Author’s Note about Harriet Wolf. I’m ignorantly unsure if she was real – and/or if this was historical fiction. I surmised she was real, based on the photo at the beginning of the book and by the epigraph from a Wolf book (but thought it might be fictional as well). If she is part of the literary canon, 1) I am embarrassed for not knowing and 2) I wonder how much of the story is based on biographical accuracy and how much is the product of the author’s imagination. That said, not knowing these answers clearly didn’t detract from my enjoyment of the book and, perhaps, added to it. But those types of author notes always satisfy my readerly curiosity. (On another note – I found a blog for the Harriet Wolf Society, which publicly denounced this book… which, to me, is all the more reason to read it! Totally unsure if the blog is legit or a marketing product to add intrigue to the book – but fascinating nonetheless).
April 29, 2015
Wow. This book was amazing. It's not a dessert book, not light nor sweet. It's more like a steak - you have to work at it, thoughtfully chew each bite until it's all gone and you feel pleasantly full. Baggott wrote of her characters so lovingly that even at their worst, you kind of love them too. Harriet was amazing. And Eppitt! I would have loved to have heard some of this story from his point of view but even without it, the story feels complete. A beautiful story of first love and the bonds and fears mothers and daughters share and hide.
August 26, 2015
Harper Lee’s “Go Set a Watchman” isn’t the first “found” manuscript to capture the public’s attention, but has any other literary discovery ever generated such boundless frenzy? You can bet editors and publishers have noticed. That rustling you hear is the sound of scholars rifling through special collections in the world’s libraries while hopeful relatives smash apart antique desks. Hallelujah — here’s Agatha Christie’s dry-cleaning bill! And there’s an ironic Post-it Note from David Foster Wallace!
You think I’m kidding, but even now, Random House is drumming up coverage for a “new” collection by Truman Capote that includes stories he wrote for his high school newspaper. (Let’s call it “In Old Blood.”)
If nothing else, this mania for literary treasures provides the perfect moment for Julianna Baggott’s new novel, “Harriet Wolf’s Seventh Book of Wonders.” In a daring bit of whimsy, Baggott has imagined what it would be like to have written a phenomenally popular series, a collection of novels that everyone has read. . . .
To read the rest of this review, go to The Washington Post:
http://www.washingtonpost.com/enterta...
You think I’m kidding, but even now, Random House is drumming up coverage for a “new” collection by Truman Capote that includes stories he wrote for his high school newspaper. (Let’s call it “In Old Blood.”)
If nothing else, this mania for literary treasures provides the perfect moment for Julianna Baggott’s new novel, “Harriet Wolf’s Seventh Book of Wonders.” In a daring bit of whimsy, Baggott has imagined what it would be like to have written a phenomenally popular series, a collection of novels that everyone has read. . . .
To read the rest of this review, go to The Washington Post:
http://www.washingtonpost.com/enterta...
September 6, 2015
It's been a long time since I've read something that I've felt genuinely excited about. I don't know if that's a function of the books I've been reading not being particularly exciting or if it's a function of my life being kind of insane lately. Either way, this was such a fun book, and I thoroughly enjoyed reading it. A full review to come.
March 17, 2016
IF you think that it is wonderfully special and mystical when your lover insists on describing your love affair as 'bloomed' when he means 'doomed' and 'blessed'...then this book may appeal to you.
IF the words that spring to mind when you see a breastfeeding infant are 'rabid piglet'...then this book may appeal to you.
IF you think that a series of books will become a world wide sensation when the first book is a children's book, the second is a book about the same children now teenagers in a dystopian society, the third is a romance about the same children now as young adults, published years apart....then this book may appeal to you.
IF you think that an infant who is placed in a home for mentally disabled children at birth and raised there without any family contact until the age of 14 will develop into a person who can sustain emotional relationships...then this book may appeal to you.
If you wouldn't even raise an eyebrow, or ask any questions, when your new husband says his job is 'hiding things'....then this book may appeal to you.
IF you think that Munchausen syndrome by proxy is actually a sign of deep devotion of a mother to a child...then this book may appeal to you.
IF you think that it is not despicable for a mother to tell her children a nightly true bedtime story where their family witnesses a plane crash which scatters body parts across a field through which they need to walk, and that ends with the mother saying 'and our family was broken apart never to be whole again'....then this book may appeal to you.
IF you are taking your agoraphobic 27 year old sister, who may or may not be autistic, to a restaurant for the first time in her life, and you think it is a good idea to order boiled Maryland crabs that you have to pick apart with your fingers and a mallet, rather than, oh, let's say, a chicken cutlet or some pasta ....then this book may appeal to you.
IF you think that when you make a promise to someone, you need to bind your hands together with string until the circulation in your hands cuts off, and then to keep the promise you must keep the string....then this book may appeal to you.
Well, I don't, and.... it didn't.
IF the words that spring to mind when you see a breastfeeding infant are 'rabid piglet'...then this book may appeal to you.
IF you think that a series of books will become a world wide sensation when the first book is a children's book, the second is a book about the same children now teenagers in a dystopian society, the third is a romance about the same children now as young adults, published years apart....then this book may appeal to you.
IF you think that an infant who is placed in a home for mentally disabled children at birth and raised there without any family contact until the age of 14 will develop into a person who can sustain emotional relationships...then this book may appeal to you.
If you wouldn't even raise an eyebrow, or ask any questions, when your new husband says his job is 'hiding things'....then this book may appeal to you.
IF you think that Munchausen syndrome by proxy is actually a sign of deep devotion of a mother to a child...then this book may appeal to you.
IF you think that it is not despicable for a mother to tell her children a nightly true bedtime story where their family witnesses a plane crash which scatters body parts across a field through which they need to walk, and that ends with the mother saying 'and our family was broken apart never to be whole again'....then this book may appeal to you.
IF you are taking your agoraphobic 27 year old sister, who may or may not be autistic, to a restaurant for the first time in her life, and you think it is a good idea to order boiled Maryland crabs that you have to pick apart with your fingers and a mallet, rather than, oh, let's say, a chicken cutlet or some pasta ....then this book may appeal to you.
IF you think that when you make a promise to someone, you need to bind your hands together with string until the circulation in your hands cuts off, and then to keep the promise you must keep the string....then this book may appeal to you.
Well, I don't, and.... it didn't.
September 4, 2015
I could feel my expectations crumble. I was intrigued by the concept. Reclusive author has one book that was left out of her amazing, classic series. Burdened with this legacy is her only daughter, Eleanor, and through her the author's (Harriet) granddaughters, Ruthie and Tilton. What unfolds is a story of these four women, their family and coming to terms with grandma Harriet. Or so I thought.
Despite some of the similarities to 'Go Set a Watchman' this book obviously isn't about that (or the author/publisher had a fantastic sense of timing...). The novel alternates between the voices of the four women and telling their stories of love, loss, resentment, maturity and the like. But unfortunately it didn't work for me.
Books that alternate views often hit or miss with me. Initially I found the style intriguing and gripping. But as I went along I found it became tedious and I still occasionally had to flip back to see whose POV I was reading. One thing I also couldn't stand was that Harriet's sections were in italics. I understand the device to set her off from the others (she's dead), but my eyes disliked it.
After awhile the story got boring. What I thought was going to be about the lost book was really about Harriet's love story, Ruth reconciling with her family, Tilton maturing and Eleanor who has to cope with her two daughters. The constant shift in narratives made me think of a car that stops and goes and fits and spurts--there's no momentum. My interest in the book waned and overall I thought the book really needed a stronger editor.
Again, it seems like I'm once again in the minority for this book. Perhaps I just wasn't the audience for it. I checked it out from the library and am glad I didn't buy it.
Despite some of the similarities to 'Go Set a Watchman' this book obviously isn't about that (or the author/publisher had a fantastic sense of timing...). The novel alternates between the voices of the four women and telling their stories of love, loss, resentment, maturity and the like. But unfortunately it didn't work for me.
Books that alternate views often hit or miss with me. Initially I found the style intriguing and gripping. But as I went along I found it became tedious and I still occasionally had to flip back to see whose POV I was reading. One thing I also couldn't stand was that Harriet's sections were in italics. I understand the device to set her off from the others (she's dead), but my eyes disliked it.
After awhile the story got boring. What I thought was going to be about the lost book was really about Harriet's love story, Ruth reconciling with her family, Tilton maturing and Eleanor who has to cope with her two daughters. The constant shift in narratives made me think of a car that stops and goes and fits and spurts--there's no momentum. My interest in the book waned and overall I thought the book really needed a stronger editor.
Again, it seems like I'm once again in the minority for this book. Perhaps I just wasn't the audience for it. I checked it out from the library and am glad I didn't buy it.
August 18, 2015
"Harriet Wolf's Seventh Book of Wonders" by Julianna Baggott, swept me up in the first pages with it's fascinating and unique plot, beautiful prose, accessible structure, and most especially, it's vivid and varied characters.
Near the turn of the last century, Harriet was born dead; she tells us this right away. She rallied but her father didn't trust her to remain alive so he told her mother than she was stillborn and sent her to the Maryland School for Feeble Children. Who wouldn't want to keep reading after an introduction like that?!
What follows is the weird and wonderful life of Harriet Wolf, her daughter, Eleanor, and her granddaughters Ruth and Tilton. It's a super-dysfunctional family, and thus riveting. Each section is narrated by one of these four women and their voices and individual stories are so beautifully crafted that we can't fail to care about what happens to them - even the least likable character (anxious and up-tight, Eleanor) is written with kindness, insight and wit. (She was perhaps my favorite for all her damage.)
Harriet wrote six novels about the life of a couple, Daisy and Weldon, and became a huge literary success. A seventh novel was to complete the story of Daisy and Weldon...but did Harriet ever write it? (It would be worth millions.) If so, where is it?
Here is where the novel gets both fascinating and timely! Harriet is a novelist a la, JD Salinger or Harper Lee, who becomes a recluse with a vast and voracious fan base. Eleanor becomes her "gatekeeper", which is reminiscent of all the recent publicity surrounding Harper Lee's "found" novel and the speculation that it was discovered before her sister (Lee's "gatekeeper") passed away and they were just waiting for that opportunity to publish it.
The novel explores the nature of authorship, and what, if anything, a beloved author "owes" his/her readers. (I also thought of "Misery", by Stephen King, which explored the rabid-reader theme in a different way.) Readers do become attached to fictional characters (again the recent Harper Lee debacle), but what responsibility does an author have toward the characters they create and toward the readers? Again, I'm reminded of Kate Atkinson's fabulous novel, "A God in Ruins", which, in part, explores the power of the author to create, manipulate, and destroy characters.
This is a novel that MOVES; things happen! There is a pivotal plane crash, a very public heart attack, there is as scathing a description of Literary Academics as I've ever encountered, there are chilling eugenics, Mobsters, motorcycling lions, and there is love. Love, because Harriet tells us that all stories should be about love.
Baggott explores with fresh perspective, the nature of parenting, the relationships between mothers and daughters and between sisters, as well as the affects of absent fathers. With skill grace, Baggott beautifully converges the stories of these four women, past and present, to a satisfying, touching, surprising, and wondrous conclusion.
I highly recommend "Harriet Wolf's Seventh Book of Wonders" and I'm so glad to have been introduced to Julianna Baggott's wonderful writing. This certainly won't be the last book of hers I will read. If I may be so presumptuous I have a humble suggestion to Ms. Baggott; the section where Ruth ruminates about academia, and literature professions in particular, was absolutely wonderful; both witty and devastating - but too short! Would you consider writing a whole book around the topic? Maybe more of Ron and Ruth? Some of my favorite novels have satirized academia: Russo's, "Straight Man", Prose', "Blue Angel", Smiley's, "Moo". I think you have a lot to add to that genre!
Near the turn of the last century, Harriet was born dead; she tells us this right away. She rallied but her father didn't trust her to remain alive so he told her mother than she was stillborn and sent her to the Maryland School for Feeble Children. Who wouldn't want to keep reading after an introduction like that?!
What follows is the weird and wonderful life of Harriet Wolf, her daughter, Eleanor, and her granddaughters Ruth and Tilton. It's a super-dysfunctional family, and thus riveting. Each section is narrated by one of these four women and their voices and individual stories are so beautifully crafted that we can't fail to care about what happens to them - even the least likable character (anxious and up-tight, Eleanor) is written with kindness, insight and wit. (She was perhaps my favorite for all her damage.)
Harriet wrote six novels about the life of a couple, Daisy and Weldon, and became a huge literary success. A seventh novel was to complete the story of Daisy and Weldon...but did Harriet ever write it? (It would be worth millions.) If so, where is it?
Here is where the novel gets both fascinating and timely! Harriet is a novelist a la, JD Salinger or Harper Lee, who becomes a recluse with a vast and voracious fan base. Eleanor becomes her "gatekeeper", which is reminiscent of all the recent publicity surrounding Harper Lee's "found" novel and the speculation that it was discovered before her sister (Lee's "gatekeeper") passed away and they were just waiting for that opportunity to publish it.
The novel explores the nature of authorship, and what, if anything, a beloved author "owes" his/her readers. (I also thought of "Misery", by Stephen King, which explored the rabid-reader theme in a different way.) Readers do become attached to fictional characters (again the recent Harper Lee debacle), but what responsibility does an author have toward the characters they create and toward the readers? Again, I'm reminded of Kate Atkinson's fabulous novel, "A God in Ruins", which, in part, explores the power of the author to create, manipulate, and destroy characters.
This is a novel that MOVES; things happen! There is a pivotal plane crash, a very public heart attack, there is as scathing a description of Literary Academics as I've ever encountered, there are chilling eugenics, Mobsters, motorcycling lions, and there is love. Love, because Harriet tells us that all stories should be about love.
Baggott explores with fresh perspective, the nature of parenting, the relationships between mothers and daughters and between sisters, as well as the affects of absent fathers. With skill grace, Baggott beautifully converges the stories of these four women, past and present, to a satisfying, touching, surprising, and wondrous conclusion.
I highly recommend "Harriet Wolf's Seventh Book of Wonders" and I'm so glad to have been introduced to Julianna Baggott's wonderful writing. This certainly won't be the last book of hers I will read. If I may be so presumptuous I have a humble suggestion to Ms. Baggott; the section where Ruth ruminates about academia, and literature professions in particular, was absolutely wonderful; both witty and devastating - but too short! Would you consider writing a whole book around the topic? Maybe more of Ron and Ruth? Some of my favorite novels have satirized academia: Russo's, "Straight Man", Prose', "Blue Angel", Smiley's, "Moo". I think you have a lot to add to that genre!
September 18, 2015
Very rarely do I ever pick up a book that I have never heard of. If you know me, you know I have heard of most new books from one of my bookish friends or another. But I just happned to literally knock this book off the shelf while looking at another. I picked it up, and read the cover and was intrigued. And to be honest, I loved it.
The story of 4 women, and how their lives turned into the women that they present to the world. It is a tell that shows you how much we don't really know about those we love, how easy it is to over protect your children, and how family is always so very important. Not to mention Love as a powerful part of each person's development.
I highly recommend this book, and hope that more people read it. And I may have to knock more books of a shelf...
The story of 4 women, and how their lives turned into the women that they present to the world. It is a tell that shows you how much we don't really know about those we love, how easy it is to over protect your children, and how family is always so very important. Not to mention Love as a powerful part of each person's development.
I highly recommend this book, and hope that more people read it. And I may have to knock more books of a shelf...
December 19, 2016
What a wonder of a book! As Harriet Wolf, her daughter Eleanor and her two granddaughters Tilton and Ruth each gradually reveal themselves, it became impossible for me to stop reading - I was so caught up in their stories. This will be a fantastic book group choice because of the way that it explores the ties between mothers and sisters, and the power of stories. And the love story is unforgettable!
Thank you to Little, Brown and Company and NetGalley for an advance copy of this book.
Thank you to Little, Brown and Company and NetGalley for an advance copy of this book.
February 8, 2016
Revealed in wonderful, absorbing layers, Baggott once again forges into new territory in this family drama that crosses generations and consciousness. The voices within the book, of Harriet, her daughter and her granddaughters are individual and strong and the story resonates with images that echo throughout each of these points of view. A lovely read.
August 1, 2022
Harriet's POV is the only one out of the four that kept me reading, but I'm so glad I did. I'm kind of surprised that I'm giving this as many as four stars, but after that ending (Harriet's last chapter, not the actual last chapter), how can I not?
CW: institutionalization of disabled people (including children), discussion of forced sterilization of disabled people (including children), ableism, deaths (including parental deaths), injuries, hospitalization, plane crash, infidelity, referenced past stillbirths, sexism, off-page animal death
CW: institutionalization of disabled people (including children), discussion of forced sterilization of disabled people (including children), ableism, deaths (including parental deaths), injuries, hospitalization, plane crash, infidelity, referenced past stillbirths, sexism, off-page animal death
February 15, 2016
Baggott writes in four distinct voices in this book: Harriet's, her embittered (but funny) daughter Eleanor, Ruth, Eleanor's daughter who ran away from home at 16, and Tilton, the youngest daughter, whom Eleanor has a Munchausen syndrome by proxy relationship. Each one has their own relationship to Harriet's books: Harriet herself, who transformed a tragic life into novels that succeeded both popularly and academically; Eleanor, whose jealousy of Harriet's fondness for her characters shapes her into the bitter woman she becomes; Ruth, who enters academia and believes her lit professor husband only wants her because of her connection to the possible seventh book; and Tilton, who shares a metaphysical connection with Harriet and whose skewed view of the world is startlingly truthful.
Watching these four women navigate their relationships, I want to laugh at how unnecessary the men in this novel are. There is a great love story here, but it isn't as important as the connection between mothers and daughters. It's an inversion of the usual "woman as object to propel male character's journey." Harriet sets her and her descendant's lives in motion because of her father's decision to institutionalize her, and her lover's decision to leave her. At the end of the book, Ruth is determine to retrieve her own daughter from her first husband's custody, knowing she will have to hover over Hailey with love, determination, and patience.
Watching these four women navigate their relationships, I want to laugh at how unnecessary the men in this novel are. There is a great love story here, but it isn't as important as the connection between mothers and daughters. It's an inversion of the usual "woman as object to propel male character's journey." Harriet sets her and her descendant's lives in motion because of her father's decision to institutionalize her, and her lover's decision to leave her. At the end of the book, Ruth is determine to retrieve her own daughter from her first husband's custody, knowing she will have to hover over Hailey with love, determination, and patience.
June 18, 2017
Very slow with mostly unlovable characters. It took me a long time to finish and it was only redeemed by the last 100 pages. However, I did love this line, "It's like a life is a pact that gets wound from the hands of one generation to the next, but if you don't tell your life, if you don't hand it over, you're cutting the string. The the next generation has no tether. They float off like an astronaut, alone." Okay, that line alone makes me round up to a 3.
August 25, 2015
A lovely story of a multi-generational dysfunctional family, well told. Also a love story.
April 4, 2016
A constant danger of writing a book about a mysterious, beautifully written and beloved book or books is that the author may not be up to the challenge of making us believe in that magical collection of works. It was clear in this story that Harriet, the supposed author of a book series widely read and sought after, is hardly capable of that kind of work. Her voice sounds banal and plodding to me. The best description of her writing was actually said by Eleanor, her daughter: .."my sentences seemed propped up by toothpicks." There is no subtext; all meanings are beaten to a pulp. The obvious is stated and restated endlessly. The relationship between Harriet and Eppitt was tedious and sophomoric and did not seem up to the task of teaching millions of readers about Love and Life. (My eyes hurt from excessive rolling every time 'Bloomed' was referred to as a conflation of 'Blessed' and 'Doomed'.)
I also have an issue with contemporary writers using Autism (thinly disguised here) as somehow a portal into Life's Deeper Meanings. But that is a rant for another day.
I also have an issue with contemporary writers using Autism (thinly disguised here) as somehow a portal into Life's Deeper Meanings. But that is a rant for another day.
January 9, 2016
I love multiple perspective stories, and the way that Baggott also weaves this into a multi-generational story is beautiful. You fall in love with the intensely flawed characters. You realize important aspects of family and life with them. Although the book jumps back and forth between stories, they all connect in a tight little knot and move along in a coherent and cohesive manner. Gorgeously done
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January 24, 2015This book was amazing, with spiraling depths of psychological problems and makes a person wonder what actually happens in a person's mind. Julianna Baggott has outdone herself on this new and intricate hit book. Read an advanced copy.
April 21, 2017
This was such an utterly perfect "Christie book". It was told by 4 different women in the same family, one of whom is a famous writer, all of them have different mental and other issues. Everything was very layered, so the more I think about it the more I liked this book. Sooooo good.
December 13, 2018
This is an amazing story, well written, great character development. It covers three generations. It shares the lives of Harriet who was born more dead than alive, and I won’t say more, just read it if you like stories about quirky characters and unusual families.
May 28, 2020
3.5
I liked a lot about this book—mainly the chapters told in Harriet’s voice. It was about a writer and her family and what happens when she leaves a 7th book unpublished until her family absolutely has to publish it. Well-written but it lacked a certain emotional element for me.
I liked a lot about this book—mainly the chapters told in Harriet’s voice. It was about a writer and her family and what happens when she leaves a 7th book unpublished until her family absolutely has to publish it. Well-written but it lacked a certain emotional element for me.
January 1, 2016
A famous, reclusive author who has left a body of work that still intrigues readers and a mystery in the form of a resolution to the series she wrote? Ok, tell me more. Turns out, the author (the Harriet Wolf of the title) is dead and the mystery remains. Harriet's daughter Eleanor is an overly protective mother, her granddaughter Tilton is an agorphobic heavily allergic shut-in, and her granddaughter Ruth is just trying to lead a normal life (albeit one married to a leading Harriet Wolf scholar). Their lives come back together when Eleanor has a heart attack, and Tilton begins to wonder if now is the time to reveal what everyone is looking for: Harriet's final work. Interspersed with all this is that book, biography rather than the fiction expected.
I loved the different characters and their interactions. Was Tilton really as allergy prone as she believes? Why did these women end up the way they did? My only regret was that the original six books are mentioned almost in passing - I wanted more about them. Maybe chunks of them. Why? They sounded so good they deserved more than a few sentences.
ARC provided by publisher.
I loved the different characters and their interactions. Was Tilton really as allergy prone as she believes? Why did these women end up the way they did? My only regret was that the original six books are mentioned almost in passing - I wanted more about them. Maybe chunks of them. Why? They sounded so good they deserved more than a few sentences.
ARC provided by publisher.
September 1, 2015
Famous author and notorious recluse Harriet Wolf is rumored to have a long-lost manuscript, the seventh and final book in her famed series — and if it exists, it just may hold the key to her ultimate confession posthumously.
Told from the perspectives of each of the four Wolf women (Harriet, the matriarch of the family, her daughter Eleanor, and her granddaughters Tilton and Ruth) and spanning three generations in narration, this book is astounding -- a heartrending story of love, loss, and redemption and explores the complicated yet sacred nature of mother-daughter relationships.
I don't want to give anything away but I savored every page of this book and cried as I read the last four chapters. It’s a beautifully written story with complicated characters and vivid, lush prose. No review can really do the experience of reading this book justice. I cannot urge you strongly enough to read it for yourself.
Told from the perspectives of each of the four Wolf women (Harriet, the matriarch of the family, her daughter Eleanor, and her granddaughters Tilton and Ruth) and spanning three generations in narration, this book is astounding -- a heartrending story of love, loss, and redemption and explores the complicated yet sacred nature of mother-daughter relationships.
I don't want to give anything away but I savored every page of this book and cried as I read the last four chapters. It’s a beautifully written story with complicated characters and vivid, lush prose. No review can really do the experience of reading this book justice. I cannot urge you strongly enough to read it for yourself.
November 9, 2015
You know that saying: One of the differences between the North and the South is that in the North they hide their crazy relatives in an upstairs closet when company comes, while in the South, we bring ours downstairs and put them on display in the parlor so everybody can enjoy them? Well all four of the ladies in this book should hope to be honorary Southerners, because they were ALL crazy. And not just a little crazy. However, since they were from the North, one can only assume they were safely stashed away in a closet. And that's where they belong. In the closet. Stories about interesting crazy make for good reading, but stories about bad crazy are just a waste of time. This book was a total waste of time and reading it used several hours of my life that I'll never get back. Don't do it! Can you tell I feel a little strongly about this one?
May 27, 2015
I really enjoyed this one-- and what's better than a book about a book? The writing was lovely, and I've dog-eared so many pages because I loved so many passages. Stick through the first 50 pages-- it'll be worth it!
December 17, 2017
I really enjoyed this book. I loved that it is set in the East Coast, from where I’m from, and the towns were all familiar. The relationships between mothers and daughters that are explored in this were heartwarming and heartbreaking. This really was a great book.
March 14, 2017
A wonderful book!
Wow! I really enjoyed this book. I am a sucker for a book about multigenerational families and for a book that is about books and/or writers of books. As an added bonus, the writing is lyrical. I will certainly read other books written by Ms. Julianna Baggott.
The book is about three generations of Wolf women and the narration moves back and forth among them. Harriet Wolf is born of a weak mother and her father sends her to the Maryland School for Feeble Minded Children (sadly, a real place) as soon as she is born. Over time, it is discovered that she is a genius. While at the school, she falls in love with Eppitt Clamp, another student and abandoned misfit, and they have a marriage pact. Her father eventually takes her home after her mother discovers that her daughter is alive. There are some happy years, until a tragedy results in her reinstitutionalization. Harriet and Eppitt find each other and have a few blissful years. He is involved with mobsters and this disrupts their life, but not before they have a baby girl named Eleanor. Eleanor has two daughters named Ruth and Tilton. Eleanor has a failed marriage and Ruth has a couple of them. Tilton never leaves home because her mother is convinced that she has a very weak constitution. Eleanor protects Tilton from everything, often by hilarious means.
Harriet is a successful novelist with six books and rumors of a seventh. Only one member of the family knows the truth. After Harriet's death, the family is plagued by members of the Harriet Wolf Society, Wolf scholars, and fans. They shun any attention and will give out no information. When Eleanor has a heart attack (while stuck in a window in her house!) Ruth returns home to take care of her sister and honor one of their pacts. Family resentments and conflicts abound.
I am not doing the plot justice partly because I do not want to give away the surprising and good bits. This is a book about family and how far you will go to help each other. There are a lot of funny scenes, but the book is not slap stick or ridiculous. A less skilled writer could not have pulled this off. The characters are flawed but I was rooting for all of them. I must say again, the writing is just beautiful. I enjoyed everything about this book and hated to see it end.
Wow! I really enjoyed this book. I am a sucker for a book about multigenerational families and for a book that is about books and/or writers of books. As an added bonus, the writing is lyrical. I will certainly read other books written by Ms. Julianna Baggott.
The book is about three generations of Wolf women and the narration moves back and forth among them. Harriet Wolf is born of a weak mother and her father sends her to the Maryland School for Feeble Minded Children (sadly, a real place) as soon as she is born. Over time, it is discovered that she is a genius. While at the school, she falls in love with Eppitt Clamp, another student and abandoned misfit, and they have a marriage pact. Her father eventually takes her home after her mother discovers that her daughter is alive. There are some happy years, until a tragedy results in her reinstitutionalization. Harriet and Eppitt find each other and have a few blissful years. He is involved with mobsters and this disrupts their life, but not before they have a baby girl named Eleanor. Eleanor has two daughters named Ruth and Tilton. Eleanor has a failed marriage and Ruth has a couple of them. Tilton never leaves home because her mother is convinced that she has a very weak constitution. Eleanor protects Tilton from everything, often by hilarious means.
Harriet is a successful novelist with six books and rumors of a seventh. Only one member of the family knows the truth. After Harriet's death, the family is plagued by members of the Harriet Wolf Society, Wolf scholars, and fans. They shun any attention and will give out no information. When Eleanor has a heart attack (while stuck in a window in her house!) Ruth returns home to take care of her sister and honor one of their pacts. Family resentments and conflicts abound.
I am not doing the plot justice partly because I do not want to give away the surprising and good bits. This is a book about family and how far you will go to help each other. There are a lot of funny scenes, but the book is not slap stick or ridiculous. A less skilled writer could not have pulled this off. The characters are flawed but I was rooting for all of them. I must say again, the writing is just beautiful. I enjoyed everything about this book and hated to see it end.
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