A review for HUNTING MONSTERS, FIGHTING DEMONS, and BURNING ROSES by S.L. Huang. This is an interesting series: not three full length books, or even multiple full length books with a novella here and there. Instead, Hunting Monsters and Fighting Demons are short stories, only 40 pages (in my version online), whereas Burning Rose is about twice the length, a novella rather than a short story. The series starts out strong: Hunting Monsters follows a young girl who, since her birth, has been warned not to ever shoot a grundwirgen, an animal with the ability to think and talk like a human. (Of course, this—as discussed in the later books—is a very vague descriptor; some grundwirgen are born grundwirgen, others are humans cursed to become animals, others are cruel creatures, etc. It is, as Huang puts it, a very "western" term, without the specificity but with the overarching sense of discrimination and horror applied to every single magical creature.)
Hunting Monsters, while short, packs a good punch. We do not connect so deeply to every character—really, the only character I found particularly interesting was Rosa, our main character's mother, who takes care of her after the main character's birth mother / Rosa's lover is jailed for killing a grundwirgen. This, we learn, is a very base descriptor: in truth, the story is far more complex than that. S.L Huang uses Hunting Monsters to set up the bitter arc that continues throughout all three of the novels. With careful, loving care, she crafts Rosa's character as a tortured mother; and her daughter, our main character Xiao Hong, slowly spirals into bitterness as more and more of Rosa's past is revealed. In truth, I found her often too irritating, taking everything at face-level, and if I had simply read Hunting Monsters, I would have continued to do so—but the point, I later learn, the theme arching over all three books, is to question why and how our loyalties to our families work. Can we forgive them for anything? Must we? How can we love someone when they have done terrible things? Especially considering the main character is Asian—and as an Asian woman myself, this theme was rather hard-hitting—this question is crucial: despite what Asian cultures regularly tell us, we can hate our parents; sometimes we must. But we can still love them, even as we condemn them. And so, while I thought Xiao Hong could have been crafted with more care—with personality traits other than "I hate my mother"—her arc serves to perfectly set up Burning Roses, the main and best book of this series. After all, this is Rosa's story, and learning about Rosa's daughter is the best way to learn about Rosa herself.
Then comes Fighting Demons, the weakest of all three stories in S.L Huang's grundwirgen universe. As Xiao Hong and her mother Mei travel east, arriving in a country based on China, they stumble upon a boy named Meng Jiao, who is determined to save his mother, a snake demon, from captivity. As this war continues and Mei joins the fight, Xiao Hong and Meng Jiao stumble through their conflicted loyalties—or lack thereof—towards their mothers. They are on opposite sides of the same battle: Xiao Hong is determined to hate Rosa, neglecting the mother who raised her with loving care; and Meng Jiao loves his mother without abandon, despite knowing nothing about her. They converse maybe twice throughout the course of the book; perhaps this is why I found this book so weak. Slowly, Xiao Hong and Meng Jio find a careful balance between blind love and hatred, realizing they can love their parents while still recognizing their weaknesses. As S.L Huang described it, this story is crucial to the arc of the story: because Xiao Hong ends Hunting Monsters festering with hatred and horror for Rosa, she cannot truly dedicate herself to finding her until she comes to terms with what happened. Again—I found her too one-sided, too blind. But this is the point; both she and Meng Jiao are children, young adults, struggling with their love for their mothers. They must learn to close the gap between their love and hate before they can close the gap between them and their mothers. Of course, because the story is so short, we don't really have time to connect to Meng Jiao, and because Rosa doesn't feature in this story, the one strong, fleshed-out character I loved in Hunting Monsters couldn't save me from the others. But despite the weaknesses I found in these characters, Burning Roses tied everything up neatly for me.
Because Burning Roses solidifies the truth: that this is Rosa's story, not Xiao Hong's, but then, because Rosa is a mother, it is inevitably about her daughter, too. Burning Roses, longer than Hunting Monsters and Fighting Demons, carries more weight. We follow Rosa through her past and her present, up to a hopeful reunion with her lover and daughter. Rosa is fraught with horror and self-hatred—and not, obviously, for no good reason. The story is a retelling of Little Red Riding Hood, Goldilocks, and a continuation of Beauty and the Beast (from the earlier stories), but this is a tortured, horrifying version of it. Rosa is given a space as her own character, but this story is about family: can she allow people to love even the worst parts of her? When taken in juxtaposition with Xiao Hong's story—how can you love the worst parts of someone?—the story is sharper, starker, more meaningful. It is cutting and harsh, and S.L Huang does not shy away from the pains of how parents hurt their children, nor how parents hurt themselves in trying to protect their children. Rosa, now fleshed out and stronger, must learn to allow people to love her; and given how we learned Xiao Hong just learned to love Rosa again, it means so much more. It is a story about coming together, loving throughout pain, forgiveness. The strength of this story is not the characters, but the themes, and how the characters come together. It is a story to immigrant daughters and people in toxic relationships with their parents, a story for those who love unconditionally and those who find it hard to love at all. The story only strengthens throughout the three books, and though each can be enjoyed individually, S.L Huang's strength is in how each of the books fit together. I highly, highly recommend.