When a mysterious giant of a man arrives in a vast steampunk megalopolis, death walks beside him, leaving a trail of corpses in their wake. It’s up to a dysfunctional yet dogged police investigator to find the strange colossus and stop him before the bodies pile even higher… But soon the truth is discovered that this case is far more complicated than the detective could’ve possibly conceived: a veritable battle between nature and city is unfolding, whose very outcome could forever change the face of the earth.
Wow, the illustrations are amazing! The colours and the technique is something extra in this one. The illustrator really plays with perspective and helps the reader get a feeling for the story with the help of colours.
What is it about then? Well, its an story about humanity, enviroment, darkness and the old fight between good and evil but with ALOT more greyscales then I am used to see.
Its like a Blade Runner meets Nausicaa, meets ultra violence all in the same graphic novell. I really looking forward to read next volym!
If you're a fan of the old testament, only with 2 gods of war, eye for an eye type of thing and minus the free will ingredient, this is for you. The only problem solving skills are kill or be purified. Disappointing.
Very slick. I liked the absence of dialogue in many sections, and the art was very pretty. Part Bioshock, a dash of Dark City, and some other weirdness mixed in added up to an entertaining comic.
Nice metaphor to fight between industrialization and return to nature. Interesting steampunkish like world that incorporate many modern inventions but still keeps some 'charm' of the industrial revolution. Story is swift, with right amount of action, but still could use some more page to better build the world and background, especially when ending is kind of left to reader's interpretation.
I really liked art, which was dynamic and fresh, despite the fact that sometimes it was like looking through fish eye. So big boo to ladies and gentlemen in Humanoids who thought that just placing English texts over original French ones in various panels would be good idea... maybe you made your job easier, but I hope this was the last comics you were allowed to touch and screw up.
An interesting story about the intersection between delusion and religious belief, told with just the right amount of subtle ambiguity. My only complaint is that the visual storytelling was occasionally unclear and hard to follow.
You remind me of me, some 50 years ago... not you appearance of course. I was also quite lost, the first time I came to the city. It was during the great famine... I had just left my village for the first time. Today it's completely engulfed by the city... At the time, I would've given anything for a kind soul to teach me how to get by...
This was another Oxfam Bookshop find from the other week. An intimidating oversized hardback collection of the three volumes of Bramble. Once again, I wasn't aware of it prior to the purchase and didn't recognise the author or artist either. However, once again, the beauty of the art work and the 'blurb' on the back sucked me in.
In a vast steampunk megalopolis, a mysterious giant of a man leaves a bloody trail of corpses in his wake. What Edward Morniers, the dysfunctional yet dogged Police Investigator assigned to the case, will uncover is far bigger than anything he could have conceived...
The city is very much in the futuristic mechanical style that you'd find in Blade Runner or a dystopian nightmarish vision. The forest landscape, in contrast, is something out of a fantasy world, such as The Lord of the Rings. The story starts off as a journey of discovery. A gentle giant venturing into the city having witnessed a shooting star. It quickly shifts into a murder mystery when his above good Samaritan is found murdered. The style then takes on a Noir feel, with the much maligned detective being downtrodden at every turn.
However, that is just the beginning. The story is about so much more. There are waring twin gods, cultish devotees who blur the line between religion and obsession, good and evil, redemption, of a sort, and an ending that will leave you wanting to read it again. 4 1/2 stars.
A beautiful, grotesque book about the struggle between nature and industry/city. Is there anything original in this? In the story, probably not, but it is done very well and the images are striking. This is the tale of two Gods and the battle between them that has been raging for eons. The forest is beautifully rendered. The city is a steampunk/blade runner-esque metropolis. It's that combination that makes the images linger long after the book has been closed.
Hard to tell how much was lost in translation, this being originally written in French. Between that and the only written words being dialogue, it felt like something was missing at times. Both the story and the art are a wonderful cross between a dystopian steampunk, cyberpunk fantasy world. There's a lot going on here. I may have to read it again.
A beautiful world with grand scale of evil vs. good. A long time ago, two brothers created the world, each taking half. One focused on nature and the other the advancement of man. For centuries the technological worshipers have been waiting to free their god, but the side of nature has it's own herald.
Beautiful art and interesting characters make an enjoyable read. The ending however . . . not every story needs to end in a "?"