To start with, three disclaimers:
1. The author sent me a free copy of this book for review purposes
2. I'm sick and grumpy
3. I couldn't make myself read more than 10% of this book. My Kindle said that there were another 6 hours and 27 minutes remaining until I finished it, and I was just not willing to do that.
I feel a little betrayed. When the author contacted me, I checked out the existing reviews on Amazon, noting in particular one which mentioned the appalling state of grammar etc. I emailed KL warning him that I was willing to read it, but if the editing was that bad, then there's no way I'd be able to give him a good review. He assured me that this was a new edition which had been looked at by a professional editor. As you may have gathered from my 'betrayed' comment, this doesn't seem to have helped much.
In saying that, I guess poor editing insofar as spelling/grammar/phrasing ("are we seriously not doing 'phrasing' anymore?!") isn't a total deal-breaker. I've read plenty of indie books which could use the touch of an editor (and spell-check), but the story was so gripping and well done that I read them anyway. This was not such a book. I found it all terribly grey and unengaging, and I couldn't wait to reach the 10% mark so I could say I'd at least tried. I felt like the majority of sentences followed one set pattern, and they were so uniform that I actually started counting words per sentence (around 16). They started with 'the', had a little rise then finished. It was like the visual equivalent of a monotone.
Am I saying the author has a bad idea? By no means. Am I saying that nobody will like it? No, not at all - I'm sure it would serve the odd young adult as an introduction to fantasy. Less critical readers may also enjoy it, and the sheer uniformity and simplicity of sentences might make it suitable for those whose first language isn't English. I am not a young adult, I *am* a critical reader, and (would you believe it!) English is my first language. In a world full of so many amazing books that I can't possibly read them all in one life time, this particular novel wasn't going to make the cut.
Now, because as a former English teacher I can't help myself, here are some of the most egregious errors I picked up in the first 10%. Note that these are examples only; there were many, many more. Note also that I only included punctuation errors when they got in the way of understanding the sentence.
1. "Most days in June were sunny and warm enough not to be hot, and this was no exception." This is the first fricking sentence in the book, and it doesn't make any damn sense. "Warm enough not to be hot"??? What? Warm is a stage on the WAY to hot. "Not so warm as to be hot" perhaps?! "Not warm enough to be hot?" "A pleasant goddamn temperature"?!
2. "Still growling and ears back, but not bearing any teeth, Zeus reluctantly took a step forward." Poor toothless little thing. "Baring" = showing, "bearing" = carrying/having.
3. "He had fought wars, but would not speak of it. His past, like his pain, was shrouded in mystery. With the sun beginning to settle and his shoulders slumped, he started back to the house." Subject confusion - the "he" in these sentences is actually referring to two different people. Who fought wars? Whose past was shrouded in mystery? Whose shoulders were slumped? DIFFERENT PEOPLE. The same thing happens later, with "His massive hand reached toward him, and the white pearl in his medallion flared to life."
4. Use of the past perfect tense is lacking. When it's used, it's *usually* used correctly, but the author rarely bothers - as a result, there's significant temporal confusion (ooh, sounds like science!). "A force that lay sleeping within him rose" should be "A force that had lain sleeping with him". "his grandfather nurtured in him" should be "his grandfather had nurtured (with)in him" (also, this made me think about gardening for some reason. Like the protagonist's a little emo bonsai).
5. Haha, this was one of my favourites. The guy goes into this room where he trains in martial arts every day (as you do), and after years of doing this, he wanders in to find that "A gaping hole opened in the center of the room revealing stairs that led into darkness." I don't know about you, but I'd be surprised if there turned out to be a secret passage in a place I went every day. Actually, you know, scratch that - I'd be excited out of my freaking mind! As if that wouldn't be totally awesome!! And yet, as is often the case, there's no mention of the protagonist's emotional reaction: he just tootles on down the secret staircase with nary a care in the world.
6. So much painful awkwardness. "A calling came to Aaron in that moment." Yup, this is where he takes on his superhero-like mystical/fantastical powers and heritage. That sentence. A calling came to him. Do we know what the calling is? Do we know what it means? Do we know how it contributes to the story? No, no, and no. It's just a thing that happens. No need to elucidate plot points though, amiright?
7. Yodaisms. "Falcons, they are called, whispered his grandfather's voice." Our emo bonsai is also Yoda's offspring! Get in.
8. The protag does a whole lot of stuff for no apparent reason. He spontaneously "probed about with his other senses, but he couldn't feel anything." It's not like he's taking on some mindfulness-based meditation, he's just hanging out probing stuff on the off-chance.
9. "Slowly and with a certain amount of grace, he wielded the Falcons." - had no idea what he was talking about.
10. "Aaron became infused by his connection to everything around him." ..did somebody just make him into tea?
11. AAAGH. Adjective/adverb confusion! "'About as good as you did,' he answered." WELL. It's WELL.
12. Smirking. There is so much smirking. In fact, the random use of the verb 'to smirk' was so prevalent that I started to question whether I'd somehow misunderstood the meaning of the word my entire life. But no, this is what 'smirk' means according to the Oxford American dictionary, or whatever the inbuilt Kindle one is: "to smile in an irritatingly smug, conceited, or silly way". Now, let us look at some of the uses:
(a) "'I see,' she smirked." - the protag's mother, talking of how poorly he'd slept, a few hours after the guy's grandfather has died. (Incidentally, I didn't know whether the grandfather was the mother or the father's dad: there was no way of knowing, and as it turns out, it's a plot point.)
(b) "The corners of the professor's mouth rose in the slightest, forming a smirk," - the protag told his teacher that his grandfather had died and he wouldn't be able to take his exam. So the teacher smirks at him. I don't know about you, but this would lead to some punching. Incidentally, I'm not sure what this professor actually teaches: he says how he's setting a philosophy question for the exam, but that he hopes that the protag would major in his subject area of sociology. Philosophy and sociology are not the same thing.
(c) "Aaron smirked at the thought" (in response to his being scared).
(d) My favourite - "He gave a carnivorous smirk of knowing". The least improper use of smirk, but this sentence just cracked me up.
13. "How could he face an enemy that he could neither see nor touch? But he saw it when he mastered his fear and closed his eyes to see." What the actual..?! Firstly, how handy that he so instantly resolves his problem. Secondly, "closed his eyes to see"?! Thirdly, it then goes on to not describe seeing the enemy (ie the subject of the paragraph), but rather something completely different.
14. "He felt the energy given off by the trees eagerly willing to share with all those around them, but the people who walked among them were gray and closed off, oblivious to the rich world around them." Groan. So much groan. no back story, no reason, no explanation. Just authorial intrusion.
15. "The idea about how absurd this whole funeral thing still whittled away at him." "He got up quickly followed the crowd." "For a few fleeting moments, he thought he felt the ground beneath his knees and taste the sweet air of the sacred grove once again."
16. "He loosened his necktie, tossing it into the center console when he heard her voice call his name from behind." (So perhaps he only threw it when he heard her. Because he likes to throw stuff when people talk to him--he's an angry yodic bonsai.)
17. The emotional roller-coaster (in a bad way) of this paragraph: "'How can I know if you won't make another mistake like this again? I mean, you've taken everything we had and tossed it away. I thought what we had was special and enduring, and you ruined it! You can't get that back!' The bitterness of his words cut him as he saw the pain in her eyes." (Goes from 'maybe we'll get back together' to 'hells no, biatch!') It continues a couple of sentences later: "'I don't think you deserve another chance,' he sneered. "You stay away from me.' he screamed, earning them some worried looks from the departing funeral procession. 'All that we had is dead!'"
Laughter ensued. All I could imagine was this being acted out, Monty Python-style, with random melodramatic screams and wails.
18. What? "The truth may be presented, but if you are blind, there are consequences for your actions or in, his case, inaction."
19. "He felt the faint stirrings of a heart that was no longer there." Well, this is down-right impossible.
20. "He must guide Reymius's heir to transverse the crossroads between worlds" - 'transverse' and 'traverse' have very different meanings.
There were many more, but it's nap-time, and I've just written nearly 2000 words of outrage.
1.5 stars.