After about 1/3 of the book and a ton of POV changes and flashbacks, I finally figured out who the main character actually is, I think. I’m not sure all of the different PoVs were necessary, and I could’ve definitely done away with at least one or two of the flashbacks, but the story still remained gripping for the most part. I have to admit, the head hopping was especially annoying in the very beginning, but I got used to it after a while, and not too many new characters were introduced as the author slowly established the story.
I had a hunch within the first 50ish pages about what was going on, really. Although the author continuously tried to mislead the reader in a number of ways, while also giving legit hints at the truth, my opinion of what the truth was couldn't be swayed. Now, on page 308 the characters have finally figured out what I already knew from almost the beginning. It was almost frustrating to follow them so stuck on one of their theories, when the truth was blatantly obvious.
But the characters’ blindness doesn’t stop there. By page 402 we’re investigating an incident on a deeper level, an incident whose truth, based on what we’ve already learned or rather, what the characters have already learned, should be so very obvious, it might hit you in the face. I wanted to smack the main character on the head for not seeing it right away. Six pages later, she finally gets it.
The final confrontation was well done and suspenseful. Nonetheless, at the end of the book I was left with little more than, ok, so that was that.
In terms of writing style, one phrase repetition started to really irritate me about half way through: whenever the characters feel any kind of dread, they feel it in the pit of their stomach in some form or fashion. The author really could’ve dug a little deeper into his imagination and word pool here. Aside from that the language and style were enjoyable.