Dark Legacies Revealed in an Exciting Mystery
About three quarters through Casey Dorman’s thrilling, smart novel Pink Carnation, our narrator Professor Phineas Routledge tells the reader, “I sat back down and reflected on how cold-blooded killers often lacked a sense of humor.” They do indeed. Thankfully, Routledge more makes up for this deficiency with much wit and many arch asides. Indeed, he is a lively companion, prone to snappy retorts and evocative decriptions, particularly of varied Southern California topography.
The plot, which builds from two present-day murders on a film set echoing ones from killings 44 years earlier, features its fair share of dead bodies and wonderful intrigues. A duo of strong female characters – Routledge’s Vietnamese wife Kim and Lucia, a sister of the victim – gives the story an added layer, serving as counterpoints for the more ambiguously motivated men of the story, from the director Thornberg to the writer Elmore to the college trustee Umstead to the wealthy entrepreneur Wolf to the retired detective Fontana.
Dorman deftly unfolds a plot that moves in and out of the past, capturing a legacy of corruption that haunts Southern California to this day. One of the many pleasures of Pink Carnation is how effortlessly Dorman juxtaposes Orange County toniness with Santa Ana gangland grit. The last quarter of the novel really ratchets up the tension and suspense, featuring a dramatic boardroom scene and an exciting climax that includes a few surprises.
Simply put, Pink Carnation manages to be a tremendously fun read, even as it speaks to some of the darker legacies of South California history.