David Mack deserves the acclaim he has gotten, and in an age of prestige comics where many authors hype does not outstrip the quality of their output, Mack really does deliver. The first two arcs, Circle of Blood and Dreams, are interesting both in themselves and in contract to one and another. At first, Circle of Blood appears to be an early 1990s Grendel-inspired techno-noir guilty of no small amount of Orientalism. Yet as Mack builds the story, you realize that this is even more nuanced than Matt Wagner's work which it seemed to harken back to and Mack understands Japanese culture much more profoundly than it first appeared. Having lived in Korea and visited Japan myself, there are small details that show hints of understanding beyond exoticism and perhaps significant time spent in Japan. Mack's art and paneling gets better through the several acts of circle of blood, becoming more expressionistic and using chiaroscuro as well as Japanese symbolism to greater and greater effect.
While Circle of Blood moves from a techno-noir to something far more textured and mythic, "Dreams" jumps straight into the world of Kabuki as a dreamscape. The use of watercolors and multi-media as well as purely expressionistic story-telling techniques is particularly effective, especially when contrasted to the prior volume. Yes, Kabuki has sex and violence, but it is a highly accomplished bit of talking popular art to somewhere truly sublime.