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432 pages, Paperback
First published January 1, 1990
Cynthia Voigt's On Fortune's Wheel chronicles the revolving fortune of Birle as through the novel she inhabits various roles: Innkeeper's daughter, an amanuensis and slave for a philosopher in a different land, and the Earl's Lady. Throughout her shifting fortune, Birle remains practical and true to her word. Birle's love interest in the novel, Orien, also goes through his own upheavals in fortune. Birle falls in love with Orien fairly early in the novel seemingly due to his beauty, proximity, and newness: "Orien was always like the sunrise at the end of darkness, ever new and welcome, ever surprising" (116).
Much of On Fortune's Wheel is quietly suspenseful: "Fear pressed down heavy on her, her shoulder and legs, on her bent neck. In the blackness under the cloak fear was blind, a blind, groping thing struggling to get out like, like a kitten taken to be drowned in a sack" (62). Often, instead of action, the novel builds suspense through the use of metaphor and the emotions, especially fear, of its main characters. While this type of suspense is an enjoyable element of the book, it does add to the slow pacing of the first half of the novel.
Another interesting element of the novel is how the prose syntactically and grammatically mirrors the protagonist's state of mind and thought process. For example, Voigt utilizes repetition to convey Birle's anxiety and the cyclical thought process of worrying.
One of the overarching motif of the novel is storytelling: "Do you ever think, Birle, that the truth of stories is deeper than the truth of the world" (88). Similarly, the bond between Birle and Orien grows through the mutual sharing of stories and their own personal histories.
Overall, I enjoyed On the Fortune's Wheel by Cynthia Voigt for the simple nature of its storytelling. However, due to the novel's pacing, it did take a bit of time to become wholly invested in the characters.