First, I listened to the audiobook, because Angus King is a brilliant narrator and he did not let me down. Are there audiobook narrator awards? He deserves one.
As for the story, spoilers ahoy!
This gave major Mighty Max cartoon finale vibes. Which I know is a ridiculously niche reference, but... watching it as a kid messed me up. Basically, the good guys lose, but Max uses his magic hat to "reset" everything, going back in time to the start of the series, but with a brief helpful note.
That's almost exactly what happened here, just with magic stones and elder gods instead of a magic hat.
The twist is time travel. The narrator and the author he goes to work for are the same person. The author's final manuscript is a retelling of the narrator/author's life story. There are themes of inevitably and free will, predestination and futility, but it ends with the narrator (after just about giving in to his predestined future and making me want to punch him in the face) somehow managing to do something that wasn't written in the manuscript, suggesting that choice and hope may actually exist and there may be a way to break the cycle, this time.
The cycle involves parent/child CSA and sibling incest. And it's abhorrent and leaves you feeling like you need to wash. The narrator's sister was raped repeatedly by their father. He goes away to fight in the war, and returns to his sister having disappeared and his father having hanged himself. He never got over it. Once he became the author, he was a useless, emotionally unavailable parent who created an environment of isolation for his family. The kids only had each-other to socialize with and of course things got Flowers in the Attic, culminating in an incestuous pregnancy/ a little girl who the narrator mistakes at the start of the story as his missing sister.
...I wish the other fella had pushed him off the cliff while he had the chance, to be honest. A spark of hope is great and all, but...
Thougts/minor quibbles:
I didn’t like Tilly- I thought her character was annoying, but worse, lacked any nuance. Also the sex scene between she and the narrator could have been avoided. She was a caricature of a smug, deluded fanfiction writer and it was... awkward.
Likewise, the secondary characters don't get a ton of development. (And most of them are kind of garbage human beings. Honestly, the only ones who aren't are the child of incest and the housekeeper. I find stories where everyone sucks tedious, so at least there were a few characters who inspired more positive sentiment.) Which is ok, I think. The narrator doesn't have time to fraternize, he's trying to solve [his own] murder and find [his own] manuscript that will set him up for life (little does he know).
The pace was pretty steady, I didn’t find myself wandering (though Mr. King may be partly responsible for that), and the story was interesting enough. I will say, I was more invested before the twist. I had expected it to be fantastical from the start, and when it wasn’t, I was pleasantly surprised. Delighted, even. And then in the 4th quarter the time loop grenade got lobbed and I found myself sighing. I know I'm in the minority, here, but I think I would have preferred a version without the speculative fiction elements, just a straight up gothic-ish whodunit.
The writing was solid, competent and polished. The plotting was careful. The narrator was reasonably well-developed and, if not likable, at least someone you're willing to root for. Overall, it was an entertaining listen, and while I would drop my rating to 3, I feel like 4 is still pretty fair. Even though it was very Mighty Max.