'Terrifically lucid and compact . . . an unassumingly intuitive and insightful brief history . . . will tell you more about [Lynch's] life and filmmaking than a thousand academic studies' PETER BRADSHAW, THE SPECTATOR
The loss of David Lynch in January 2025 produced an extraordinary outpouring of love and grief that revealed how deeply he mattered. But the strength and size of this reaction came as a surprise to many. In life, Lynch was a wilfully obtuse cult filmmaker who had been unable to get a film financed for the last two decades of his life. In death, both the man himself and his work are unquestionably in the pantheon of all-time greats.
He leaves behind an adjective, 'Lynchian', a term used to describe work that echoes his. And yet, only Lynch could be truly Lynchian, and those who copy him fail to have an impact. So why does his work affect people so deeply? Why do some find it haunting and unforgettable while others dismiss it as meaningless? Answering that question takes us into the strange realms of psychology, art and theology. We will discover why ambiguity and mystery are so seductive, how Lynch's creative and meditative practices overlapped and why a director whose work contains so much abuse of women has such a female-skewing fanbase.
Through a personal, first-person lens, Lynchian unpacks the mystery but refuses to solve the enigma of an artist whose work reshaped cinema from the inside out - where story gives way to dreams, and meaning lies not in answers, but in experience.
My favourite social commentator tributes my favourite cinematic creator, a respectful and appropriate tribute. No deep dives here, none promised, none needed. A fan's collection of all we can know is here, a lasting obituary to the only man who could ever have been Lynchian.
A eulogy of sorts for the man and unique genius that was Lynch. I learned a few interesting tidbits and the author’s love for the director is evident, but I don’t know what is being added to the story of the man himself. The more negative moments of his career are only glossed over and deserve more attention. Lynch and his works are legend already and will eventually qualify as myth, of that I have no doubt. His art, his ideas, his instincts are unparalleled. This is a donut of a book.
First of all, I would like to say that it is an easy-to-read book and does not provide very detailed information about Lynch's art and life. However, I think this is a good thing and makes the book intriguing. In a way, it feels like an introduction to David Lynch.
I was really disappointed that he signed Roman Polanski's petition. I had heard about it, but I couldn’t research it deeply. I felt a little relieved when he later expressed his regret, as his daughter mentioned.
I love him, and his perspective on life, art, and meditation is quite mesmerizing. I also love that he chose meditation rather than drugs and even wrote a book about it. I want to Catching the Big Fish soon as possible.
One of my favorite things he has ever made is Twin Peaks. I love the first season so much. Of course, I love the other seasons too, but the first one is epic. I love every character in the show. Along with Agent Dale Cooper and the others, I especially like the character of FBI Agent Denise Bryson, played by David Duchovny. I love this character, and he played the role very well. There is a passage in the book that I would like to quote here:
"His individual-first intuitive thinking was softened by the striking kindness he displayed to others. His portrayal of the transgender FBI agent Denise Bryson, played by David Duchovny, in Twin Peaks is a good example of this. One line in particular has become beloved in trans circles, not least because it is delivered by Lynch himself in the role of FBI Deputy Director Gordon Cole, giving it a sense of strong authorial intent. Discussing how Bryson's transition had originally been mocked in the Bureau, Cole says that, 'I told them, those clown comics, to fix their hearts or die!' Lynch was not a person to deliver platitudes about the trans community in general, because that was not how his mind worked. His treatment of individuals, however, is the level on which he is usually judged."
An enjoyable read but not one that goes into much detail. This book is taken from 4 key pieces of source material, a key one being room to dream by Kristine McKenna and lynch himself and in my opinion this book does not say anything room to dream doesn’t say in more depth and more interestingly with most research being from primary sources rather than secondary. Higgs clearly understands lynch very well and I agree with most of his opinions but couldn’t help feeling the book doesn’t quite do what it says it will. There is no in depth arguments or hypothesis about why only lynch can make lynchian work apart from the fact he was the only person who was himself and after introducing topics such as why lynch doesn’t cast many actors of colour and why his fan base skews female despite criticisms that he fetishises female violence he then doesn’t analyse it. This was the most frustrating chapter as I see no point in introducing a controversial topic that you then have absolutely no intention of going into any depth in or giving any personal opinions on.
This review is coming across as a lot more rageful than I actually intended. I genuinely did enjoy reading the book but more because it put me in a headspace to think about lynch. For interesting commentary and information on lynch I would direct people to room to dream and I’m sure many other books / films / documentaries I have not yet read!
This entire review has been hidden because of spoilers.
An easy read. Felt like a David Lynch ‘fun facts’ book more than anything most of the time. No fixed perspective which I liked, I guess. Felt a little bit cop-out but I guess when you’re writing this type of book you can’t be too bias. John Higgs love for Lynch was definitely shown though, and I think a few of the snags in his career were glossed over but it is what it is I guess. Lots of things and tidbits I didn’t know about him, but found incredibly interesting. Not bad at all.
An enjoyable, quick read for fans of John Higgs’ writing like myself. While it doesn't offer new revelations for those already familiar with David Lynch’s work (it draws from a limited pool of primary sources), it serves as a well-written introduction to the Lynchian universe.
A wonderful insight into the life and mind of the unparalleled David Lynch. It will make you, without doubt, want to binge his entire back catalogue and be more wind.
An enjoyable, brief, fairly simple read. No massive insights or revelations but it tackles Lynch from every angle - including his mental health and his creative processes. Left me wanting more, tbh