Explores the rich social, cultural, and historical life of Dublin’s public houses across centuries.
'Here is a history of publand, yes, but here is a moment in time as well.'
For centuries, the public house has played an important role in the social and cultural history of Dublin. As the headquarters for a major revolution, a mecca of literary invention or a haven from work, ‘the local’ is a cornerstone of community life and a testament to human endeavour in an ever-changing city.
Beginning with the taverns and ale houses of the 17th and 18th centuries, Donal Fallon brings the reader on a visual journey through world renowned public houses such as the Brazen Head, The Long Hall, Grogan’s and The Palace, and on to early houses and gay bars, spirit grocers and shebeens. As well as the establishments themselves, the ‘Plain People of Ireland’ appear in chapters about temperance, karaoke and snugs. Along the way, we meet patrons as diverse and famous around the capital as Theobald Wolfe Tone, Nell McCafferty and Con Houlihan. And visitors to Dublin are also here, as the photographer Lee Miller seeks out the city of James Joyce and Elizabeth Taylor searches in vain for the Ladies’ toilet.
Drawing from rich archival collections, The Dublin Pub includes many previously unpublished photographs as well as testimonies from the past and present to bring the history of the Dublin pub to vivid life.
If you’ve ever been to a Dublin pub, you know they are a magical place, so I was excited to learn more. Lots of fun tidbits of info in this book about history, naming practices, culture, and societal importance of the pub.
This isn’t particularly my favourite format of non-fiction book - it often feels like you only get a little bit of information about many topics. My preference is more thorough coverage of less topics. Despite that, I did enjoy this book and will likely search out other books for further knowledge in some topics covered here, so it’s a good jumping off point.
My personal favourite chapter was about women in the pub. Crazy that as late as the 1980’s there were still men-only pubs!
I initially thought this book to be little more than a coffee table decoration, a bit of a bookshop gimmick. Instead I got an incredibly well researched deep dive into the societal and cultural changes of this city's rich history. Not only is it educational, it's incredibly interesting and entertaining. Funny stories mixed with political moments, through the lens of buildings we walk by (and drink in) every day An excellent read - gift this book to a Dub.
Surely this is the book that Donal Fallon was born to write. Like some mythological creature - half-historian, half-‘pintman’ - Fallon has traversed the taverns of Dublin city (a sacrifice he is no doubt willing to make in the name of historical research) to bring us this love letter to the institution that is the Dublin pub.
Fallon has astutely worked out that much of the cultural and social history of Dublin can be told through the story of its pubs. “The Dublin Pub” is an attempt to go beyond the mythology - and beyond the well-worn tales of Behan, Kavanagh, and Flann O’Brien – to tell a more contemporary history of the city’s watering holes.
Across 31 chapters, Fallon has taken a thematic approach to his mission. Within “The Dublin Pub” we are served sections on the role of the public house in the United Irishmen’s uprisings in 1798 and 1803, the preservation of Victorian-era snugs in contemporary pubs, the sad decline of the ‘early house’, and the IRA’s bizarre 1930s boycott campaign against Bass ale. The mystery of the disappearance of Dan Donnelly’s arm is solved, there are wonderful digressions on artworks hanging inside Dublin pubs and the evolution of the hand-painted signs hanging outside them, and we find out how public houses in the vicinity of the GPOs fared during the tumult of the Easter Rising (answer: badly).
There is even a chapter devoted to my beloved Flowing Tide, an establishment I’ve been frequenting for nigh on a quarter of a century, yet knew little of the stories about the pub that Donal Fallon relates here. Fallon doesn’t pander to old yarns or stereotypes, however, and he is comfortable debunking some of the shaggier dog stories related to Dublin publore.
This book is also an attempt to reclaim the pub from influencer culture and from beaten alive by Instagram (Fallon is not a man, I would presume, who would entertain being asked to ‘split the G’). “The Dublin Pub” goes beyond the canals and the old reliable city centre pubs that are preserved in aspic, and brings us pieces on The Towers pub, latterly of Ballymun and a rare example of a U.K.-style ‘estate pub’ in Ireland, plus the achingly-hip Fidelity music bar on Benburb Street. And there is a terrific chapter on the late, great Con Houlihan, the legendary sportswriter and pub institution whose articles hang framed in myriad establishments across Dublin.
“The Dublin Pub” isn’t just hugely accessible, consistently entertaining throughout, and thoroughly researched, it is also beautifully designed and illustrated (I found the map of ‘Lost Pubs of Dublin’ compelling, and a reminder the importance of defending and preserving pub culture). Without wanting to be too prescriptive, “The Dublin Pub” is a book perhaps best savoured in the snug of one of somewhere like Gravediggers or Bowe’s while having a pint of porter on the go.
I am not fond of pubs or drinking or Guinness at all but nonetheless I found this book endless in its insights on the history of its subject. I wonder if, in seeking to do justice to the Dublin institutions chronicled, it has deliberately eschewed the modern developments around Dublin publand vernacular. Despite Fallon describing ‘splitting the G’ and other such trends as a kind of anglicisation of Irish pub culture, a British import unfit for print, maybe these trends are worth mulling over. Would a silent film purist pen a history of cinema that bypasses the advent of sound?
This is not a list of must visit, favourite watering holes. Many are here, of course, but gathered beneath the umbrella of Dublin’s pub culture over the last couple of centuries. The telling comes through shifting perspectives; Fallon’s own pinball travelogue, the march of history, the swagger and stagger of those, famous, infamous or unnamed, who have shaped it. Fallon has done his research, I suppose you’d know to look at him, and delivers a narrative that’s always informative and entertaining. The story is peopled by a cast of patriots and playwrights, characters and chancers, and of course the publicans and patrons of the many public houses included in this account. Amongst the many are Con Houlihan, the Bird Flanagan, Wole Tone, WB Yeats and Elizabeth Taylor. Hostelries featured include O’Donoghue’s, the Horseshoe Bar, Tirinity’s American Bar, McDaid’s, The Palace and Grogans Castle Lounge. The pubs are linked through such themes as the Ballad Boom, Theatre, Revolution and Karaoke. Some are gone and forgotten: the Irish House and the Scotch House. Others go on for ever, or here’s hoping. Many’s the door I’ve passed through, some have doors I’ve been shown, others I’ve never darkened. All combine in a fascinating account over thirty chapters. Thirsty work. And now for a pint.
Excellent and easy to read book, I really enjoy the authors style, in his books, on TV and podcasts. He is really engaging. As a Dublin resident for a ere 25 years, I don't know the older and gone pubs, but have been to many of the ones in the book and will go to more. I'll also be in the lookout for art, architecture and monuments described - as well as a few pints
An excellent overview of the excellent range of public houses in the city. An amazing insight into the history of some astonishing buildings and the art that adorns the walls (sometimes windows) and the characters who haunt the halls. Essential reading for anyone familiar with the pubs or anyone hoping to visit the city.
Still remember Con! Did not know about Lee Miller or others. Nice to see a map of lost pubs and enjoyed the old tourism pictures. Nice production quality and will be a great Christmas gift.