This revelatory biography persuasively addresses the two great unresolved questions about Vermeer—why did he paint his pictures, and what do they mean?
One spring day in 1683, a notary’s clerk in Delft entered the home of the late Magdalena Pieters van Ruijven and stumbled on one of the wonders of the seventeenth–century twenty paintings by Johannes Vermeer. How had this one Dutchwoman come to possess the majority of the master’s work? And why have these images—among the most beautiful, even sublime, in the history of art—defied explanation for so long? Following new leads and drawing on freshly uncovered evidence from Dutch archives, acclaimed art historian Andrew Graham–Dixon presents a dramatic and transformative new interpretation of the artist’s life and work. Rich with piercingly direct descriptions of Vermeer’s paintings, Graham–Dixon’s biography is full of revelations. It upends the master’s enigmatic reputation and depicts him instead as a pioneer of the early Enlightenment, a pacifist who was deeply affected by the wars and religious conflicts of the Dutch Republic and allied to a radical movement driven underground by persecution.
Andrew Graham-Dixon has presented six landmark series on art for the BBC, including the acclaimed A History of British Art, Renaissance and Art of Eternity, as well as numerous individual documentaries on art and artists. For more than twenty years he has published a weekly column on art, first in the Independent and, more recently, in the Sunday Telegraph. He has written a number of acclaimed books, on subjects ranging from medieval painting and sculpture to the art of the present, including Caravaggio: A Life Sacred and Profane, Art: The Definitive Visual Guide, and Michelangelo and the Sistine Chapel.
I read this with great interest, well-written, well-researched. It's a great account of Dutch religious history. The consequential interpretations of Vermeer's works... Well, I def. need some time to think about those a little more...
Thorough investigation of Vermeer’s life - due to the frustrating lack of evidence, albeit with some new findings, it’s a life defined by implication and supposition. AGD does a fine job of piecing together a cohesive and reasonable overview, but it’s still frustrating to not know with more certainty. It’s also a great primer on Dutch 17th century history and religion. As with AGD’s biography of Caravaggio, there still remains so much more, that maybe we will never know.
worth it overall but at some points a bit tedious with the religious history. necessary context for the author to make his point though and I can see why it's included.