Sometimes, when you read a surfeit of the same genre, books can be quickly put aside, as all to often they begin to repeat the same old tired motifs, and conceits, of crime writing. Sometimes, however, something fresh, new, original and exciting awaits you, and I’m delighted to say that White Crocodile is one such book. Using the backdrop of Battambang in Cambodia, Medina has not only succeeded in constructing a story that adheres to all the tenets of a gripping crime thriller, but also skilfully manipulates this chosen location to integrate the attendant issues of this country still recovering from the ravages of war…
Penned by debut author, K.T. Medina, this book completely defied my expectations in terms of content and the execution of the story. With an incredibly accomplished prose style, that carried the story along beautifully, I felt so closely involved and intimately acquainted with the characters throughout this powerful and moving tale. Tess Hardy is a troubled woman, not only differentiated by her gender in the masculine environment she works in as a mine clearance expert, but also having come out the other side of an abusive relationship- a relationship that is powerfully rendered within the book. As Tess reconciles herself to the breakdown of this relationship, a strange phone call from Luke (her husband), mine clearing in Cambodia, followed swiftly by his death, takes Tess to this strange and dangerous environment. As the link between Luke’s death and a series of young women’s murders in Battambang becomes more evident, Tess finds herself embroiled in not only the day-to-day dangers of her job, in a community steeped in folkloric suspicion, but dark secrets with their roots back in England. Despite the clear and concise drawing of the other characters in the book, it is Tess that is the central lynchpin of the whole story, and she exudes a fascinating combination of emotional strength and weakness throughout. Her utter professionalism as a mine clearer is never in question, holding her own among her male counterparts, but there is a delicious fragility to her at times, that positively impacts on the reader, as she delves deeper into the mystery of the murders, and how the perpetrator of these could be dwelling closer to home than she thinks. As we follow her progress from victim, to defender of these women singled out for death, and finds herself in danger, the reader is utterly immersed in her story, and the mental and emotional strength she attains along the way.
Although, my personal knowledge of Cambodia, has only been accrued through film representations and other fictional books, I felt that the setting, influenced by the author’s own personal experience of the region, was perfect in its rendition. The suffocating heat, the strange belief systems, the heartbreaking visualisations of mine victims, and the prejudices experienced by women within this community, came powerfully to the fore. I was genuinely moved by the plight of the local people, carving out some kind of existence, beleagured by poverty due to the unstable nature of their surrounding environment- an environment whose description Medina carefully balances between both the good and the bad aspects, that impact on the lives of its inhabitants.
I was genuinely impressed by the scope of this crime read, and in common with the best crime writing, I felt that White Crocodile went beyond such a simple label. Packed with colourful description, weighty issues, and an inherent sensitivity to the particular social and economic problems of this region of Cambodia, Medina has achieved something quite special, and more importantly, refreshingly different. A remarkable debut.