Denise Liebig has written an intelligent, engaging, well written and commendable debut novel "Dear Maude." What she achieves in this novel is a deep understanding of: place, time, character, period, and an ability to maintain a sense of mystery throughout. No small achievement this must be said. The novel oscillates between a narrative form and a diarist form. I found this structurally uneven and this is the prime reason why I awarded this readable and enjoyable novel a four out of five and not a five out of five. But the author should be by no means be disappointed. This author will gain many fans believe me.
Lovers of period drama, romance, mills and boom novels, suspense, mystery, readers that love novels set in affluent environments, young adult readers, people who love a story about a young inexperienced girl falling in love, these readers will fall head over heals with this book, and this is something I can say unequivocally. There is a huge market for the "Dear Maude Trilogy." People will adore this young novelist whose main character Emily Stanton is both intelligent, inexperienced and lacking what colloquially we call the state of being, 'street wise.'
Her main character is a beautiful, humble, young woman, who is both modest and warm of heart.
Readers will find the protagonist of the book endearing, empathic, engaging, and involved. These affects are executed by the author stylistically via the manner in which she writes the book which is both: emotional, warm, and full of awareness of how others that surround the main character are cold and adrift from basic human decency. Thus, other characters act as baselines of comparison to Emily Stantons good heart, for although their bank statements maybe healthy, too many of the people Emily Stanton will encounter will be merely spiritually redundant and mentally impoverished, especially in regard to what it is to be a human being in this life. Because the author writes in the first person she achieves by this format of writing the ability to really grasp the inner world of Emily Stanton. What the reader gets in return is an excellent example of what it is like to be an outsider from the out-group attempting to fit in to the in-group, terms I learnt from my studies of social psychology and sociology.
The descriptions of the hyper affluent, how they dress, how they dine, is magnificent. What it feels like to be an underling, to be a person not from this society is so well done that all we can do is salute Denise Liebig and encourage her to finish this trilogy which she intends to provide us readers with.
The author manages to play on our nerves. We have no idea, as we read through the book, if the novel is a young adult book, a romance, a science fiction, a dystopian novel (for e.g. the contract provided by The Evergreen Research Corporation seems like a barbaric example of where Corporate American is headed in terms of workers rights and human rights) or an example of historical romantic fiction. Well done to Denise! in this present zeitgeist readers love a cross-fertilization of genres. The author keeps us in a sense of mystery, we wonder what exactly is happening to Emily, is she being used, or is she simply being employed to perform a set amount of duties that may or may not be to her personal detriment? These factors help to make this novel splendid and rather appetizing for perspective readers.
Denise Liebig shall find a loyal following as an authoress and many more praise worthy people than I shall sing her praises as an authoress.