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Why all the car bombs, beheadings, and mass murders in the Middle East? Why the relentless killing of non-Muslims throughout the world by the followers of Muhammad's religion? People blame verses of the Koran, but it's not about the Koran. It's about the man who composed the Koran.
Author F. W. Burleigh draws on an academic, investigative, and literary background to bring forth this penetrating look at the man behind it all. Burleigh’s interest in Islam was sparked by the events of 9/11. The questions guiding his studies were, “Why do Muslims do what they do? Why is there so much violence connected with this religion?” After a line-by-line scrutiny of 20,000 pages of the original literature of Islam, the author gives his blunt assessment in the title: It’s All About Muhammad.
The book is in three parts. The first 12 chapters explore the epileptic fits that convinced Muhammad that he was in communion with God, explain the Koran and why he composed it the way he did, and show the humble origin of the Kabah, which only attained its cubic shape in the year A.D. 605 with Muhammad as a member of the construction crew. The book shows the magma chamber of hatred that formed in him due to traumatic early-life experience and tracks the emergence of his psychopathic nature. It exposes how he modified ideas he took from Judaism and Christianity to suit his grandiose idea of himself as the "last and final prophet," his intolerance of Meccan polytheistic beliefs, and finally his declaration of war against "all and sundry" who refused to accept him and his religion.
In the second part, Muhammad's magma chamber of hatred erupts on the world. The book shows the creation of his al-qaeda--his base of operations in Yathrib (Medina) where he fled after the Meccans decided they had to kill him, his conflict with the Jewish tribes of Yathrib after they refused to accept him as their prophet; his genocide of the Jews including the beheading of the men of an entire tribe; the assassination of his critics; the battles and raids and orgies of rape, plunder, and slaughter; and finally his conquest of Mecca. Like a dramatic arc, these 18 chapters form Act II of a script that is still being played out today.
In the final part, Muhammad's ruthless conquest of all of Arabia is presented. This section also gives an account of his numerous wives and the expansion of his wars beyond the confines of the Arabian peninsula. One of the final chapters explores his claim that he will be the first to be resurrected on the day of resurrection and that he will assist Allah in determining who goes to heaven and who stays in hell--part of the "breathtaking nonsense" of what Muhammad claimed about himself, as the author phrases it.
What Muhammad created continues to wreak havoc on the world. It follows the script he wrote fourteen centuries ago. It is not sufficient any longer merely to raise the alarm about Islam--an ideology of submission to the will of a psychologically deformed and spiritually grotesque man. What needs to accompany the alarm is a solution, and this book offers a solution: It is a matter of an aggressive, relentless, and unapologetic exposure of the truth about Muhammad in every graphic form possible, from illustrated books to docudramas to full-length feature films. With its 25 illustrations, It's All About Muhammad offers itself as an example of the approach.
The truth about Muhammad is a powerful weapon of self-defense that people must take up to oppose and ultimately push back what he created. It is a weapon within the reach of everyone.
556 pages, Paperback
First published October 11, 2014
The image is a portrait of Alexis de Toqueville of Democracy in America fame. De Toqueville is also famous for the way he summed up Muhammad, Islam, and the Koran, which are the subjects of my books:
“I studied the Koran a great deal. I came away from that study with the conviction that by and large there have been few religions in the world as deadly to men as that of Muhammad. As far as I can see, it is the principal cause of the decadence so visible today in the Muslim world, and, though less absurd than the polytheism of old, its social and political tendencies are in my opinion infinitely more to be feared . . ."
A man after my own heart, plus he looks like Al Pacino as Michael Corleone in the first Godfather film, also a man after my own heart--Al Pacino I mean.
In order to write It's All About Muhammad I had to read a lot more than the Koran. In all, I soldiered through 20,000 pages of the original source material. I also read numerous secondary works by Western scholars and others. (I now have a physical library of nearly 500 books related to this subject!) From this study I extracted the real story about Muhammad, and it is presented in this book in a way that has never been done before.
For one, though it is a biography the book reads like a true crime story, for in fact Muhammad committed just about every crime listed by the International Criminal Court as constituting a crime against humanity--all provable from Muslim literature. I included 47 pages of double-column chapter notes citing--and often heavily quoting--the original sources. This is to show that nothing in the book is invented
Additionally, the book is illustrated, with 25 black and white illustrations, half of them "depicting" atrocities Muhammad committed.
This is a default book. Following 9/11, year after year went by and no one wrote it even though it was clear it needed to be done. Muslims follow in the footsteps of Muhammad. Islam--what he created--is now a global threat. Everyone is threatened by it. But nobody wrote it so finally I had to do it. My biography is a simple statement of a fact. F. W. Burleigh: a man who saw a book that needed to be written and wrote it.
Now I'm offering a second book which also gives a critical look at Islam, both of Sunni and Shia varieties. Belief in Muhammad as God's "messenger" is the foundation for both, with similar results despite differences in their theologies. The Imam of Time, however, is a novel, and in Part 1, the reader gets the experience of being with Muhammad through the experience of the hero, Ahmed, an Iranian appalled by all the injustices he sees around him under the Iranian theocracy. He wishes he could know the true Islam of Muhammad. He gets his wish and finds himself in 7th century Arabia where he ends up as Muhammad's scribe, giving him an up close look at the founder of Islam. It soon becomes clear to him where the injustices of mullahs come from. His return to contemporary Iran in a manner that shows he's the Mahdi--the long-awaited Imam of time, offers a look at the Islamic system of Iran. Because of his experiences with Muhammad, the hero has something new and fresh and true to say to his contemporaries, and it is something Iran's rulers do not want to hear--or allow to be heard.