This man has more red flags than a carnival.
Henry Norris is an F1 heartthrob and a protective older brother. When Jane sweeps into his life the week of his sister’s wedding posing as Elle Vaughn, Sarah’s longtime pen-pal best friend that he’s never met, a switch flips. The once commitment-phobic Henry falls head over heels for Jane.
This is the root of my frustration with this book. Henry is against relationships at the start of the novel. All he is interested in is a short fling that he can abandon at the end of the wedding week. For that to change, all that happened was him spotting the back of our FMC, Jane, in a crowd and he already began dialing up the possessiveness in his inner monologue.
This insta-love gets progressively worse throughout the novel, with Henry telling Jane after their first rendezvous that “this was more than a hookup.” Seriously? The author wants us to believe that Mr. Playboy who famously Doesn't Do Relationships™️ is fully smitten after having a quickie in a random person’s office (ew…RIP that person’s desk). I’m sorry, I’m not buying it. Adair’s entire character work on Henry up until this point is completely undermined with that singular line of dialogue. At every turn, she sabotages her own writing.
Here’s another example. Adair has us believing that Henry is sweet, if a bit rough around the edges with his protectiveness toward the people he loves. He grew up as the sole boy in a house full of women and he will cater to them at every turn, regardless of the snide remarks he gets from his friends about it. This guy sounds great, right? He’s not afraid of other men’s jeers about “losing his man card” (this is ACTUALLY something one of his “friends” tells him) for doing something as wholesome as supporting the women he loves.
Unfortunately, underneath the protective, sweet older brother mask lies a violent abuser.
After Henry and Jane have sex for the first time, they get into a fight and part ways poorly. The next time they see each other, she’s at an F1 event alongside the rest of his family. Do you want to know what sets off a jealous, violent rampage? Jane bought some merch and puts it on. Lo and behold, she’s wearing Henry’s teammate's shirt — not his. In a blind rage, he grabs a shirt with his number on it, bangs violently on the bathroom door where she's hiding, and says he'll kick down the door if she doesn't open it. She opens it, giving into his threat, and he tells her to change into the shirt he's holding or he'll remove her shirt and put it on for her. He literally says to put it on, “or I will rip that thing off your fucking body and put this on myself.”
Dear reader, is this the tone of a loving, sweet protector? Or a violent, jealous abuser? The fact that Adair writes Jane in this scene as being turned on by his threats is absolutely fucking insane. I paused the audiobook, took a breath, and wondered what the fuck I was reading. Is this a romcom or a cautionary tale?
This next paragraph has a spoiler for how the HEA plays out. Once all of the conflicts have been resolved, Henry proposes to Jane in the epilogue after ONE MONTH of dating. ONE MONTH. Someone give Jane DV resources, STAT, because this feels like love bombing and I fear, given Henry’s violent tendencies thus far, that it’s not a stretch to assume things will only escalate. The fact that he’s already pushing for babies in the epilogue the night of their wedding is more harrowing than heartwarming.
🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩
Red flags aside, the writing itself was cringe pretty much all the way through. When Henry and Jane hook up for the first time, Henry’s internal monologue has such stunning turns of phrase as:
“She rode his hand so hard he was certain she’d break it.”
And:
“His dick went impossibly hard, so hard he was certain it would break.”
What’s with all the broken bone[r]s??? If things are breaking, I think you’re doing it wrong. Jesus fucking Christ, he was acting like Jane could do kegels more powerful than Rosalie Cullen. Now, there’s someone who could break his hand.
But I digress.
This was bad and I’m tired. I wanted so much for this to be the fun riff on a classic (27 Dresses) and, instead, it was disappointing, scary, and cringe.
Overall Rating: 1 star.
AUDIOBOOK REVIEW: Rachel L. Jacobs did the best she could with what she was given. Honestly, at times, her line delivery saved some of the cringier sentences from sounding even worse. She was a shining light in this pit of darkness.
A big thank you to Netgalley and the publisher, Dreamscape Media, for providing me with an advanced copy of this audiobook in exchange for an honest review!