Rollercoaster advisories apply to Frank De Felitta's 1978 science fiction thriller The Entity. Warnings like, "Aggressive Thrill Ride" or "No one with heart/ neck/ back trouble or pregnant will be permitted" come to mind, as well as the one about hanging on until the ride comes to a complete stop. The book was not only scary at all turns, but the author included a few custom features I wished more authors paid attention to.
The story -- which manages to be tightly constructed and screws loose -- is divided into four major parts, and includes an opening "statement" and epilogue.
The statement is that of Jorge "Jerry" Rodriguez, a suspect booked on first degree assault on March 23, 1977. Jerry's tale is that he came into his girlfriend's bedroom and found her being attacked by ... he's not sure what, something invisible to the naked eye that was nevertheless on top of her. Jerry grabbed a chair and instead of knocking whatever was assaulting his girlfriend off her, strikes her in the head. Police arrive to take Jerry into custody.
Part one introduces Carlotta Moran, a single mother in her early thirties. Subsidized by welfare, Carlotta is enrolled in a clerical course and rents a house on 212 Kentner Street in West Los Angeles. Initially, the only unusual feature of the house is the four-post bed, built by a previous tenant and left behind, too big to move. Her teenage son Billy spends most of his time in the garage building stuff. Daughters Julie and Kim, who share a different father than Billy, are two years apart.
Carlotta grew up in Pasadena and comes from money, the only child of a rich minister. Now estranged from her family, she carries herself with a regal lift that others seem to notice. She has a steady boyfriend named Jerry whose executive career has him on the road for weeks at a time. Her son, threatened by this new man in the house, came to blows with Jerry before he left town this last time and Carlotta is guardedly optimistic that they can be a family together. All that changes on October 13, 1976 at 10:04 p.m. when Carlotta is preparing for bed.
One moment, Carlotta was brushing her hair. The next she was on the bed, seeing stars. Some knock, like being hit by a charging fullback, plummeted her across the room and onto the bed. In a blank mind, she realized that the pillows were suddenly around her head. Then they were smashed over her face.
Carlotta knows she's been beaten and raped but neither she or her son can find any sign of an intruder. She sleeps in the living room that night. The next evening, she wakens at the sound of scratching in the walls and a terrible smell, and is attacked again, only this time, hears laughter and voices. She's also able to bite the hand of her rapist. Her son and an elderly neighbor walk in on this, but find no one else in the room. The third night, Carlotta wakes with a premonition that something is coming for her. She scoops up her kids and flees the house as she hears her bedroom being trashed and a voice yelling "CUNT!" at her.
Over the next several weeks, whether in her car during daylight or at the home of her best friend Cindy, the attacks against Carlotta escalate. Part two introduces a young staff psychiatrist named Gary Sneidermann at West Coast College, where as a welfare recipient, Carlotta is able to receive mental evaluations and treatment for free. She tells Sneidermann about the spectral sexual assaults and the doctor suspects Carlotta's multiple hallucinations are due to psychosis. He becomes excited by the prospect of researching her peculiar case and curing her.
Ultimately, both Billy and the girls sense him in the house, with Billy suffering a slight injury during one attack on his mother. Sneidermann maintains that the children are simply feeding off their mother's hysteria, validating her hallucinations. He begins pushing the boundary between doctor-patient by developing feelings for Carlotta. Disgusted by her psychiatrist's thesis that she's manufacturing these episodes out of incestuous feelings toward her own children, Carlotta quits therapy.
Part three propels the novel into a whole other level of insidiousness. After Cindy takes her friend to various mystics or fortune tellers around Los Angeles, Carlotta is in the West Coast University bookstore and overhears two graduate students talking about paranormal activity. She nervously approaches to ask questions. Eugene Kraft is an electrical engineer. Joseph Mehan, one of his brightest students, developed empathetic skills and found his calling in parapsychology.
Carlotta tells the researchers only enough for them to conclude her home might be experiencing poltergeist activity. A field visit to 212 Kentner Street confirms this. Kraft and Mehan consult with their faculty head, Dr. Elizabeth Cooley, whose division is the black sheep of the department and her position among her peers tenuous. Dr. Cooley urges caution when she learns that Carlotta was undergoing evaluation at the university, concerned on stepping on toes in the department.
Their first night at the house, Kraft and Mehan record something trying to get into Carlotta's bedroom, but whatever it is seems to back off. Carlotta is elated, believing her army has her attacker on the run. The festivities are dampened when Sneidermann makes an unannounced visit and discovers that ghost hunters from the university have set his former patient's recovery back. Sneidermann seeks to put a stop to it. Meanwhile, Jerry's return to Carlotta's life takes a blow to her self-esteem and opens a door for the entity to return in force.
Part four, titled The Entity, pits the psychiatry department, with Dr. Sneidermann leading the charge, against Dr. Cooley's parapsychology division with allegations the ghost hunters are injuring Carlotta. Sneidermann not only seeks to shut down the experiments at Kentner Street, but marginalize the entire division. A compromise is struck to allow Carlotta to be monitored for two weeks in a controlled environment on campus, where Kraft and Mehan construct a model of Carlotta's living space with modifications designed to not only record, but capture the entity.
The Entity is a novel where much of the prose and even some of the dialogue reads like it was written on a wooden block; not wildly imaginative writing. De Felitta is on the nose when it comes to summarizing and telling a lot of things for the reader. None of that matters in the end because the narrative is so thrilling, the characters complicated adults, and the research material impeccable.
The story is based on a haunting documented in Culver City, California in 1974 that was centered around a single mother of four named Doris Bither. Among her allegations were that she'd been held down by two of the smaller entities and raped by a third. She ultimately sought the help of parapsychology research assistants she overheard talking shop at a university bookstore. De Felitta uses the case as a solid departure point for a story about how unexplained phenomena might manifest and create problems for a society ill-equipped to deal with these things.
In addition to Carlotta's boyfriend being arrested and booked, unable to provide a reasonable explanation for what happened in the house, the academic turf war between the psychology and parapsychology divisions fascinated me. Both groups stake their ideological territory, dig in for a variety of professional and personal reasons, and in the climax, have their pet theories about Carlotta put to the test. I naturally despised the shrinks and was buoyed when the ghostbusters entered the story, but De Felitta populates the story with complex characters as opposed to caricatures.
I liked how socioeconomics were addressed, with Carlotta's decisions -- including, "Why don't them people just get the hell out of there?" -- rooted in poverty and her inability to turn to her family for support. I've never known anyone who lived in a haunted house, but have met single moms like Carlotta Moran, with the dishes piled in the sink and the bank account in single digits. I could identify with her. As far as what's behind the attacks and why it picked Carlotta, De Felitta offers a few tantalizing possibilities, but keeps the unknown firmly unknown.
De Felitta includes an addenda which has Kraft and Mehan's final inquiry on the entity, a diagram of the simulated environment and a press clipping from a tabloid story about Carlotta. Nice touches.
And the book is scary. I can see how it would be too much for some readers to handle. Read the warning signs. Riders really need to be taller than 5'4" for this attraction.
Dr Felitta adapted the screenplay for a 1982 film version of The Entity, directed by Sidney J. Furie (Little Fauss and Big Halsy, Lady Sings the Blues) with Barbara Hershey playing Carlotta and Ron Silver as Dr. Sneidermann. This movie might have been the start of parental warnings at the beginning of TV broadcasts. As with the movie, the novel is merciless when it comes to preying on the nocturnal fears of its readers, with intellectual underpinnings that are just as thrilling,