Five short stories tied together with an overarching narrative. There are some good ideas in here but the execution is very uneven and off-putting.
Where to start. I guess with the editing. This feels like a self-published book, maybe it is, because every couple pages you come across an error that stick out like a sore thumb, something an editor should catch. The wrong synonym used, etc. Not the kind of thing a quick scan with a spell checker would find. It feels not so much like a first draft, but a second draft that needs a good scrub. Some examples:
[A crewman is given an order]
"I, captain," Dupont responded at once.
"Her smile and the amiable softness of her eyes, however, never faulter"
"Carter," I say, somewhat horse.
These should clearly be "Aye", "falter", "hoarse". Combine this with a few words used incorrectly and a tendency towards repetition, with the same phrases used word for word on numerous occasions, and it feels like you're reading a weblog and not a real published novel sometimes.
And yet the writing is good on occasion. Despite some word choices that definitely feel like they are trying too hard (lots of characters trying real hard to sound smart), the author imparts some intelligence into his writing that elevates the experience even while the mistakes try and drag it down. This is not a poorly-written novel, from a prose perspective. But then you'll come across a sentence like this and smack your forehead: "Commander Hiroshi, a Japanese Aerospace Exploration Agency veteran with experience in space exploration, believe humanity should prepare itself for a new era of space exploration."
On to the subject matter. While the five short stories here are tied loosely together with six little snippets of an AI receiving a visitor aboard a space station, that part of the novel falls kind of flat and drags at times. Each short story is told with a slightly different style and subject matter, and as I discuss each in turn below you will see that there is a clear pattern here. While there is some mostly hard science in these stories, a lot of the time logic and science is ejected and hand-waved with nanotechnology, nano viruses, and a mystical material called Computronium that turns everything into nanotechnology I guess. This results in a very uneven read, with some good build up and interesting concepts sometimes just turning into nano this or quantum that right when you think it is going to pay off. Not always, but enough times that it's hard to maintain that suspension of disbelief. Okay on to the individual stories.
The first is probably the worst, the bulk of it is framed as an interrogation between a female officer in a law enforcement or military position and a recently-captured scoundrel. There are a couple big problems with this one, the first being the massive amounts of exposition necessary to set up the conflict, which becomes tedious pretty fast and hard to keep straight because it's just too much work for the reader for a short story. The author tries to fit a full novel's worth of backstory into about 60 pages and it just doesn't work. The second problem is that it seems to have been written as a third person narrative (maybe?) and then converted into the interview format afterwards. And so we get one of my pet peeves front and center: characters talking out loud in extremely unnatural ways in the literary style of a book. Listen to these sentences, which are supposedly coming out of the mouth of a captured rebel operative as he is being questioned by the police:
"Mayzee punched commands into her console, her fingers flying over the holographic keys. Then, interjecting, she suggested the signal's structure was too ordered to be natural."
"At once a cacophony of charged particle beams and the primal roar of combustion firearms filled the air."
"The world was a silent sentinel in the void, its surface a seamless, iridescent sheet of ice reflecting the faint glow of distant stars."
The thing is, these sentences would not give me pause if they were just part of the story, descriptions of things happening. They aren't bad at all, really. The problem is that NOBODY talks like this and to present 40-50 pages of a character telling us a long and detailed story, half in a realistic conversational tone (or at least close enough) and half in this literary tone, is jarring and weird.
Anyway, the story is about this captured rebel who is too cool for school unraveling a dastardly plot enacted by rogue AI, while his female captor who was previously unshakeable in her faith in her abilities and the righteousness of her government's cause (surprise surprise) starting to have doubts as he gets under her skin. We've seen this all before. One star.
In the second short story humans of a few decades from now at most discover an ancient alien artifact that leads them on a trip to the edge of our solar system and beyond. More on this below, but this one is probably the least interesting of the stories as it is a little dull, full of dull characters, and is surprisingly predictable. Two stars.
The third one is probably my favorite of the five which is a little surprising. In this one we have some humanoid aliens who can communicate mind to mind by sticking their fingers into the back of each other's necks, living in a primitive society where huge monsters come crashing out of the jungle and everything seems alive. And then an obviously technological threat appears and wipes out entire villages and we are left with a broken and desperate main character fighting for survival. I liked this one! And I often find these primitive society tales frustrating. I was reminded at times here of Gene Wolfe -- not the regular mainline stories in his sci fi books, but the single-chapter interludes where he apes Kipling or some Native American mythos to tell a psychedelic tale on an alien world. But where Wolfe likes to obfuscate things and leave you wondering what in the world is even happening, here we get a pretty straightforward narrative with just a few oddball elements, and a chaotic but easy to follow story. Four stars.
Number four is a dystopian nightmare where everybody is not just staring at their phones all day long, but is living in their own worlds with full virtual reality layered over their sensations of the real world. One wonders why they go outside, but they do, and they get into trouble. Viruses (not the nano kind this time, thankfully) are a big problem and we get a hard-boiled detective story as our hero cop fights insanity. While this one dragged a bit at times there is a fantastic section where the main character battles viruses and the infected, easily the best part of the book. Unfortunately the rest of this one drags it down and I stopped paying close attention and I may have lost the plot towards the end to appreciate the way the story wrapped up. I will probably go back and read this one again sometime. Four stars.
The final short story has five aliens (one being a human) telling their tales as payment of sorts for their passage on a spaceship going to visit a super-intelligent, almost godlike AI. This one had some great concepts but I really didn't care one bit about a few of these characters. There is a saucy and arrogant alien poet. A swarm of dust-mote-sized animals that form a colony mind, which has somehow evolved from a bipedal humanoid race (I have no idea how this would work). Some others, I forget. And a human female, who is very boring. Sorry, this one didn't grab me at all, and it was supposed to be the unifying story that brought everything together just in time for the final AI space station reveal at the end. Which fell completely flat as a result. Two stars.
You may have noticed a pattern here. We have:
1. Shadow war between hyper intelligent AIs in a multi-planet space opera.
2. Discovery of an alien artifact, instructions for first contact, and ensuing mission of early space-faring humans.
3. Primitive tribal culture on an exotic planet with large and dangerous wildlife is invaded by high tech baddies.
4. Near-future humanity trapped in virtual reality where identity is in question.
5. Five pilgrims tell their tales on a space voyage to a quasi-religious encounter.
Or in other words:
1. Culture / Hyperion
2. 2001 / Contact
3. Avatar
4. Matrix / Total Recall
5. Hyperion (again)
Each of these short stories doesn't just get inspiration from its source material, it wears its influences on its sleeve and you might even say is a homage of sorts. A few of them transcend their source material and have occasional flashes of something more than just knock-offs of more established works, but it is really hard to take after a while. I am not sure the author's intention but I will assume that this was intentional and that these obvious influences are on purpose and we are supposed to appreciate the retelling of these famous stories AS retellings of famous stories. This just didn't work for me at all. And so even though if you averaged my star ratings for the individual short stories you would get something like a low three star rating, I am afraid as a whole the novel just didn't gel for me. And so, two stars.