I liked this book well enough, which I guess translates into a B-. The minus is for forgettability, because I don't think much from this book will stick with me. I think it's the early work of a good writer with better books ahead of him (well, behind him now, because this was published in 1997 and Lennon has put out several novels since then. The one I really want to read, "Pieces for the Left Hand," hasn't been published in the U.S. And his latest books is being serialized in Harper's, so that's not something I can lay my hands on right now either. Hence dipping into the back catalog).
A plane crashes in Montana, and Lennon follows the emotional aftermath of several people touched in some way by the disaster. Paul and Anita witness the crash while in the midst of a marital squabble -- their marriage was crumbling before, but the crash seems to hasten the end as it brings Anita into contact with the uncle of one of the crash victims. Lars loses his girlfriend Megan in the crash and struggles through his grief while befriending Christine, who is waiting in a trailer parked at the Safeway for a kidney transplant to save her life. Trixie's ex-husband Hamish was on the flight, coming to visit her after decades apart because there was something he wanted to say. Now she sees his ghost drifting through her house, and she wonders if she can reach past her estranged daughter to contact her grandchildren, to impart some knowledge of herself before it's too late. Bernardo is the sole survivor of the crash; he's been hiding in the woods and then at Anita and Paul's house, afraid to face the wreckage of his life.
The fragmented stories are all interesting, but by meandering from character to character and episode to episode, Lennon sacrifices narrative drive. There are some connections between some of these people (Anita and Paul interact with Bernardo, Paul meets Lars) but others, like Trixie, exist in isolation. There is very little resolution -- Anita leaves Paul, Bernardo finds his son, Trixie meets her grandchildren. But what is Paul going to do next? What about his obsessive interest in his boss's teen-age daughter? What does that mean and where is it going?
The book is very much a slice, actually several slices, of lives in progress. Which is fine. But I think in order to be more memorable the books should either be more unified or more disparate -- just shatter them into distinct stories. Which is what I *think* he's probably done with "Pieces for the Left Hand," and if I can get my hands on an imported Granta copy, I'll be able to confirm or deny that.
"Over lunch he told her what he'd been thinking. He told her a lot of other things he'd thought about too, and to his surprise she not only understood them, but seemed genuinely interested in the entire act of thinking. She shared some of her own ideas. Tax breaks for people who grew their own food, book-buying subsidies for the poor, electric cars you could charge by hooking them up to an exercise bike."
"Though she lived alone, she was rarely lonely; only when she was forced to wait for someone else did the quiet take on weight and become a palpable enemy."
"She had the scattered feeling she always got when events conspired to mess things up, and nothing exhausted and frustrated her more than a mess she was incapable of fixing."
"What she wanted was really two things: to be elsewhere, and to be somebody else. Or at least a version of herself that had made better decisions, that had thought more clearly."
"It was of passing interest to him that one of them laid silent claim to every object in the house, that, unlike a lot of couples he'd known or read about, neither ever forgot what was whose."
"Nothing had ever seemed so burdensome as leaving his burdens forever."