The legend states that “Nothing is truth, everything is permitted” were the last words of Hassan-I Sabbah, the mythical leader of the ancient and obscure sector of the Murderers. Writer William Burroughs became obsessed with this phrase, claiming it was a magic password. In the beginning of the 20th century, Burroughs continued viewing Sabbah as one of his mentors. His scandalous life and radical work had become a symbol for rebels and anarchists, eventually becoming one of the most ideological precursors in the punk movement. Then, the world surrendered before Nirvana, considering them to be the ultimate rock-and-roll band with Kurt Cobain, the prophet of a new generation, as their leader. Since the death of the singer, four photographs were found hidden between hundreds of pages of manuscript in which the deceased singer can be seen walking with Burroughs. Each one of these photos tell their own story but also their own mystery. They were taken in October 1993, when Cobain achieved his lifelong dream: to visit Burroughs, his biggest and most influential hero. Including artwork and rare photographs, this book takes you on a tour of an important part of the 20th century, focusing on the connection between Burroughs and Cobain while simultaneously investigating the relationship between music, art, and rebellion.
Editor, escritor y ensayista especialista de los movimientos de vanguardia y de la contracultura europea y americana. Durante nueve años fue batería de la banda Muletrain.
Este es uno de los mejores libros que he leído en mucho tiempo. Servando Rocha ha sabido conjugar la erudición sobre un tema y la furia en la escritura. Este ensayo se construye a partir de una intuición/vivencia que reverbera en la vida de Rocha: el hecho de que el encuentro entre Kurt Cobain y William Burroughs constituye un acontecimiento; esto es, un suceso capital que manifiesta el pensamiento y el sentir del siglo XX. Tamaña tesis sólo debe nutrirse para no desmoronarse sin remedio. Tal vez sea en el tránsito entre Leadbelly, Burroughs y Cobain que podemos comprender cuál ha sido el devenir de este siglo desesperanzado, triste, llevado por la incerteza y el desprecio ante los valores que un día creímos inamovibles.
Sin ser fan de Cobain o Nirvana, incluso sin ser un gran entusiasta de Burroughs, este libro ha despertado una inmensa curiosidad en mí; sobre todo en lo que atañe al escritor norteamericano. Espero pronto retomar su lectura, pues en mi primera experiencia me fue insondable. Si bien no pretendo superar este abismo, capaz ahora pueda disfrutar más de él.