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368 pages, Paperback
First published June 2, 2015
“It isn’t enough to be beautiful … A garden must meet the needs of the soul as well as the senses. You feel at home and somehow enlarged, more yourself, in a good garden. Most of all the garden must suit the land … It was a philosophy of life as well as gardening: pleasure combined with work, beauty with practicality. The garden would both calm and awaken senses and memory.”Beatrix felt deeply that “there is no more sensual activity than gardening,” so she couldn’t envision herself as the marrying type. Her determination and independent spirit were also fueled by a lack of close-up, positive role-models for marriage: Her father, Frederic, Wharton’s brother, was a floundering gambler; Edith’s marriage to Teddy was unhappy (eventually they divorced); Daisy, our outgoing and intimately chatty narrator, a mother of six who does not take well to a solitary life, is unrealistically optimistic about her also gambling husband; and Henry James, who never married, his sexuality affecting his novels, cautioned Beatrix (and Daisy) about making impulsive romantic decisions. Beatrix also keenly understood “reputation [is] a woman’s most important possession.” This is the mindset of the lovely young lady we’re introduced to when she embarks with her mother on a transformative journey studying and sketching some of the grandest gardens in Italy, France, Germany, and England (at the encouragement of Beatrix’s horticulture professor, Charles Sprague Sargent, founder of Harvard’s Arnold Arboretum).