"A Harvest of Hearts" is a whimsical and atmospheric tale about Foss Butcher, an ordinary village girl whose heart has been literally snagged by a handsome sorcerer. Setting out for the city to reclaim it, she discovers the sorcerer's enchanted house and befriends a talking cat. As she searches for her heart, Foss uncovers the dark secrets lurking behind the king and the sorceresses.
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the writing
⤷ The writing is exquisite, bringing the story vividly to life with its beautifully crafted descriptions. I enjoyed Foss' no-nonsense attitude and her dry wit. However, the pacing is somewhat sluggish, and it takes more than half the book for the plot to gain momentum. The first half feels nearly uneventful once Foss makes it to the city, while the second half feels rushed, limiting the opportunity to fully explore the relationship between Foss and Sylvester. At times, the exposition feels repetitive, particularly concerning the stolen hearts and certain physical descriptions of the characters. Despite these, I thoroughly enjoyed Adrea Eamas' writing style, which feels mature and skillfully crafted.
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the plot
⤷ "A Harvest of Hearts" draws inspiration from Howl's Moving Castle but establishes its own unique identity. The magical elements were captivating, and the mystery kept me turning the pages. The story builds a strong connection to its world, with memorable features like the charming magical house with a personality of its own, the self-sustaining magical carriage and horses, and the adorable talking cat with a love for bacon. The vibes are immaculate—strange, sinister, and whimsical all at once. More than just a love story, it is a fantasy tale with themes of self-discovery.
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the romance
⤷ The lack of meaningful interactions between Foss and Sylvester is a notable disappointment in the story. The few moments they shared, such as when Foss recounted tales of ordinary village life, were only briefly mentioned, missing the opportunity to deepen their connection. Their interactions are sparse in the first half, while the rapid pace of the second half leaves little room for further development. Consequently, the story missed out on the special moments that could have enriched their relationship. Despite this, I liked the contrast between the characters and enjoyed their interactions, however few, and wished there had been more.
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the characters
⤷ I can see why others might find Foss' cynicism and deep insecurities off-putting. Her constant negative self-talk was uncomfortable at times, but I quickly recognized how realistic her deep-seated insecurities were. As someone who struggles with body dysmorphia, I sometimes have thoughts similar to Foss’. I'm only fortunate that I’m not the narrator of a book, and I can keep such negative thoughts private, hidden from others who might use my weaknesses against me.
Foss’ negative self-view stems from her belief that something is fundamentally wrong with her, a notion rooted in her mother’s death during childbirth. Her humiliation by the first man she had affection for and the disparity in how she’s treated compared to pretty girls have further eroded her self-esteem. She sees herself as plain and unlovable, unlike the pretty girls who seem to have everything. As a woman navigating today’s society, where there’s immense pressure to conform to beauty standards—perfect skin, ideal body, feminine features—I found myself empathizing with Foss rather than finding her self-consciousness irritating.
I also admired how, despite the powerful spell that kept her enthralled, she continued to fight to maintain her clarity and resolve. Her strength of will and determination make it impossible not to root for her. Though she may seem cold at times, her warmth and compassion shine through, as seen in her care for her Da, her efforts to save Collin, and her desire to rescue the Snagged. Even though Foss often describes herself as ugly and plain, she is a resilient woman who refuses to give up and takes action to make things happen. Now that I think about it, she somewhat reminds me of Jane Eyre!
⤷ Sylvester is a character I would have liked to see explored more deeply. As it stands, he feels somewhat two-dimensional, especially since his presence is so minimal in the first half of the book that his magical house seems to have more personality than he does. Although I enjoyed his character, I wished for a more developed portrayal. We don't get much insight into him on a deeper level, as much of his story is conveyed rather than truly experienced.
⤷ Most people would agree with me that Cornelius, the talking cat, is the star of the show! As a cat lover, I might be a bit biased, but I would have put the book down if anything happened to him. His presence brought a delightful charm to the story, and I adored the bond he developed with Foss.
⤷ The villains lack complexity. Apart from Clarissa, the other sorceresses remain largely unexplored, and the King comes across as a basic villain archetype, lacking any depth. I would have enjoyed seeing more of the sorceresses in action rather than just hearing about their deeds.
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bottom line: I adored the story and was enchanted by its magic and whimsy! I’ll miss Cornelius the most, along with the magical house I have grown so fond of—I wish I could live in a house that gives me everything I need! That said, I look forward to the author's future books.
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pre-read.
Did someone mention Howl's Moving Castle and a talking cat?
Well, now I have to read it. Stay tuned. 😎
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Thank you to Andrea Eames, Kensington Publishing, and NetGalley for the free ARC in exchange for my honest review!