Big Star has been such an influence to so many musicians since the 1970s, but the general population doesn't know who they were. The band's history was a lot of "wrong place, wrong time" and a lot of Murphy's Law. The band and its albums received critical acclaim, but that didn't make it to the rest of the people, due mostly to bad distribution of their albums. The rock press gushed about how great the music was, but when people went to buy the albums, they couldn't find them in stores. Jody Stephens partially credits the musician fans (e.g. Peter Buck, Matthew Sweet, etc.) who have liked Big Star and mentioned them in interviews for boosting Big Star's popularity as time goes on, calling it a "word-of-mouth, grass-roots movement" (263).
Rob Jovanovic says of the 1992 re-releases: "The original music had slowly seeped into the consciousness of a generation of musicians and writers and the brilliance of the original recordings was finally being properly recognized" (251).
Overall, the book wasn't bad. At times it felt schizophrenic, bouncing from band member to band member, year to year, but that could be because there were SO MANY different members to cover, especially given the revolving line-ups. And since Big Star was really only together a few years here, a year there, another year twenty years later, there were a lot of different eras to cover for each individual, rather than being able to say "From year xxxx to xxxx, all the band members were together doing __________". Also, the typos and missing words! Ugh! Oh, and the endnotes -- what's up with those? Rarely did they have anything to do with the text they were referenced from. They generally seemed more like information Jovanovic couldn't bring himself to edit out. But, overall, not a bad book.